{"id":329077,"date":"2025-10-24T12:07:21","date_gmt":"2025-10-24T12:07:21","guid":{"rendered":"https:\/\/www.europesays.com\/us\/329077\/"},"modified":"2025-10-24T12:07:21","modified_gmt":"2025-10-24T12:07:21","slug":"the-only-rolling-stones-song-with-a-female-singer-on-lead","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/329077\/","title":{"rendered":"The only Rolling Stones song with a female singer on lead"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/10\/Mick-Jagger-Keith-Richards-The-Rolling-Stones-1982-Far-Out-Magazine-F-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"Mick Jagger - Keith Richards - The Rolling Stones - 1982\" layout=\"fill\"  style=\"object-position: 50% 50%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>(Credits: Far Out \/ Nationaal Archief)<\/p>\n<p> Fri 24 October 2025 10:28, UK <\/p>\n<p>Despite having formed as an ensemble troupe of electric blues fanatics led by enigmatic multi-instrumentalist Brian Jones, another member had stepped forward and taken the limelight for himself by the time <a href=\"https:\/\/faroutmagazine.co.uk\/tags\/the-rolling-stones\/\" target=\"_blank\" rel=\"noopener\" title=\"\">The Rolling Stones<\/a> started releasing music in 1963. Mick Jagger\u2019s vocals would be at the forefront of every single the Stones released for the next 60 years.<\/p>\n<p>And he did a good job of it, too. While the group did extremely well marketing themselves as some form of rock and roll pirate ship, sailing from port to port and enthralling every townsperson who so happened to glance up at their Jolly Roger, Jagger was always undoubtedly the ship\u2019s captain. The mouthpiece of the band in more ways than one.<\/p>\n<p>It would take someone special to outsing Jagger on a song carrying his band\u2019s signature sound. And that someone arrived in the middle of the night at Sunset Sound Recorders studio on October 17th, 1969. \u201cThe use of the female voice was the producer\u2019s idea,\u201d Jagger wrote in the book According to the Rolling Stones in 2003. He was referring to Jimmy Miller, who\u2019d been their producer on the album Beggars Banquet the previous year. \u201cIt would be one of those moments along the lines of, \u2018I hear a girl on this track \u2013 get one on the phone.\u2019\u201d<\/p>\n<p>And so they did. Around midnight, the band\u2019s pianist, Jack Nietzsche, called in a favour with a session singer he knew who\u2019d once been in Ray Charles\u2019 backing band, The Raelettes. At just 20 years of age, this spur-of-the-moment recording gig was the biggest moment of her professional life. And she didn\u2019t know it at the time, but she\u2019d go down in rock and roll legend because of it.<\/p>\n<p>It was a big call, no less because it hadn\u2019t been a part of the band\u2019s original motif. To bring in a female vocalist always ran the risk of upstaging Jagger. But it seemed essential to the track that the gorup sought the tender vocals of a female. <\/p>\n<p>The only problem was that this \u201cgirl\u201d was in no fit state to be called into the studio at one in the morning. Merry Clayton was in her second trimester of pregnancy and needed all the sleep she could get. She certainly didn\u2019t need to be straining her body and vocal chords to the limit in the early hours in the service of one of the hardest blues rock numbers the Stones had ever recorded.<\/p>\n<p>What was the song, then?<\/p>\n<p>The Rolling Stones were doing vocal overdubs on the opening track of their new album Let It Bleed. They\u2019d started recording \u2018Gimme Shelter\u2019 eight months earlier, but it would be the last song they\u2019d complete before releasing the record. Clayton arrived at Sunset Sound in her pyjamas and curlers and recorded the song\u2019s most famous moment in just two takes.<\/p>\n<p>\u201cRape, murder, it\u2019s just a shot away,\u201d she cries, <a href=\"https:\/\/faroutmagazine.co.uk\/rolling-stones-gimme-shelter-merry-clayton-isolated-vocals\/\" target=\"_blank\" rel=\"noopener\" title=\"\">her voice breaking in a thunderclap<\/a> that befits the horror depicted in the lyrics perfectly. Her late-night exertions would<a href=\"https:\/\/faroutmagazine.co.uk\/traumatic-story-merry-clayton-the-rolling-stones\/\" target=\"_blank\" rel=\"noopener\" title=\"\"> tragically cost her the baby she was carrying<\/a>. Nevertheless, although it did nothing to bring back her unborn baby, her legacy in music history was sealed.<\/p>\n<p>Since Clayton, multiple other soul singers have achieved worldwide recognition through their performance of \u2018Gimme Shelter\u2019 alongside Jagger during The Rolling Stones\u2019 live shows. Most notably, Lisa Fischer, who toured with the Stones for 26 years between 1989 and 2015. She was succeeded by Sasha Allen, and Chanel Haynes is currently the female vocalist behind the mic.<\/p>\n<p>The track remains one of the band\u2019s most potent efforts. It streaks out of the airwaves like it owes you money, and rarely stops for breath as it pounds away at your brain. It\u2019s a song that, despite its age, still feels like a fresh punch of brutal blues. <\/p>\n<p>Given the success of having a female singer duet with their frontman on \u2018Gimme Shelter\u2019, it\u2019s natural to assume there have been other instances in which The Rolling Stones have made use of the same vocal dynamic in the five decades that have elapsed since. Yet the song remains the solitary case in which a Stones recording has a woman on lead vocals. For that reason, it continues to be an even bigger highlight in virtually every show they play.<\/p>\n<\/p>\n<p>Related Topics<\/p>\n","protected":false},"excerpt":{"rendered":"(Credits: Far Out \/ Nationaal Archief) Fri 24 October 2025 10:28, UK Despite having formed as an ensemble&hellip;\n","protected":false},"author":3,"featured_media":329078,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[171,14471,163605,975,40010,67,132,68],"class_list":{"0":"post-329077","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-gimme-shelter","10":"tag-merry-clayton","11":"tag-music","12":"tag-the-rolling-stones","13":"tag-united-states","14":"tag-unitedstates","15":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115429064456593949","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/329077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=329077"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/329077\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/329078"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=329077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=329077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=329077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}