Creating that East Coast autumnal vibe on the Warner Bros. lot in Southern California, though, where the series was filmed, was no small task.<\/p>\n
\u201cYou’re in Burbank, and you have California sort of non-seasons,\u201d said production designer Rachel Kamerman, who worked on the series from 2003 to 2006. \u201cAnd you’ve gotta do a four-season show.\u201d<\/p>\n
And even though she and the crew no doubt succeeded in the transformation, she occasionally questioned whether it was accurate enough.<\/p>\n
\u201cSometimes, I’m enamored by what we did fall-wise, and sometimes, I look at it now, and I grew up in the Midwest, and my husband’s from Connecticut, so I know what fall really feels like,\u201d Kamerman said. \u201cSo sometimes, I wish it was a little more perfect, but we did what we could within our budget and the quick turnaround.\u201d<\/p>\n
The fact that the show has become so closely associated with fall and so beloved, she says: \u201cIt’s huge. It feels to me bigger now than when we were on the lot and filming it. And the recognition is bigger. It’s a really lovely surprise to all of us how it’s really transcended over the years.\u201d<\/p>\n
How the LA-made \u2018Gilmore Girls\u2019 (now 25!) became synonymous with fall<\/p>\n
Turning Burbank into Stars Hollow<\/p>\n
When it came to creating the feeling of an East Coast fall in Southern California, Kamerman said much of it was helped by filming on \u201cMidwest Street\u201d<\/a> on the Warner Bros. lot, which is intentionally meant to be able to transform into \u201cAnytown, USA.\u201d It\u2019s now most closely associated with Gilmore Girls but has been used for decades for shows like The Dukes of Hazzard (and Pretty Little Liars, which Kamerman also worked on) and movies like The Music Man.<\/p>\n The Warner Bros. Studio Tour includes “Midwest Street,” where much of ‘Gilmore Girls’ was filmed.<\/p>\n \u201c\u200aI would consider it that whole exterior area [where] you can do a 360 and feel like you are in either a residential area or a sweet, quaint downtown.\u201d<\/p>\n But the fall of it all still posed a problem. (Winter, too, involved using mashed potato flakes for snow<\/a> and cutting board material for the \u201cice\u201d of a skating rink.)<\/p>\n Some extreme measures had to be taken on the trees surrounding the gazebo that features prominently in the series.<\/p>\n \u201cWe had a fantastic greens department with Warner Bros., and they would go up on cherry pickers and pluck leaves off and put silks [i.e., fake leaves] in.\u201d<\/p>\n What\u2019s behind the show\u2019s lasting cultural impact?<\/p>\n Kamerman\u2019s theory for the show\u2019s lasting impact has to do with the look and feel of it.<\/p>\n \u201cI think everybody wants to kind of feel safe in the world,\u201d she said. \u201cAnd even though you know that there’s strife between Lorelai and her parents and all the other kinds of things that are happening, there’s like a visual safety. And that coziness that I think is just imperative for that show, and that small town charm.\u201d<\/p>\n The unique \u2018pros\u2019 of filming in LA<\/p>\n Despite the need to do things like replace real leaves with fake red and yellow ones, Kamerman said there also were distinct advantages to filming in L.A.<\/p>\n \u201cL.A. gave us the magic of Hollywood and the magic of filming on a studio lot,\u201d she said. \u201cYou can’t turn around a show in seven days like with new sets unless you’ve got people that know how to build sets and paint sets and shop out sets. The resources and the skilled people that are members of the unions here, there\u2019s nothing like it.\u201d<\/p>\n How to celebrate the show\u2019s anniversary in LA<\/p>\n <\/p>\n
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