{"id":314419,"date":"2025-10-18T21:52:11","date_gmt":"2025-10-18T21:52:11","guid":{"rendered":"https:\/\/www.europesays.com\/us\/314419\/"},"modified":"2025-10-18T21:52:11","modified_gmt":"2025-10-18T21:52:11","slug":"creators-have-disrupted-hollywood-now-ais-coming-to-disrupt-them","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/314419\/","title":{"rendered":"Creators Have Disrupted Hollywood. Now AI\u2019s Coming to Disrupt Them."},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAs Sora 2 sweeps through social media feeds, it inevitably provokes the question of what all this will mean for influencers. How will the ability to conjure up realistic video at the drop of a hat shake up a world that\u2019s based on creating those videos by hand?<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe prospect of automation fills many influencers with delight because it means a powerful new tool to convey their content and message. But it also fills them with dread because part of what has made them so effective is their skill in shooting and editing footage, and now the barriers to that footage are so low that pretty much anyone can do it.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tA grassroots is springing up to sound these alarms. Toronto artist Sam Yang has been talking for a while about the dangers of generative AI on his platforms, telling his nearly 2 million YouTube followers that \u201cartists are fed up with AI art because their copyrighted work is being used to train AI models without their consent, leading to reputation damage, forgery and fraud.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tModel turned activist Sinead Bovell, who has about 600,000 followers on Instagram and TikTok combined, has warned about these AI effects in the modeling corners of the internet. \u201cEventually, we get so accustomed to it, we stop asking whether there\u2019s a real human model being compensated for their likeness, for the hundreds (even thousands) of hours they dedicated to honing a craft that now powers the very AI engines competing for their livelihoods,\u201d she wrote several months ago.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAn Atlantic investigation last month confirmed their fears: It found that AI has been trained on at least a million how-to videos from popular influencers in areas from woodworking to beauty, presumably allowing anyone who uses these models to re-create the influencers\u2019 hard work and build their own followings.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tMeanwhile, supporters of AI in the creator world say that video becoming so push-button will put a greater emphasis on human relatability and style \u2014 exactly the kinds of things that influencers excel at.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnd they note that so-called virtual influencers like Aitana L\u00f3pez from the Barcelona agency The Clueless (company tagline: \u201cBlurring the line between the real and the virtual\u201d) or Lil Miquela from Vancouver-based Web 3 powerhouse Dapper Labs have long coexisted with human influencers, and they have their own style prompted by a human.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAI almost certainly will increase the slop factor in the influencer world and make the field more competitive.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBut in some cases, it could also mean human influencers leaning in to the unique. Good thing so many know how to do that.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThis story appeared in the Oct. 15 issue of The Hollywood Reporter magazine. <a href=\"https:\/\/subscriptions.hollywoodreporter.com\/site\/thr-subscribe\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Click here to subscribe<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"As Sora 2 sweeps through social media feeds, it inevitably provokes the question of what all this will&hellip;\n","protected":false},"author":3,"featured_media":314420,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[691,738,158266,158,67,132,68],"class_list":{"0":"post-314419","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artificial-intelligence","8":"tag-ai","9":"tag-artificial-intelligence","10":"tag-content-creators","11":"tag-technology","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115397390677228536","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/314419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=314419"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/314419\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/314420"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=314419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=314419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=314419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}