{"id":357168,"date":"2025-11-05T09:55:10","date_gmt":"2025-11-05T09:55:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/357168\/"},"modified":"2025-11-05T09:55:10","modified_gmt":"2025-11-05T09:55:10","slug":"youtuber-explores-where-movie-trailer-narration-went","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/357168\/","title":{"rendered":"YouTuber explores where movie trailer narration went"},"content":{"rendered":"

Movie trailers have undergone many changes since they were first rolled out behind the feature presentation in the early 1910s. But in recent years, trailers have lost something: their voice. For decades, people like Mark Elliott, Nick Tate, and Don LaFontaine<\/a> introduced moviegoers to worlds, lands, times, and to one man who could save them all via trailer narration. But more recently, that voice has been silenced. In a new video from YouTuber Paul E.T., the mystery of how the trailer lost its voice gets a full-throated answer.<\/p>\n

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Breaking it down into three sections, Paul E.T.\u2019s video speeds through the history and evolution of trailers. Starting with marketer Nils Granlund developing the idea to promote the Broadway show The Pleasure Seekers with rehearsal clips, Paul E.T. shows how trailers have been in flux ever since. In the \u201940s, trailers began to feature narration, a helpful technique for introducing both the stars and the films\u2019 premises. But it was the \u201980s when the trailers found their voice through guys like LaFontaine. Unfortunately, like all trends, they grow stale over time.<\/p>\n

Paul E.T. comes to two conclusions about trailer narration. First, that they were overused so much in the \u201980s and \u201990s that they became clich\u00e9, with comedians like Pablo Francisco making a name for themselves through impersonations of those gravely baritones. Second, trailers still use narration, albeit in different ways. As the trailer evolved into distinct components, with trailers for trailers becoming more common in the last decade, editors began relying more on other sounds to grab viewers\u2019 attention. The decline of narration saw the rise in licensed music in trailers and staccato editing rhythms set to crucial exposition.<\/p>\n