{"id":359769,"date":"2025-11-06T12:30:12","date_gmt":"2025-11-06T12:30:12","guid":{"rendered":"https:\/\/www.europesays.com\/us\/359769\/"},"modified":"2025-11-06T12:30:12","modified_gmt":"2025-11-06T12:30:12","slug":"michael-shannon-in-netflix-period-drama","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/359769\/","title":{"rendered":"Michael Shannon in Netflix Period Drama"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t[Warning: For Stephen Sondheim fans, prolonged exposure to <a href=\"https:\/\/www.hollywoodreporter.com\/t\/death-by-lightning\/\" id=\"auto-tag_death-by-lightning\" data-tag=\"death-by-lightning\" rel=\"nofollow noopener\" target=\"_blank\">Death by Lightning<\/a> may result in uncontrollable singing of the entirety of Assassins. Do not watch if you are allergic to Assassins. Possible side effects may include Sweeney Todd or Company.]<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tHonestly, not to give Netflix too much credit for artistic integrity, but I\u2019m a little amazed that Death by Lightning is airing at all. Based on the recent gutless precedent set by the more innocuous <a href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-news\/jessica-chastain-the-savant-delay-will-it-be-released-apple-1236406858\/\" rel=\"nofollow noopener\" target=\"_blank\">The Savant<\/a>, we can assume that Apple would have either buried Death by Lightning entirely or at least shunted it off into a corner of the viewing platform populated by 150 other shows featuring award-winning stars and zero promotion.<\/p>\n<p>\t\t\t\t\tDeath by Lightning\t\t<\/p>\n<p>\n\t\t\t\t\tThe Bottom Line<\/p>\n<p>\tStrong, minus the hasty conclusion.<\/p>\n<p>\t\t\t\t\t\t\t<strong>Airdate: <\/strong>Thursday, November 6 (Netflix)<br \/><strong>Cast: <\/strong>Michael Shannon, Matthew Macfadyen, Betty Gilpin, Nick Offerman, Bradley Whitford, Shea Whigham<br \/><strong>Creator: <\/strong>Mike Makowsky\t\t\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tLike Sondheim\u2019s Assassins and last year\u2019s <a href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-reviews\/manhunt-review-apple-tv-tobias-menzies-1235847174\/\" rel=\"nofollow noopener\" target=\"_blank\">Manhunt<\/a>, the four-episode Death by Lightning is an exploration of political violence that attempts to situate assassination attempts, and their unwell perpetrators, as rot adjacent to the nobler aspirations of the American Dream, an uncomfortable expos\u00e9 of a unique form of celebrity.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt\u2019s a provocative minefield of a topic, one that creator Mike Makowsky, working from Candice Millard\u2019s very fine Destiny of the Republic, navigates with relative confidence. I say \u201crelative\u201d because, after nearly three episodes spent effectively introducing <a href=\"https:\/\/www.hollywoodreporter.com\/t\/matthew-macfadyen\/\" id=\"auto-tag_matthew-macfadyen\" data-tag=\"matthew-macfadyen\" rel=\"nofollow noopener\" target=\"_blank\">Matthew Macfadyen<\/a>\u2018s Charles J. Guiteau and elevating James Garfield (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/michael-shannon\/\" id=\"auto-tag_michael-shannon\" data-tag=\"michael-shannon\" rel=\"nofollow noopener\" target=\"_blank\">Michael Shannon<\/a>) from the scrapheap of cartoon cat-based ephemera, Death by Lightning rushes through Garfield\u2019s actual death, which is in many ways the most bizarre aspect of the story.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt leaves Death by Lightning feeling abruptly and somewhat conclusively unsatisfying \u2014 but probably makes it a safer sell in the current moment, when a more thorough take on political violence would yield controversy and corporate discomfort. Plus, even delivering the story in truncated form in no way detracts from the strong and occasionally deliriously fun performances from Macfadyen, Shannon and the supporting likes of <a href=\"https:\/\/www.hollywoodreporter.com\/t\/nick-offerman\/\" id=\"auto-tag_nick-offerman\" data-tag=\"nick-offerman\" rel=\"nofollow noopener\" target=\"_blank\">Nick Offerman<\/a>, <a href=\"https:\/\/www.hollywoodreporter.com\/t\/betty-gilpin\/\" id=\"auto-tag_betty-gilpin\" data-tag=\"betty-gilpin\" rel=\"nofollow noopener\" target=\"_blank\">Betty Gilpin<\/a>, Bradley Whitford and Shea Whigham.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAfter a framing device best summarized as \u201cThey Saved Guiteau\u2019s Brain,\u201d Makowsky (<a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/bad-education-review-1238167\/\" rel=\"nofollow noopener\" target=\"_blank\">Bad Education<\/a>) leaps into action with the parallel stories of Garfield and Guiteau circa 1880.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAs we meet Garfield, he\u2019s leaving his Ohio farm, much to plucky wife Lucretia\u2019s (Gilpin) chagrin, to make a nominating speech for John Sherman\u2019s (Alistair Petrie) presidential candidacy at the Republican Convention in Chicago. Sherman is not going to win the nomination, but Garfield is a man of principles and he\u2019s determined to stand up for the party\u2019s integrity. It seems inevitable that the nomination is going to go to Ulysses Grant, notoriously corrupt and the preferred candidate of the New York political machine, which is controlled by Senator Roscoe Conkling (Whigham) and right-hand man Chester Arthur (Offerman), the Collector of the Port of New York, presented here as one of the shadiest and most powerful positions in the land.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe thing you don\u2019t know about James Garfield, if you only know him in terms of jokes about Odie and Nermal, is that he was, to use anachronistic parlance, a reasonably good dude. He wasn\u2019t perfect. This was 1880. Nobody was. But he was a family man, an intellectual and a progressive with a lower-case \u201cp,\u201d a figure whose murder led fairly directly to the collapse of Reconstruction, causing damage that one could argue still hasn\u2019t been fully repaired. Garfield\u2019s ascension to the presidency is both fascinating and wildly entertaining, and Makowsky and series director Matt Ross capture that rise exceptionally in the early, fully realized episodes of the series.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tGuiteau is interesting, too, a clearly troubled man who became mobilized in ways the series links unavoidably, for me at least, to current online message boards and other radical corners of the web. Before there were incels, there was Charles Guiteau, who spent five years as a near-literal eunuch at the orgy that was the Oneida Community. Guiteau had childhood traumas and delusions of grandeur, but his desire to find purpose through public service is presented as at least partially earnest. At a moment when people off the street could fairly easily encounter powerful politicians in hotel lobbies and, in the case of Arthur, rowdy beer halls, Guiteau wasn\u2019t wholly deluded to believe he was on the fringe of the Republican establishment. He was just mostly deluded.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFor three episodes, the series builds context and character extremely well. Sticking to the general vicinity of the facts \u2014 with only occasional winking nods to, like, the two-sided populist desire for political outsiders that could lead to a James Garfield or a Donald Trump \u2014 Death by Lightning is substantive, but rarely weighty in a way that might usurp the entertainment value.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnchoring the series are the lead performances. Shannon projects intelligence and a likably grouchy reluctance as Garfield rises to a position that he claims he never aspired to, but perhaps subconsciously craved. He captures Garfield\u2019s famed (at the time, at least) oratory and, in scenes with Gilpin \u2014 a master at playing 21st-century women trapped in period costumes \u2014 and Laura Marcus as his daughter Molly, Shannon keeps Garfield\u2019s doomed decency in the foreground. My ideal version of the show \u2014 probably six to eight episodes, lest you think I only complain that TV shows are too long \u2014 gets a little more into Garfield\u2019s Civil War experience and the more complicated aspects of his ideology that might have sullied the lower-case \u201cp\u201d progressive identity the series wants to project.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tKeeping the wild glint in his eye throughout, Macfadyen never makes Guiteau\u2019s actions overly justifiable, but conveys what it would be like to be a dreamer positioned by circumstances as constantly on the edge of success and fame and notoriety, only to eventually become an anonymous brain-in-a-jar. The performance is funny and manic and just the right amount of sad and desperate.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe supporting players who get showcased at the convention are generally excellent, my favorite performance coming from Offerman, who has, in Arthur, the rare future president who to somehow become even more of a footnote than Garfield. (Chester Arthur was never the namesake for a film feline voiced by Bill Murray.) There are scenes in which Offerman is very clearly playing drunk Chester Arthur as a spiritual partner to drunk Ron Swanson, yielding some of the biggest laughs I\u2019ve ever gotten out of a limited series ostensibly about a political assassination. But somewhere, never fully buried in the comedic broadness, is a possibly heartbreaking examination of a man told for years that he\u2019s a blunt instrument only to realize that he might have a refined soul. Plus, who doesn\u2019t love Nick Offerman sharing the screen with absurd facial hair? Nobody, that\u2019s who.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe series offers Whitford his latest opportunity to express general bemusement with the American political process, this time sporting a bushy white beard, and Whigham his latest opportunity to be an uncouth bull in an otherwise genteel china shop. These are very good actors doing, in a small sample size, what they do best.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe show is less successful shoehorning actual trailblazing figures like Frederick Douglass (Vondie Curtis-Hall) and Blanche Bruce (Barry Shabaka Henley), as well as the more-interesting-than-she\u2019s-presented-here Kate Chase Sprague (Tuppence Middleton), into the piece. I\u2019m also confused how you cast <a href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-reviews\/andor-diego-luna-rogue-one-origin-story-disney-plus-1235223748\/\" rel=\"nofollow noopener\" target=\"_blank\">Andor<\/a> breakout Kyle Soller as Robert Todd Lincoln, son of a previous assassinated president and Garfield\u2019s secretary of war, and give him, by my count, zero lines of dialogue.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWas the younger Lincoln a part of material drafted for a lengthier second half of the series that got trimmed? I can\u2019t say for sure, but Death by Lightning rushes headlong toward an inevitable bloody confrontation between Garfield and Guiteau and then \u2026 rushes through Garfield\u2019s death, which was famously and relevantly unrushed. It took, spoiler alert, 2.5 months for Garfield to, spoiler alert, die \u2014 a process that found him at the historical fulcrum of multiple medical innovations that might have saved his life. Zeljko Ivanek is perfectly sour as clueless Dr. Bliss, the man tasked with tending to Garfield, but there are so many elements of Millard\u2019s book that could have been the stuff of an expanded second half of the series that barely register here. The same is true of Guiteau\u2019s eventual imprisonment and trial, which aren\u2019t ignored but barely touch on the wackiness that actually ensued.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThough missed opportunities abound in the final chapter, that minor disappointment didn\u2019t fully mute my affection for the first three hours and for several performances that I hope awards voters remember come Emmy season next summer. Offerman may have been snubbed for donning tiny hats and dancing on <a href=\"https:\/\/www.hollywoodreporter.com\/lists\/best-tv-shows-21st-century\/parks-and-recreation-nbc-2009-2015\/\" rel=\"nofollow noopener\" target=\"_blank\">Parks and Recreation<\/a>, but allowing the same thing to occur for Death by Lightning would be an equally egregious crime.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tNow, back to humming \u201cThe Ballad of Guiteau\u201d for me.<\/p>\n","protected":false},"excerpt":{"rendered":"[Warning: For Stephen Sondheim fans, prolonged exposure to Death by Lightning may result in uncontrollable singing of the&hellip;\n","protected":false},"author":3,"featured_media":359770,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[156871,174978,174979,104006,171,162591,114956,42162,67,132,68],"class_list":{"0":"post-359769","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-betty-gilpin","9":"tag-david-benioff","10":"tag-db-weiss","11":"tag-death-by-lightning","12":"tag-entertainment","13":"tag-matthew-macfadyen","14":"tag-michael-shannon","15":"tag-nick-offerman","16":"tag-united-states","17":"tag-unitedstates","18":"tag-us"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/359769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=359769"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/359769\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/359770"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=359769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=359769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=359769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}