{"id":298274,"date":"2025-10-12T21:40:17","date_gmt":"2025-10-12T21:40:17","guid":{"rendered":"https:\/\/www.europesays.com\/us\/298274\/"},"modified":"2025-10-12T21:40:17","modified_gmt":"2025-10-12T21:40:17","slug":"ares-opens-to-60-5m-global-box-office","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/298274\/","title":{"rendered":"Ares\u2019 Opens To $60.5M Global Box Office"},"content":{"rendered":"

\n\tRefresh for latest\u2026<\/strong> Riding in lower than pre-weekend projections<\/a>, Disney\u2019s Tron: Ares<\/a> cycled to a\u00a0$60.5M<\/strong> worldwide debut, including $27M<\/strong> from the international box office<\/a>.\u00a0<\/p>\n

\n\tWhile the team was out and about on an overseas promotional tour, the latest in the 43-year-old cyber saga just didn\u2019t pop wheelies at turnstiles. Still, critical and audience scores on the Joachim R\u00f8nning-directed\/Jared Leto-fronted pic are better in some areas (France, for example) than the franchise\u2019s previous movie, 2010\u2019s Tron: Legacy.<\/p>\n

\n\tSome bright spots: Latin America leaned in with No. 1s across the region; both Brazil and Mexico opened ahead of Tron: Legacy and Alien: Romulus. Other notable No. 1s were seen in Spain, the UK, Australia and Hong Kong. Local titles are dominating in some markets including Germany and Korea.<\/p>\n

\n\tOverall, the PLF uptake was strong, and the movie has Imax for another two weeks with nothing competitively coming in for a few weeks.<\/p>\n

\n\tRELATED: All The Songs In Disney\u2019s \u2018Tron: Ares\u2019 From NIN To Depeche Mode<\/a><\/strong><\/p>\n

\n\tChina releases on October 17. In the meantime, the Top 5 this weekend were: Mexico<\/strong> ($2.9M), UK<\/strong> ($2.4M), France<\/strong> ($1.9M), Australia<\/strong> ($1.5M) and Germany<\/strong> ($1.4M).<\/p>\n

\n\tWarner Bros\u2019 One Battle After Another<\/a>, meanwhile, is showing great legs with another terrific hold, dropping just 32% for $15M<\/strong>\u00a0in 77 markets. Highlights include Argentina (+20%), Korea (+6%), Colombia (-23%), Poland (-24%), Sweden (-24%), France (-26%), Holland (-26%), Spain (-27%) and Norway (-29%).<\/p>\n

\n\tThe offshore cume to date is\u00a0$83.5M<\/strong>,\u00a0and the global total is\u00a0$138M<\/strong>\u00a0through Sunday. China is the last market to release, opening October 17.<\/p>\n

\n\tRELATED: 40 Of The Most Anticipated Movies Of 2025<\/a><\/strong><\/p>\n

\n\tUniversal\/DreamWorks Animation\u2019s Gabby\u2019s Dollhouse: The Movie added 11 markets this session, meowing to another $7.2M<\/strong> for an offshore cume of $19.5M<\/strong> and $46M<\/strong> global.<\/p>\n

\n\tNew Line\/Warner Bros\u2019 The Conjuring: Last Rites<\/a> hit a new offshore milestone as it crossed the three-century mark. The weekend conjured $5.8M<\/strong> from 75 overseas markets for a running international total of $300.6M<\/strong>. Global is now\u00a0$473M<\/strong>.<\/p>\n

\n\tJapan is the last market to release, on October 17.<\/p>\n

\n\tDemon Slayer: Kimetsu no Yaiba Infinity Castle<\/a> has become the No. 5 worldwide grosser of the year at $648M<\/strong>. The North America cume reached $128.6M<\/strong>, which passes Crouching Tiger, Hidden Dragon to become the top-grossing international film of all time in the domestic marketplace.\u00a0This frame, Crunchyroll\/Sony markets delivered $3.5M<\/strong> overseas from 62<\/strong> markets for a studio cume of $336M <\/strong>internationally.\u00a0<\/p>\n

\n\tRELATED: The 25 Highest-Grossing Animated Films Of All Time At The Global Box Office<\/a><\/strong><\/p>\n

\n\tRELATED: The Movies That Have Made More Than $1 Billion At The Global Box Office<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Refresh for latest\u2026 Riding in lower than pre-weekend projections, Disney\u2019s Tron: Ares cycled to a\u00a0$60.5M worldwide debut, including…\n","protected":false},"author":3,"featured_media":298275,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[90227,171,7658,59477,68203,7303,67,132,68],"class_list":{"0":"post-298274","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-demon-slayer-kimetsu-no-yaiba-infinity-castle","9":"tag-entertainment","10":"tag-international-box-office","11":"tag-one-battle-after-another","12":"tag-the-conjuring-last-rites","13":"tag-tron-ares","14":"tag-united-states","15":"tag-unitedstates","16":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115363369783061197","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/298274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=298274"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/298274\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/298275"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=298274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=298274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=298274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}