20. Claws (2020)<\/p>\n
Such was the extent of fan involvement in the How I\u2019m Feeling Now album that the title of Claws was decided by online vote. The opposite of the album\u2019s more fraught depictions of lockdown, it celebrates being trapped with someone you love, although the clanking rhythm track adds a vague sense of unease.<\/p>\n
19. Taxi (2016)<\/p>\n
According to one fan database, there are 260 unreleased Charli xcx tracks lurking around online. Taxi, from the scrapped album XCX World<\/a>, remains the most celebrated for a reason: the funny, snotty saga of a midweek blind date gone wildly out of control, it\u2019s a perfect example of Charli and producer Sophie\u2019s skewed approach to pop.<\/p>\n 18. Apple (2024)Playing Glastonbury earlier this year. Photograph: Anthony Devlin\/Hogan Media\/Shutterstock<\/p>\n The poppiest track on Brat \u2013 nearly binned midway through recording sessions \u2013 Apple\u2019s earworm bubblegum melody carries a lyric about strained parental relationships and intergenerational trauma. It also went on to both spawn a viral TikTok dance craze and earn a Grammy nomination. The remix, featuring the Japanese House, feels sweeter still \u2013 and equally fantastic.<\/p>\n 17. New Shapes (ft Caroline Polachek and Christine and the Queens) (2021)<\/p>\n It\u2019s easy to view Brat\u2019s predecessor, Crash, as Charli xcx trying to fit in with standard ideas about mainstream pop, rather than forging her own distinctive path. But its highlights are pretty high: New Shapes deploys both Christine and the Queens<\/a> and Caroline Polachek over a fierce take on 80s electro.<\/p>\n 16. Roll With Me (2017)Sophie (left) and Charli xcx on stage in 2016. Photograph: Daniel Boczarski\/Redferns<\/p>\n There used to be a rule of thumb that Charli xcx<\/a> perversely released her best tracks not on her albums but her mixtapes. Listening to Roll With Me, you can see how that idea blossomed: producer Sophie provides relentless kick-drum thwack and sparse, super-spiky electronics, while Charli brings fabulous attitude-laden pop smarts.<\/p>\n 15. Nuclear Seasons (2011)<\/p>\n If you\u2019re looking for early evidence that Charli xcx was different, then this track from her debut EP, later to become the opener for her debut album, is a good place to start. The lyrics mix up relationship trauma, post-apocalyptic imagery and the suggestion that pop culture is a state of decay; the music reboots doomy 80s synth pop. It\u2019s also insanely catchy.<\/p>\n 14. 360 (2024)<\/p>\n \u201cI went my own way and I made it \/ I\u2019m your favourite reference, baby \u2026 I don\u2019t fucking care what you think\u201d: 360 is both the sound of the Brat era swaggering (or perhaps staggering) into view and a superb pop song, whether you opt for the original or the Robyn and Yung Lean-assisted remix.<\/p>\n 13. I Got It (2017)<\/p>\n The Pop 2 mixtape sounded like Charli xcx and her collaborators trying to will a more interesting, provocative pop landscape into being: on I Got It, extravagantly foul-mouthed rapper Cupcakke, Brazilian drag queen vocalist Pabllo Vittar and pansexual shape-shifting US singer Brooke Candy do their thing over a minimal, thrillingly futuristic musical backdrop.<\/p>\n 12. House (2025)<\/p>\n However you might have expected Charli xcx to follow up Brat, it\u2019s unlikely that you expected this, from the forthcoming soundtrack to Wuthering Heights<\/a>: a warped electronic homage to the Velvet Underground, filled with drones, shards of noise and a guest appearance from John Cale, which bursts into furious distortion-laden industrial noise at its climax.<\/p>\n 11. Club Classics (2024)<\/p>\n Pop has hardly wanted for songs about nightclubs, but few of them have captured the small hours dancefloor\u2019s manic sense of euphoria like Club Classics. It feels chaotic, relentless and artificially accelerated, and celebrates complete abandon: \u201cSweat marks on all my clothes \u2026 I wanna be blinded by the lights.\u201d<\/p>\n 10. Gone (ft Christine and the Queens) (2019)Christine and the Queens (left) and Charli xcx performing on The Tonight Show in 2019. Photograph: NBC\/NBCU Photo Bank\/NBCUniversal\/Getty Images<\/p>\n Another Christine and the Queens collaboration, Gone improbably transforms the lyrical topic of crushing social anxiety \u2013 \u201cI feel so unstable \/ I fucking hate these people\u201d \u2013 into anthemic pop. There\u2019s a powerful sense of catharsis about the way it explodes from brooding verses into a banging, exhilarating chorus.<\/p>\n 9. Backseat (ft Carly Rae Jepsen) (2017)<\/p>\n Charli xcx and Carly Rae Jepsen<\/a> once drunkenly plotted to make an album together; their solitary IRL collaboration is marvellous. Thematically, Backseat feels like two different songs \u2013 one about a breakup, the other about the alienating nature of celebrity \u2013 perfectly joined by the chorus (\u201cI\u2019m alone\u201d) and shifting, inventive electronic backing.<\/p>\n 8. Boys (2017)<\/p>\n By latter-day xcx standards, Boys is musically and lyrically straightforward \u2013 a giddy reverie of lust set to a suitably daydreamy backing \u2013 but it\u2019s utterly charming and joyful. Extra points for the video, which featured the lead singer of Vampire Weekend lurking among its parade of heavily muscled objects of desire.<\/p>\n 7. Anthems (2020)<\/p>\n Written and recorded as Covid raged, its lyrics crowdsourced with fans online, Anthems perfectly captures those lockdown moments when the urge to, as Charli put it, \u201cgo out, blow off some steam, get fucked up\u201d became overwhelming. If its sound is intense to the point of seeming a bit nuts, well, that\u2019s how it felt.<\/p>\n 6. Boom Clap (2014)<\/p>\n Originally intended for former Disney star Hilary Duff (she rejected it), the song\u2019s author turned Boom Clap into the highlight of her second album, Sucker, and her first US Top 10 hit. No wonder: it\u2019s hugely catchy and impressively classy, the hooky chorus set amid chugging, pulsing synths \u2013 though she hates it now.<\/p>\n 5. Next Level Charli (2019)<\/p>\n A paean to her fans, packed with references to her past work, the brilliance of Next Level Charli lies in the gulf between the music, which lulls the listener into believing they\u2019re going to get a dreamy, 80s-influenced ballad, and the gobby, playground-chant stridency of the vocal: \u201cIn the rave \u2013 go for ever and ever!\u201d<\/p>\n 4. Von Dutch (2024)In Los Angeles, California, 2024. Photograph: \u00c9tienne Laurent\/AFP\/Getty Images<\/p>\n You could call Von Dutch a diss track \u2013 it\u2019s rumoured to be aimed at FKA twigs \u2013 but it feels more like an infectious expression of self-confidence: someone who knows she has hit her imperial phase, and has created an irresistible, epochal pop single almost entirely out of grinding, revving noise to prove it.<\/p>\n 3. Vroom Vroom (2015)<\/p>\n A step into the leftfield that got decidedly mixed reviews on release, Vroom Vroom now feels like the birth of Charli xcx 2.0, harnessing her songwriting skills to the skeletal, avant-pop sound of PC Music affiliate Sophie<\/a>. A decade ago it felt completely removed from mainstream pop trends; today it sounds incredibly prescient.<\/p>\n 2. Girl, So Confusing (2024)<\/p>\n A different class to the usual pop-star-writes-prickly-song-about-fellow-pop-star fare, Girl, So Confusing is both an amazing song and a heartwarming saga. The original version depicted a fraught relationship with Lorde, accompanied by a synthesiser that fizzes and growls; the remix<\/a> featured Lorde herself answering the criticisms and movingly explaining her own issues.<\/p>\n 1. Track 10 (2017)<\/p>\n