{"id":393209,"date":"2025-11-20T22:26:10","date_gmt":"2025-11-20T22:26:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/393209\/"},"modified":"2025-11-20T22:26:10","modified_gmt":"2025-11-20T22:26:10","slug":"sylvester-stallones-art-will-be-on-display-in-l-a-in-early-2026","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/393209\/","title":{"rendered":"Sylvester Stallone&#8217;s Art Will be on Display in L.A. in early 2026"},"content":{"rendered":"<p>Los Angeles\u2019 biggest annual art event is\u00a0starting off 2026 with a\u00a0burst of star power. When the <a href=\"https:\/\/www.laartshow.com\/\" target=\"_blank\" rel=\"noopener nofollow\">LA Art Show<\/a> returns to the Los Angeles Convention Center January 7\u201311, 2026, one of the most talked-about booths is likely to be Palm Beach\u2019s Provident Fine Art, making its debut with a solo exhibition of Sylvester Stallone\u2019s abstract canvas paintings.<\/p>\n<p>The Rocky and Rambo star may be best known for his brawn, but Stallone has been painting since his teens,\u00a0often\u00a0using\u00a0art to help develop characters\u00a0while\u00a0writing\u00a0the scripts that would make him famous.\u00a0This will be his\u00a0first major showcase in years, offering fans and art lovers a glimpse into another aspect of his creative life.<\/p>\n<p>Stallone\u2019s presence is just one part of a wide-ranging international lineup curated by fair director Kassandra Voyagis\u00a0for the LA Art Show&#8217;s 31st year. The 2026\u00a0installment includes more than 90 exhibitors, from powerhouse contemporary galleries to new global arrivals. Dublin\u2019s Oliver Sears Gallery becomes the show\u2019s first-ever participant from Ireland, while London\u2019s Pontone Gallery brings self-taught drummer-turned-painter Chris Rivers. Switzerland\u2019s LICHT FELD Gallery contributes one of the fair\u2019s most compelling historical rediscoveries: Karl A. Meyer&#8217;s woodcut prints, unseen for more than 40 years. The fair will also feature Israeli artist Yigal Ozeri\u2019s lush, cinematic portraits, presented by Corridor Contemporary, and 15 Korean galleries.<\/p>\n<p>But the fair\u2019s most ambitious development is the launch of its Latin American pavilion. Curated by Marisa Caichiolo\u00a0(who oversees\u00a0DIVERSEartLA and is newly appointed co-curator of Chile\u2019s pavilion at the 2026 Venice Biennale), the pavilion centers on memory, migration and identity. With artists examining ancestral mythology, power structures and the politics of belonging, the pavilion is designed to shift how Latin American art is shown and valued at major fairs.<\/p>\n<p>&#8220;At a moment when immigration issues continue to disproportionately impact Latin American communities, it is especially important to provide a platform for these artists,&#8221; Caichiolo said in an official statement.<\/p>\n<p>With global debuts, historic rediscoveries, a groundbreaking new pavilion and a rare look at Stallone\u2019s art, the 2026 LA Art Show is setting itself up as the year\u2019s first essential art event\u2014and one of its most surprising.<\/p>\n","protected":false},"excerpt":{"rendered":"Los Angeles\u2019 biggest annual art event is\u00a0starting off 2026 with a\u00a0burst of star power. When the LA Art&hellip;\n","protected":false},"author":3,"featured_media":393210,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5123],"tags":[1037,1582,276,29645,2961,224,5337,29646],"class_list":{"0":"post-393209","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-los-angeles","8":"tag-art","9":"tag-ca","10":"tag-california","11":"tag-categories-art","12":"tag-la","13":"tag-los-angeles","14":"tag-losangeles","15":"tag-news-art"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115584380812652790","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/393209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=393209"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/393209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/393210"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=393209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=393209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=393209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}