\n\t\t\t\t\t\t\t\t\t2.25\/5
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\n\t\t\t\t\t\t\t\t<\/p>\n
2 hrs 19 mins \u00a0 | \u00a0 Romantic Comedy \u00a0 | \u00a0 14-11-2025<\/p>\n
Cast – <\/strong>Vikranth, Chandini Chowdary, Muralidhar Goud, Vennela Kishore, Tharun Bhascker Dhaassyam, Abhinav Gomatam and others<\/p>\n Director – <\/strong>Sanjeev Reddy<\/p>\n Producer – <\/strong>Maddhura Sreedhar Reddy, Nirvi Hariprasad Reddy<\/p>\n Banner – <\/strong>Madhura Entertainment, Nirvi Arts<\/p>\n Music – <\/strong>Sunil Kashyap, Ajay Arasada<\/p>\n Vikranth, who made his debut with Spark Life, returns with a romantic comedy alongside Chandini Chowdary. Director Sanjeev Reddy takes up his second telugu film after ABCD, and the team promoted this project quite actively. The question was whether the film could offer a pleasant and engaging experience.<\/p>\n Setup:<\/strong><\/p>\n Chaitanya, played by Vikranth, is a software employee who falls instantly for Kalyani, played by Chandini Chowdary. Their romance moves quickly, but Kalyani\u2019s father Eshwarao (Muralidhar Goud) stands in the way. The couple marries against his wishes, hoping that the arrival of a child will soften his stance. When Chaitanya learns that he is diagnosed with fertility issues, their plans stall, and the story follows how they navigate this setback and try to win her father\u2019s acceptance.<\/p>\n Technicalities:<\/strong><\/p>\n Ajay Arasada\u2019s background score works well and lifts a few scenes. His Telusa Nee Kosame song is the best among the tracks. Sunil Kashyap\u2019s other songs pass by without making much of an impression. The cinematography keeps things pleasant but doesn\u2019t add anything special. Editing could have been tighter, as many scenes feel stretched. The production design sticks to a straightforward, mid-range rom-com style.<\/p>\n Performances:<\/strong><\/p>\n Vikranth improves from his first film but still finds it tough to handle the deeper emotional moments. Chandini does her part neatly, though her role doesn\u2019t offer much freshness. Muralidhar Goud suits the father\u2019s role well and brings some seriousness when needed. Vennela Kishore, Tharun Bhascker, Abhinav Gomatam and Jeevan support the film in their usual style. Kishore adds timely humour in the second half and helps the flow.<\/p>\n Positives:<\/strong><\/p>\n Negatives:<\/strong><\/p>\n Analysis:<\/strong><\/p>\n Santhana Prapthirasthu touches on fertility issues, but the theme never becomes the film\u2019s emotional core. Instead, it surfaces mainly at the end as a message rather than an integral part of the storytelling.<\/p>\n The film opens with comedy that aims for everyday relatability, but the later writing feels forced, and the humour rarely lands with genuine ease. As the story unfolds, the predictability becomes more noticeable, and the pacing slows. The chemistry between the leads doesn\u2019t fully ignite, partly due to the uneven performance from the male lead.<\/p>\n Tharun Bhascker\u2019s role feels underutilised, especially considering what he can bring to the table. On the other hand, Vennela Kishore keeps the second half afloat with well-timed moments. Some filmmaking choices appear rushed or less refined. For instance, the AI-generated childhood portions stand out as an avoidable shortcut when simple live-action shots could have worked better.<\/p>\n Overall, the film struggles to engage consistently. The storytelling feels familiar, the emotional arcs lack depth, and the humour doesn\u2019t rise above the standard template. A few supporting performances and the background score offer brief relief, but the film doesn\u2019t sustain its promise.<\/p>\n Bottomline: Predictable.<\/strong><\/p>\n Rating: 2.25\/5<\/strong><\/p>\n \n\tRelated<\/p>\n","protected":false},"excerpt":{"rendered":"
2.25\/5
2 hrs 19 mins \u00a0 | \u00a0 Romantic Comedy \u00a0 | \u00a0 14-11-2025 Cast –…\n","protected":false},"author":3,"featured_media":379960,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[171,3176,3175,53,67,132,68],"class_list":{"0":"post-379959","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-india-today-telangana-ppe-survey","10":"tag-ktr","11":"tag-movies","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115551936759503910","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/379959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=379959"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/379959\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/379960"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=379959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=379959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=379959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
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