{"id":347682,"date":"2025-11-01T09:45:38","date_gmt":"2025-11-01T09:45:38","guid":{"rendered":"https:\/\/www.europesays.com\/us\/347682\/"},"modified":"2025-11-01T09:45:38","modified_gmt":"2025-11-01T09:45:38","slug":"theatre-exile-presents-the-philly-premiere-of-max-wolf-friedlichs-job","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/347682\/","title":{"rendered":"Theatre Exile presents The Philly Premiere of Max Wolf Friedlich’s “JOB”"},"content":{"rendered":"

originally published: 10\/31\/2025<\/p>\n

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Arianna Gayle and Scott Greer. Photo by Robert Hakalski<\/strong><\/p>\n

(PHILADELPHIA, PA) — Theatre Exile<\/strong><\/a> presents the Philadelphia premiere of award-winning playwright Max Wolf Friedlich’s psychological thriller JOB, directed by Producing Artistic Director Deborah Block. The production runs October 30 through November 16, 2025. JOB is a gripping two-hander in which a therapist meets a patient, an ambitious Silicon Valley employee whose life has begun to unravel.<\/p>\n

What starts as a clinical exchange escalates into an intense battle of wits, exploring technology, identity, and the fragile boundaries between personal and professional life. Theatre Exile\u2019s Scott Greer stars as Loyd, delivering a commanding performance as a therapist whose calm exterior masks deep moral conflicts. Arianna Gayle portrays Jane with raw intensity, embodying a character wrestling with betrayal, uncertainty, and the challenges of a judgmental society. Together, Greer and Gayle, who was the understudy for the highly acclaimed New York City world premiere, create a dynamic and suspenseful energy that drives the psychological intensity of the production.<\/p>\n

Max Wolf Friedlich\u2019s JOB has been praised for its sharp insight into modern work culture, ethical dilemmas, and human behavior.<\/p>\n

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Scott Greer and Arianna Gayle. Photo by Robert Hakalski<\/strong><\/p>\n

The New York Production of JOB earned praise for its powerful dialogue, intense psychological tension, and exploration of the pressures of modern work culture. The New York Times wrote, \u201cThough cleverly accomplished, the shift, as Jane turns the tables on Loyd\u2019s supposed probity, makes \u2018Job\u2019 feel even more manipulative than other therapy-based psychological thrillers.\u201d<\/p>\n

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Max Wolf Friedlich is known for his incisive explorations of human psychology, ethics, and the dilemmas of modern life. JOB exemplifies his ability to create intense, character-driven narratives that resonate with audiences. His work, including The Holes, Manger, Black Ice, and Sleepover, has been produced on Broadway and in regional theaters nationwide, earning him a reputation as a bold and innovative voice in American theater.<\/p>\n

One of the city\u2019s most respected and decorated performers, Greer has built a career defined by emotional range and commanding stage presence. He has celebrated appearances at Theatre Exile, including The Whale, Rizzo, and The Motherf**ker With the Hat, and has earned acclaim at other leading regional theaters, including Every Brilliant Thing (Arden Theatre Company).<\/p>\n

Arianna Gayle plays the patient, a young tech worker navigating the collapse of her professional and personal identity. Gayle brings depth and nuance to this challenging role, drawing on her experience as the understudy for the original Broadway production of JOB. Her prior experience with the role allows\u00a0her to fully inhabit the character\u2019s psychological journey and emotional intensity. Gayle has established herself as a rising talent, appearing in numerous regional and off-Broadway productions. Her previous roles include Mayella Ewell in To Kill a Mockingbird (First National Tour), Rosalind in As You Like It (4th Wall Theatre Company), and Brutus in Julius Caesar (The Juilliard School).<\/p>\n

\u201cJOB thrives on its immediacy: two characters, one room, and the collision of worlds,\u201d said Producing Artistic Director Deborah Block at Theatre Exile. \u201cScott Greer and Arianna Gayle are extraordinary artists at different stages of their careers, and their chemistry promises a thrilling production that will keep audiences leaning forward in their seats.\u201d<\/p>\n

With a dynamic creative team bringing every production element to life, Theatre Exile\u2019s JOB presents a compelling exploration of human ambition, morality, and the cost of choices. Set Designer Nick Embree crafted the office space to reflect the play\u2019s clinical and emotional landscapes. At the same time, Lighting Designer and Costume Designer Drew Billau shapes mood and character through light and air. Sound Designer Andrew Nelson adds texture to the environment, and Props Designer Nana Nimako ensures every detail heightens the narrative tension. This seamless collaboration between writing, performance, and design makes JOB a production poised to leave a lasting impression with its intensity and artistry.<\/p>\n

With this production, Theatre Exile continues to present bold, contemporary works that challenge and engage audiences. The production entertains and prompts reflection on how we navigate pressure, ethics, and human connection in a rapidly evolving world.<\/p>\n

The production features support from Honorary Producers Linda and David Glickstein and Associate Producers Gayle and David Smith, with a Community Partner to be announced.<\/p>\n

Tickets are available now at www.theatreexile.org<\/strong><\/a>. The run time is 90 minutes.<\/p>\n

TICKET & SPECIAL PROMOTION INFORMATION –\u00a0<\/strong>Post-show discussions follow the November 9, 12, and 13 show dates and are included with each engagement. Theatre Exile hosts a special Monday Night show on November 10 at 7:00pm.<\/p>\n

Audiences can choose from various three-show Flex Pass Subscriptions for Theatre Exile\u2019s season. Single tickets for Theatre Exile\u2019s upcoming productions are available.<\/p>\n

Subscription sales are available online, with packages starting at just $45\u2014purchase tickets online or by calling the Theatre Exile box office at 215-218-4022.<\/p>\n

Theatre Exile<\/strong><\/a> is a nonprofit theater company committed to sparking dialogue that strengthens our community through the development and staging of timely and provocative plays. Their productions explore the complexities of the human condition with a sense of Philadelphia grit and passion. They strive to raise the social well-being of the community by creating a supportive and creative environment where artists, audiences, and the entire community can experiment, grow, and find their voices.<\/p>\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"originally published: 10\/31\/2025 Arianna Gayle and Scott Greer. Photo by Robert Hakalski (PHILADELPHIA, PA) — Theatre Exile presents…\n","protected":false},"author":3,"featured_media":347683,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5132],"tags":[5229,1037,1144,10929,21176,1020,21174,975,401,21175,15747,21173,21178,1448,2830,1311,21179,21177,67,586,132,5230,68,2969],"class_list":{"0":"post-347682","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-philadelphia","8":"tag-america","9":"tag-art","10":"tag-comedy","11":"tag-dance","12":"tag-entertainment-in-new-jersey","13":"tag-film","14":"tag-jersey-arts","15":"tag-music","16":"tag-new-jersey","17":"tag-new-jersey-arts","18":"tag-nj","19":"tag-nj-arts","20":"tag-nj-events","21":"tag-pa","22":"tag-pennsylvania","23":"tag-philadelphia","24":"tag-theatre","25":"tag-things-to-do-in-new-jersey","26":"tag-united-states","27":"tag-united-states-of-america","28":"tag-unitedstates","29":"tag-unitedstatesofamerica","30":"tag-us","31":"tag-usa"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115473805312850345","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/347682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=347682"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/347682\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/347683"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=347682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=347682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=347682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}