{"id":353584,"date":"2025-11-03T22:31:16","date_gmt":"2025-11-03T22:31:16","guid":{"rendered":"https:\/\/www.europesays.com\/us\/353584\/"},"modified":"2025-11-03T22:31:16","modified_gmt":"2025-11-03T22:31:16","slug":"ai-artist-xania-monet-debuts-on-the-adult-rb-airplay-chart","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/353584\/","title":{"rendered":"AI Artist Xania Monet Debuts on the Adult R&#038;B Airplay Chart"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile many Billboard radio airplay stories focus, rightly enough, on which artists and songs are topping the charts, this week\u2019s <a href=\"https:\/\/www.billboard.com\/charts\/hot-adult-r-and-b-airplay\/\" target=\"_blank\" rel=\"noopener\">Adult R&amp;B Airplay<\/a> survey (dated Nov. 1) contains a potentially historic development at the anchor spot, No. 30, thanks to Xania Monet\u2019s \u201cHow Was I Supposed to Know?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhat\u2019s the difference between that song and the other 103 titles that have made the chart this year alone? Xania Monet (first name pronounced \u201czha-NI-ah,\u201d rhyming with Shania, as in Shania Twain) is an <a href=\"https:\/\/www.billboard.com\/pro\/ai-music-artist-xania-monet-multimillion-dollar-record-deal\/\" target=\"_blank\" rel=\"noopener\">AI-driven artist<\/a>, the product of a poet named Telisha Jones, and her song\u2019s chart arrival marks the first known instance of an AI-based act to earn a spot on a Billboard radio chart. The move also represents another step in the <a href=\"https:\/\/www.billboard.com\/pro\/ai-music-udio-settles-lawsuit-universal-music-group\/\" target=\"_blank\" rel=\"noopener\">evolving relationship<\/a> between AI tools and creators and the music industry.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cHow Was I Supposed to Know?\u201d begins on the Adult R&amp;B Airplay chart through its plays at panel-contributing adult R&amp;B radio stations in the United States. It improved 28% in plays for the tracking week of Oct. 17-23 compared to its Oct. 10-16 total, according to Luminate. In that window, 15 of the chart-contributing adult R&amp;B radio stations played the song, according to Mediabase, among 57 total reporters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe song first generated public attention as a viral track on TikTok and other social media platforms. Social growth extended to streaming services and digital retailers, prompting the song\u2019s No. 1 debut on the R&amp;B Digital Song Sales chart dated Sept. 20 and a No. 20 start on the multimetric Hot R&amp;B Songs chart a week later. As awareness spread, the song and its creator ignited a discourse of both supportive and opposing perspectives, with SZA and Kehlani among the most <a href=\"https:\/\/www.billboard.com\/music\/music-news\/kehlani-slams-ai-artist-xania-monet-million-record-deal-1236071158\/\" target=\"_blank\" rel=\"noopener\">prominent opponents<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBillboard reached out to several stations\u2019 programming and music directors to seek comment on the song, artist and surrounding industry discussions, but none replied to our inquiries.<\/p>\n<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFor a creative situation only possible thanks to futuristic technology, a focus on radio promotion may seem an old-school approach. The team surrounding Monet, however, views it as a no-brainer. \u201cHer song is resonating with the masses. That was our simple formula,\u201d says Romel Murphy, who manages Monet. \u201cIf you had a, let\u2019s say, traditional, artist and were a label and marketing executive, radio would be a piece of the promotion strategy. We\u2019re interested in bringing the music to as many people as possible.\u201d To that end, Murphy says a full radio push is part of the equation. \u201cOur goal is to continue to grow, continue to connect and hopefully get to No. 1.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile Monet has generated the bulk of discussion, she isn\u2019t the only AI-driven act <a href=\"https:\/\/www.billboard.com\/lists\/ai-artists-on-billboard-charts\/\" target=\"_blank\" rel=\"noopener\">making an impact<\/a> on Billboard\u2019s charts. The <a href=\"https:\/\/www.billboard.com\/charts\/emerging-artists\/\" target=\"_blank\" rel=\"noopener\">Emerging Artists<\/a> chart has become a home for these budding acts, with several landing on various rankings the last few weeks.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNow, those concrete examples indicate the growing likelihood of AI-driven artists as a major industry transformation.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStill, Murphy asks observers to assess from a music-first perspective. \u201cBe it a radio programming director, be it a music fan, be it our peers, colleagues, artists,\u201d he says, \u201cjust listen to the songs. Listen to the lyrics. And then make your judgment.\u201d<\/p>\n<p><a href=\"https:\/\/ubpass.co\/billboard\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><br \/><img decoding=\"async\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/2HpFicp.png\" alt=\"Billboard VIP Pass\" style=\"max-width: 100%;height: auto\"\/><br \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"While many Billboard radio airplay stories focus, rightly enough, on which artists and songs are topping the charts,&hellip;\n","protected":false},"author":3,"featured_media":353585,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[36378,171,133557,5499,67,132,68],"class_list":{"0":"post-353584","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-chart-beat","9":"tag-entertainment","10":"tag-genre-rb","11":"tag-music-news","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115488141720010619","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/353584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=353584"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/353584\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/353585"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=353584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=353584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=353584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}