{"id":399351,"date":"2025-11-23T15:12:17","date_gmt":"2025-11-23T15:12:17","guid":{"rendered":"https:\/\/www.europesays.com\/us\/399351\/"},"modified":"2025-11-23T15:12:17","modified_gmt":"2025-11-23T15:12:17","slug":"the-one-drummer-who-left-eric-clapton-awestruck","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/399351\/","title":{"rendered":"The one drummer who left Eric Clapton awestruck"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/11\/Eric-Clapton-Guitarist-1996-Far-Out-Magazine-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"Eric Clapton - Guitarist - 1996 -\" layout=\"fill\"  style=\"object-position: 50% 50%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>(Credits: Far Out \/ Showtime Documentary Films)<\/p>\n<p> Sun 23 November 2025 13:12, UK <\/p>\n<p>Take a second to bypass the uncomfortable nature of his social outlook and, for just a moment, focus solely on the immense career of <a href=\"http:\/\/www.faroutmagazine.co.uk\/tags\/eric-clapton\" target=\"_blank\" rel=\"noopener\" title=\"\">Eric Clapton<\/a>.<\/p>\n<p>Whether just looking at his solo career or his time with impeccable bands like the Yardbirds, Blind Faith and, of course, Cream, it is hard to argue with Clapton\u2019s impact on rock music. Routinely cited as one of the greatest guitarists the British blues scene ever saw, he was once hailed as a six-string deity by a London graffiti artist and, for some, that proclamation remains.<\/p>\n<p>Considering the moment he burst onto the music scene, in the 1960s, and the many, many musicians he saw and worked with, it is hard to imagine him ever being really stumped by the performance of another. When you were at the first-ever Jimi Hendrix show in London, it\u2019s hard to imagine another player coming close. When Ginger Baker was your drummer in Cream, is it even possible for another percussionist to come close to taking your breath away? Apparently so.  <\/p>\n<p>The versatile artist Phil Collins began his remarkable career as a child actor in the 1960s but broke out as the drummer of Genesis in the early 1970s. He joined the band alongside guitarist Steve Hackett to support frontman and creative lead Peter Gabriel. However, Collins would later become the band\u2019s lead singer and co-songwriter following Gabriel\u2019s exit in 1975.\u00a0<\/p>\n<p>Throughout their early releases, Genesis became a cornerstone of <a href=\"https:\/\/faroutmagazine.co.uk\/the-neurotic-prog-rock-band-phil-collins-never-understood\/\" target=\"_blank\" rel=\"noopener\" title=\"The \u201cneurotic\u201d prog-rock band Phil Collins never understood\">the prog-rock movement<\/a> alongside virtuosic bands like Led Zeppelin, Pink Floyd and Yes. Avant-garde fixations of the psychedelic era inspired such acts to embrace complexity and obscurity. Initially, Collins embraced this aesthetic but gradually led the band in a more pop-conscious direction as the 1980s approached. <\/p>\n<p>In 1980, Collins kicked off his popular solo catalogue with Face Value, which topped the UK Albums Chart for three weeks and hit number seven on the US Billboard 200. The album was conceived as an overflow of sorts, allowing Collins to exercise his passion for soul music and record any music that wasn\u2019t accepted by or suited to Genesis.<\/p>\n<p>Face Value was best known for its lead single, \u2018In The Air Tonight\u2019, a moody study of anxiety. \u201cI wrote the lyrics spontaneously,\u201d Collins said of the song in a 2016 interview with Rolling Stone. \u201cI\u2019m not quite sure what the song is about, but there\u2019s a lot of anger, a lot of despair and a lot of frustration.\u201d<\/p>\n<p>\u201cI was just fooling around,\u201d he told Dave Thompson for Turn It On Again: Peter Gabriel, Phil Collins, and Genesis. \u201cI got these chords that I liked, so I turned the mic on and started singing. The lyrics you hear are what I wrote spontaneously. That frightens me a bit, but I\u2019m quite proud of the fact that I sang 99.9 per cent of those lyrics spontaneously.\u201d<\/p>\n<p>Despite the ultimate popularity of \u2018In The Air Tonight\u2019, thanks to Collins\u2019 revolutionary drum fill, Genesis allegedly passed up the opportunity to record the track. Speaking to Melody Maker in 1981, Collins claimed that he had played a demo to his bandmates Mike Rutherford and Tony Banks, who dismissed it for being \u201ctoo simple\u201d. However, Tony Banks has since denied that Collins ever showed the band the song before recording it. <\/p>\n<p>Whatever the weather, the song endures as a feat of drumming innovation on Collins\u2019 part. In a 2016 conversation with Digital Trends, Collins remembered some of his friends\u2019 reactions when <a href=\"https:\/\/faroutmagazine.co.uk\/phil-collins-isolated-drums-in-the-air-tonight\/\" target=\"_blank\" rel=\"noopener\" title=\"Listen to Phil Collins\u2019 isolated drums on the 1980 hit \u2018In The Air Tonight\u2019\">he performed \u2018In the Air Tonight\u2019<\/a> in an early studio session. <\/p>\n<p>\u201cWhen we had Eric Clapton and some of his guys come up to the studio, we played \u2018In the Air Tonight\u2019 for them. When the drums came in, everybody said, \u2018FUCKING HELL! What the fuck is that?\u2019 Nobody had ever heard anything like that. Frankly, drums were never that loud. But it was my album, and it worked.\u201d<\/p>\n<p>\u201cWe were playing with psychological things,\u201d Collins concluded. \u201cThe audience is there going along with you, and then suddenly you knock them on the head with this thing: Bvoom-bvoom!\u201d<\/p>\n<p>Listen to Phil Collins\u2019 immortal classic \u2018In the Air Tonight\u2019 below.\u00a0<\/p>\n<\/p>\n<p>Related Topics<\/p>\n","protected":false},"excerpt":{"rendered":"(Credits: Far Out \/ Showtime Documentary Films) Sun 23 November 2025 13:12, UK Take a second to bypass&hellip;\n","protected":false},"author":3,"featured_media":397233,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[171,139801,975,73908,67,132,68],"class_list":{"0":"post-399351","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-genesis","10":"tag-music","11":"tag-phil-collins","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115599661771816684","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/399351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=399351"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/399351\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/397233"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=399351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=399351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=399351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}