{"id":419679,"date":"2025-12-02T14:38:21","date_gmt":"2025-12-02T14:38:21","guid":{"rendered":"https:\/\/www.europesays.com\/us\/419679\/"},"modified":"2025-12-02T14:38:21","modified_gmt":"2025-12-02T14:38:21","slug":"new-york-film-critics-winners-2025-updating-live","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/419679\/","title":{"rendered":"New York Film Critics Winners 2025 (Updating Live)"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe <a href=\"https:\/\/variety.com\/t\/new-york-film-critics\/\" id=\"auto-tag_new-york-film-critics\" data-tag=\"new-york-film-critics\" target=\"_blank\" rel=\"noopener\">New York Film Critics<\/a> Circle is gathering in Manhattan this morning to select the best films and performances of 2025.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe esteemed membership of more than 50 journalists \u2014 including Variety\u2019s chief film critic Owen Gleiberman \u2014 has never been shy about going against the grain. As the oldest critics\u2019 group in the United States, the NYFCC is viewed as an early bellwether for awards season, with its best film winner often correlating with an Academy Award nomination for best picture. Since the <a href=\"https:\/\/variety.com\/t\/oscars\/\" id=\"auto-tag_oscars\" data-tag=\"oscars\" target=\"_blank\" rel=\"noopener\">Oscars<\/a> expanded to 10 best picture nominees in 2009, only two NYFCC winners \u2014 \u201cCarol\u201d (2015) and \u201cFirst Cow\u201d (2020) \u2014 have failed to secure nominations in the top category.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe NYFCC remains one of the industry\u2019s most prestigious critics\u2019 groups, even if its choices rarely mirror the Academy\u2019s ultimate victors. The membership gravitates toward deep, textural narratives \u2014 think Todd Haynes\u2019 \u201cFar from Heaven\u201d (2002) and Ry\u016bsuke Hamaguchi\u2019s \u201cDrive My Car\u201d (2021) \u2014 and often sidesteps the presumed Oscar frontrunner. The group has aligned with the Academy\u2019s best picture winner only once in the past decade, with Michel Hazanavicius\u2019 \u201cThe Artist.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe organization is also known for the occasional flash of recency bias, memorably selecting \u201cAmerican Hustle\u201d in 2013 just one day after screening it. Now celebrating its 91st year, the NYFCC continues to shape the early awards conversation.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe list of winners is below.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBest Film: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDirector: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tActor: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tActress: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSupporting Actor: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSupporting Actress: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tScreenplay: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnimated Film: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCinematography: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNon-Fiction Film: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tInternational Film: <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFirst Film: <\/p>\n","protected":false},"excerpt":{"rendered":"The New York Film Critics Circle is gathering in Manhattan this morning to select the best films and&hellip;\n","protected":false},"author":3,"featured_media":419680,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5122],"tags":[5229,405,403,196332,5226,5225,5228,5227,15801,67,586,132,5230,68,2969],"class_list":{"0":"post-419679","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-new-york","8":"tag-america","9":"tag-new-york","10":"tag-new-york-city","11":"tag-new-york-film-critics","12":"tag-newyork","13":"tag-newyorkcity","14":"tag-ny","15":"tag-nyc","16":"tag-oscars","17":"tag-united-states","18":"tag-united-states-of-america","19":"tag-unitedstates","20":"tag-unitedstatesofamerica","21":"tag-us","22":"tag-usa"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115650488734027735","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/419679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=419679"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/419679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/419680"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=419679"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=419679"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=419679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}