{"id":311570,"date":"2025-10-17T20:09:11","date_gmt":"2025-10-17T20:09:11","guid":{"rendered":"https:\/\/www.europesays.com\/us\/311570\/"},"modified":"2025-10-17T20:09:11","modified_gmt":"2025-10-17T20:09:11","slug":"5-takeaways-from-tame-impalas-new-album-deadbeat","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/311570\/","title":{"rendered":"5 Takeaways From Tame Impala\u2019s New Album Deadbeat"},"content":{"rendered":"<p><a href=\"https:\/\/pitchfork.com\/artists\/28673-tame-impala\/\" target=\"_blank\" rel=\"noopener\">Tame Impala<\/a> were once a record collector\u2019s idea of a rock band. Then they were a rock band that was one guy and that one guy was also a record collector. 2015\u2019s <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/20578-currents\/\" target=\"_blank\" rel=\"noopener\">Currents<\/a> took that proposition as far as it could go, and when Kevin Parker dropped \u201c<a href=\"https:\/\/pitchfork.com\/news\/tame-impala-return-with-new-song-end-of-summer-watch-the-video\/\" target=\"_blank\" rel=\"noopener\">End of Summer<\/a>\u201d as the lead single from his fifth studio album, <a href=\"https:\/\/pitchfork.com\/news\/tame-impala-announce-new-album-deadbeat\/\" target=\"_blank\" rel=\"noopener\">Deadbeat<\/a>, something else became apparent: Every crate-digger eventually finds his way to the dancefloor.<\/p>\n<p>Deadbeat is Parker\u2019s electronic and dance album, but it\u2019s also his new father album, as his first daughter was born the year after the pre-pandemic <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/tame-impala-the-slow-rush\/\" target=\"_blank\" rel=\"noopener\">The Slow Rush<\/a>. As such, he throws in some dadly nods to Family Guy and Pablo Escobar, while still treading familiar emotional territory for Tame Impala: jealousy, paralysis, and social anxiety. Parker digs into his psyche not necessarily through lyrics but by paying homage to the music he ostensibly loves, like <a href=\"https:\/\/pitchfork.com\/artists\/33330-jeff-mills\/\" target=\"_blank\" rel=\"noopener\">Jeff Mills<\/a>\u2019 \u201cThe Bells\u201d (\u201cNot My World\u201d), <a href=\"https:\/\/pitchfork.com\/artists\/546-the-beatles\/\" target=\"_blank\" rel=\"noopener\">the Beatles<\/a> (\u201cSee You on Monday\u201d) and, apparently, <a href=\"https:\/\/pitchfork.com\/artists\/4873-dj-khaled\/\" target=\"_blank\" rel=\"noopener\">DJ Khaled<\/a> and <a href=\"https:\/\/pitchfork.com\/artists\/5310-rihanna\/\" target=\"_blank\" rel=\"noopener\">Rihanna<\/a>\u2019s \u201c<a href=\"https:\/\/pitchfork.com\/reviews\/tracks\/dj-khaled-wild-thoughts\/\" target=\"_blank\" rel=\"noopener\">Wild Thoughts<\/a>\u201d (\u201cObsolete\u201d). Here are five takeaways from the album.<\/p>\n<p>An Intimate, Unvarnished Opening<\/p>\n<p>Deadbeat opens with a demo track of Parker singing over a house piano riff. It\u2019s a meaningful gesture\u2014stripping aside the glossy varnish of Currents and The Slow Rush, conjuring the image of Parker alone in a room, surrounded by the highest of high-end recording equipment. That piano, fuzzy with room sound, reappears as a motif throughout the album. Later, on the skeevy synth-funk single \u201c<a href=\"https:\/\/pitchfork.com\/news\/tame-impala-share-video-for-new-song-loser-watch\/\" target=\"_blank\" rel=\"noopener\">Loser<\/a>,\u201d a murmured \u201cfuck\u201d wanders its way into the final mix, like the fossil record of an off-the-cuff earlier version. For an artist obsessed with craft, Parker has gotten more comfortable letting the seams show.<\/p>\n","protected":false},"excerpt":{"rendered":"Tame Impala were once a record collector\u2019s idea of a rock band. Then they were a rock band&hellip;\n","protected":false},"author":3,"featured_media":311571,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[171,975,33757,67,132,68],"class_list":{"0":"post-311570","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-music","10":"tag-takeaways","11":"tag-united-states","12":"tag-unitedstates","13":"tag-us"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/311570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=311570"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/311570\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/311571"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=311570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=311570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=311570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}