{"id":275150,"date":"2025-10-03T17:49:09","date_gmt":"2025-10-03T17:49:09","guid":{"rendered":"https:\/\/www.europesays.com\/us\/275150\/"},"modified":"2025-10-03T17:49:09","modified_gmt":"2025-10-03T17:49:09","slug":"james-gunn-insisted-on-using-practical-effects-for-clayface-making-it-a-true-horror-experience-geektyrant","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/275150\/","title":{"rendered":"James Gunn Insisted on Using Practical Effects For CLAYFACE, Making It a True Horror Experience \u2014 GeekTyrant"},"content":{"rendered":"<p class=\"\" style=\"white-space:pre-wrap;\">DC Studios is changing its game plan. Instead of gambling everything on massive blockbusters, the studio is building out the DC Universe with a mix of smaller-scale movies and TV shows. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">One of the most interesting and exciting projects for me is<a href=\"https:\/\/geektyrant.com\/news\/new-clayface-movie-details-involving-the-plot-and-a-new-character-for-the-horror-fueled-origin-story\" target=\"_blank\" rel=\"nofollow noopener\"> <strong>Clayface<\/strong><\/a>, an R-rated body horror film centered on Batman\u2019s terrifying shapeshifting villain.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">The script comes from<a href=\"https:\/\/geektyrant.com\/news\/james-gunn-shuts-down-clayface-rewrite-rumor-its-all-mike-flanagans-story\" target=\"_blank\" rel=\"nofollow noopener\"> <strong>Mike Flanagan<\/strong> <\/a>and <strong>Hossein Amini<\/strong>, with<a href=\"https:\/\/geektyrant.com\/news\/speak-no-evil-director-set-to-helm-mike-flanagans-dc-film-clayface\" target=\"_blank\" rel=\"nofollow noopener\"> <strong>James Watkins<\/strong><\/a> directing. And while that lineup already had horror fans intrigued, leaked set photos confirmed that the team is fully embracing practical effects and makeup to bring Clayface to life. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">That creative choice came directly from DC Studios co-chairman<a href=\"https:\/\/geektyrant.com?tag=James%20Gunn\" target=\"_blank\" rel=\"nofollow noopener\"> <strong>James Gunn<\/strong><\/a>, who made it clear that the monster would be built in-camera, not in post-production.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">In an interview with <a href=\"https:\/\/www.youtube.com\/watch?v=BQbklF7UJEA\" target=\"_blank\" rel=\"nofollow noopener\">Brandon Davis<\/a>, Gunn explained how the decision came about after leaked photos from the set started circulating:<\/p>\n<blockquote>\n<p class=\"\" style=\"white-space:pre-wrap;\">\u201cWe knew we were shooting outside, we knew there would be some photos that would get out, and we knew there was some makeup and stuff involved. And they are like, \u2018Oh, should we not put any of the makeup on and do it with visual effects in post?\u2019 <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">\u201cAnd I\u2019m like, \u2018What are you talking about?\u2019 I mean, is it going to make one dollar less at the box office, you know, if some photos leak? <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">\u201cSecondly, you wanna spend hundreds of thousands of dollars on VFX when it\u2019s going to look better if it\u2019s practical? Because there are a lot of amazing practical effects in Clayface.\u201d<\/p>\n<\/blockquote>\n<p class=\"\" style=\"white-space:pre-wrap;\">I love that they are dedicated to using practical effects, but it isn\u2019t just about aesthetics. It\u2019s part of a bigger strategy for how DC is approaching its future. By leaning into physical makeup and prosthetics, Clayface avoids ballooning CGI costs and keeps its reported $45 million budget under control. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">That\u2019s a fraction of what major superhero films cost, and it means the movie doesn\u2019t have to break box office records to succeed. While something like Superman needs to rake in hundreds of millions worldwide, Clayface could turn a strong profit with a $150 million haul.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">But beyond the financial upside, Gunn\u2019s point about practical effects \u201clooking better\u201d also carries weight. Horror history is filled with unforgettable monsters created through makeup and prosthetics. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">They felt real because they were real. For a character like Clayface, whose story revolves around a grotesque physical transformation, that tangible quality makes the horror hit harder. It also ties the film back to decades of body horror classics where the artistry of practical effects gave audiences nightmares that CGI rarely delivers.<\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">With Gunn pushing for an authentic horror aesthetic and Watkins steering the film into body horror territory, Clayface could be one of the collest entries in the new DCU. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">Flanagan previously opened up about the DC project and confirmed that his version of Clayface was heavily inspired by the acclaimed two-part <a href=\"https:\/\/geektyrant.com\/news\/bruce-timm-initially-wanted-batman-the-animated-series-to-be-set-in-the-1930s\" target=\"_blank\" rel=\"nofollow noopener\">Batman: The Animated Series <\/a>episode \u201cFeat of Clay.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">When asked if his script was inspired by that, Flanagan said: \u201cOf course it was. I mean that is the perfect [story]. \u2018Feat of Clay,\u2019 Ron Perlman, to me, that\u2019s it. That two-parter knocked me out. The short answer is that is absolutely that is what inspired my script. <\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">\u201cThat is the world I wanted to live in. Batman: The Animated Series when I was growing up was my Batman. As much as [Michael] Keaton was my Batman, The Animated Series really was my Batman.\u201d<\/p>\n<p class=\"\" style=\"white-space:pre-wrap;\">We\u2019ll will find out just how terrifying this monster really is when the film hits theaters on September 11, 2026.<\/p>\n","protected":false},"excerpt":{"rendered":"DC Studios is changing its game plan. Instead of gambling everything on massive blockbusters, the studio is building&hellip;\n","protected":false},"author":3,"featured_media":275151,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[171,53,67,132,68],"class_list":{"0":"post-275150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-movies","10":"tag-united-states","11":"tag-unitedstates","12":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115311500972496230","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/275150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=275150"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/275150\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/275151"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=275150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=275150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=275150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}