{"id":274935,"date":"2025-10-03T16:01:16","date_gmt":"2025-10-03T16:01:16","guid":{"rendered":"https:\/\/www.europesays.com\/us\/274935\/"},"modified":"2025-10-03T16:01:16","modified_gmt":"2025-10-03T16:01:16","slug":"hits-their-final-stop-of-their-eva-girl-tour-in-los-angeles-annenberg-media","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/274935\/","title":{"rendered":"hits their final stop of their \u201cEva Girl\u201d tour in Los Angeles \u2013 Annenberg Media"},"content":{"rendered":"

Under the gilded, elliptical dome of The Belasco on Sept 26, Singaporean-born artist and producer yeule<\/a> graced the stage for the final stop of their \u201cEva Girl\u201d tour. The crowd was anything but static throughout the night, whether jumping to the beat, moshing or even letting loose and dancing.<\/p>\n

Throughout their tour in the United States, they were supported by fish narc<\/a>, a musician and producer based in Washington. Known for guitar-heavy production and experimental style, fish narc and his band filled the theatre with a grungy, indie-rock set.<\/p>\n

\"Rockfish narc and his band opened for a packed pit at The Belasco. (Photo by Lynn Wee) (Lynn Wee) <\/p>\n

Informally known as Nat \u0106miel, yeule incorporates a variety of electronic, ambient and post-pop elements into their music. Marrying experimental digital concepts with innately human themes such as grief, loss and loneliness, yeule\u2019s music reflects the ever-evolving human experience as we find our lives increasingly entangled with technology.<\/p>\n

Moments before yeule entered the stage, a dramatic, symphonic fanfare echoed within the theatre\u2019s walls. Paired with evocative, haunting visuals that transition through glitches and stuttering frames, the self-proclaimed title of \u201cthe Glitch Princess\u201d is befitting (yeule\u2019s fans are fondly dubbed \u201cGlitches\u201d). Cheers and screams resonated as yeule took the stage, opening their set with the familiar rhythmic bassline of \u201cTequila Coma.\u201d<\/p>\n

\"AudienceFans jump, dance and mosh as yeule delivers an enrapturing performance. (Photo by Lynn Wee) (Lynn Wee) <\/p>\n

Between each song was nothing but silence. The atmosphere was as delicate as a held breath: fragile and all-too-human in contrast to the robotic, digital aesthetic of yeule\u2019s projects. As the crowd waited between each song, The Belasco\u2019s reflective walls amplified each voice, each excited cheer.<\/p>\n

While the setlist was centred around their latest album, familiar crowd-favourites were performed, such as songs from their album \u201csoftscars\u201d: \u201cdazies,\u201d \u201csulky baby\u201d and \u201csoftscars.\u201d In contrast to their heavy, electronic-dance tracks, they also performed the mellower \u201cAnthems for a Seventeen Year-Old Girl,\u201d a cover they did for the soundtrack of the A24 film, \u201cI Saw the TV Glow<\/a>.\u201d<\/p>\n

\"FansPacked with fans (lovingly dubbed as \u201cGlitches\u201d by yeule), the crowd waits with bated breath between each song. (Photo by Lynn Wee) (Lynn Wee) <\/p>\n

yeule ends their set with \u201cDon\u2019t Be So Hard on Your Own Beauty,\u201d marking the end of their U.S. tour. Fans linger around the venue, taking their time to disperse amidst their post-concert haze \u2014 basking in the sense of community amongst their fellow Glitches.<\/p>\n","protected":false},"excerpt":{"rendered":"Under the gilded, elliptical dome of The Belasco on Sept 26, Singaporean-born artist and producer yeule graced the…\n","protected":false},"author":3,"featured_media":274936,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5123],"tags":[1582,276,21200,142285,142287,142284,2961,224,5337,142286],"class_list":{"0":"post-274935","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-los-angeles","8":"tag-ca","9":"tag-california","10":"tag-concert","11":"tag-eva-girl","12":"tag-fish-narc","13":"tag-glitch-princess","14":"tag-la","15":"tag-los-angeles","16":"tag-losangeles","17":"tag-yeule"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115311076098143310","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/274935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=274935"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/274935\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/274936"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=274935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=274935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=274935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}