{"id":424150,"date":"2025-12-04T13:23:22","date_gmt":"2025-12-04T13:23:22","guid":{"rendered":"https:\/\/www.europesays.com\/us\/424150\/"},"modified":"2025-12-04T13:23:22","modified_gmt":"2025-12-04T13:23:22","slug":"6-writers-remember-joan-didion-l-a-s-literary-prophet-who-remains-full-of-surprise","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/424150\/","title":{"rendered":"6 writers remember Joan Didion, L.A.&#8217;s literary prophet who &#8216;remains full of surprise&#8217;"},"content":{"rendered":"\n<p class=\"infobox-description\">If you buy books linked on our site, The Times may earn a commission from <a class=\"link\" href=\"https:\/\/bookshop.org\/\" target=\"_blank\" rel=\"noopener\">Bookshop.org<\/a>, whose fees support independent bookstores.<\/p>\n<p>To live in Los Angeles is to live in Joan Didion\u2019s world. On what would have been the writer\u2019s 91st birthday, Didion\u2019s thorny and tangled vision of the city endures. A philosopher, historian, songbird of grief and prophet, Didion foretold the city\u2019s future with startling accuracy.<\/p>\n<p>Of writing, Didion once said, \u201cI\u2019m totally in control of this tiny, tiny world right there at the typewriter.\u201d The same might be said of Los Angeles \u2014 a universe she continues to narrate to us long after her death.<\/p>\n<p>\u201cLos Angeles weather is the weather of catastrophe, of apocalypse,\u201d Didion wrote. In January 2025, when fires ravaged neighborhoods across the region, her former home of Malibu was again bathed in ash. On social media, the late writer\u2019s words went viral for their startling poignancy. \u201cHorses caught fire and were shot on the beach, birds exploded in the air,\u201d she wrote in \u201cQuiet Days in Malibu.\u201d Of the Santa Ana winds \u2014 \u201cdevil winds,\u201d as she called them \u2014 she warned, \u201cThe city burning is Los Angeles\u2019s deepest image of itself.\u201d As parts of the city smoldered, many turned to Didion\u2019s aching, poetic rendering of a paradise lost. And as the city rebuilt, she reminded readers of the resilient, pioneering spirit inherent to California and its people: \u201cIn California we did not believe that history could bloody the land, or even touch it,\u201d she wrote in \u201cWhere I Was From.\u201d For many, these words rang out as an affirmation \u2014 even a prayer.<\/p>\n<p>\u201cThere is no real way to deal with everything we lose,\u201d she observed in \u201c<a class=\"link\" href=\"https:\/\/www.penguinrandomhouse.com\/books\/40771\/the-year-of-magical-thinking-by-joan-didion\/9781400078431\/readers-guide\/\" target=\"_blank\" rel=\"noopener\">The Year of Magical Thinking<\/a>.\u201d Her writing, shrouded in grief, took on a new sharpness in post-fire Los Angeles.<\/p>\n<p>The city continues to live in both the wreckage and the wisdom of Didion\u2019s work. This year, a series of reportedly violent ICE raids unsettled Los Angeles, drawing national attention to immigration shaped by political violence abroad. These strains echo a longstanding preoccupation in Didion\u2019s reporting on Latin America. In her indicting book \u201cSalvador,\u201d she describes the political terror that engulfed El Salvador in 1982 and examines how U.S. intervention exacerbated it. In her nonfiction book \u201cMiami,\u201d Didion chronicles the world of Cuban exiles, portraying a conflict-ridden community with grace and her trademark clarity. Her fascination with Latin America loomed large in her reporting. The consequences of Didion\u2019s critiques of neoliberalism and American intervention remain ahead of their time, playing out today on the streets of Los Angeles, where immigrants are detained by federal agents \u2014 propelled by the policies and hypocrisies Didion once exposed.<\/p>\n<p>As the city faces unparalleled challenges, we can rest assured that Joan Didion will be with us each step of the way. For the writer\u2019s 91st birthday, six writers with work published on Didion spoke on the writer\u2019s legacy from their favorite Didion anecdote to her work that still resonates decades later.<\/p>\n<p>Lili Anolik<\/p>\n<p><b>What is an anecdote about Joan Didion that resonates with you?<\/b><\/p>\n<p>           <video playsinline=\"playsinline\" loop=\"\" preload=\"none\" title=\"Lili Anolik on the legacy of Joan Didion\" data-video-id=\"0000019a-e0b1-d0b7-a1df-efbfa3850000\">               <\/video>               <img class=\"image\" alt=\"\"   width=\"473\" height=\"840\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854593_244_\" decoding=\"async\" loading=\"lazy\"\/>             <\/p>\n<ul data-element=\"action-bar-menu\" class=\"flex gap-2 list-none  absolute w-full h-10 top-0\">\n<li data-element=\"action-bar-share\" class=\"flex  w-full h-10 top-0 lg:items-center lg:justify-center \">\n<p> Share via     Close extra sharing options  <\/p>\n<\/li>\n<\/ul>\n<p>It\u2019s 1967, one year before \u201cSlouching Towards Bethlehem\u201d is published, so one year before Joan Didion is Joan Didion. Joan and [husband] John [Gregory Dunne] are both writing for the Saturday Evening Post, and making pretty good money. They get cocky, buy a new car \u2014 a Corvette Stingray, banana yellow. They\u2019ve just driven it home, and then they hear a rumor that the Saturday Evening Post is folding. John starts to sweat. He says, \u201cOh, God, maybe we should take back the car.\u201d Joan looks at him and says, \u201cDon\u2019t think poor.\u201d<\/p>\n<p><b>What is your favorite piece of Joan Didion writing?<\/b><\/p>\n<p>My favorite piece of Joan Didion writing is the opener to \u201cSlouching Towards Bethlehem,\u201d \u201cSome Dreamers of the Golden Dream.\u201d It\u2019s trashy noir yet elevated and totally dead-eyed \u2014 as if <a class=\"link\" href=\"https:\/\/georgiawritershalloffame.org\/honorees\/flannery-oconnor\" target=\"_blank\" rel=\"noopener\">Flannery O\u2019Connor<\/a> took a crack at writing a James M. Cain story.<\/p>\n<p>            <img class=\"image\" alt=\"&quot;Didion &amp; Babitz&quot; by Lili Anolik\"   width=\"2000\" height=\"3046\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854596_37_\" decoding=\"async\" loading=\"lazy\"\/>          <\/p>\n<p><a class=\"link\" href=\"https:\/\/bookshop.org\/a\/7748\/9781668065495\" target=\"_blank\" rel=\"noopener\"><b>\u201cDidion &amp; Babitz\u201d<\/b><\/a> <br \/>(Scribner)<\/p>\n<p>Hilton Als<\/p>\n<p><b>What is an anecdote about Joan Didion that resonates with you?<\/b><\/p>\n<p>I don\u2019t have a favorite anecdote about Joan; her influence and love is of a piece. But what I adored most was making her laugh.<\/p>\n<p><b>What is your favorite piece of Joan Didion writing?<\/b><\/p>\n<p>The more I read Joan, the more I understand that without realizing it, perhaps, she was a philosopher of sorts \u2014 largely about the American arrival myth, and what that dream looks like, or doesn\u2019t look like. It\u2019s hard to extrapolate one book or piece from that monumental body of work, but sometimes I dream of the colors and perfect shape and ideas she put forth in \u201c<a class=\"link\" href=\"https:\/\/www.joandidion.org\/joan-didion-books\/a-book-of-common-prayer\" target=\"_blank\" rel=\"noopener\">A Book of Common Prayer,<\/a>\u201d which strikes me as a feminist text, ultimately, beginning with the first line: \u201cI will be her witness.\u201d How marvelous for a female narrator to say that about another woman.<\/p>\n<p>            <img class=\"image\" alt=\"&quot;Joan Didion: What She Means&quot; by Joan Didion\"   width=\"2000\" height=\"2796\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854597_502_\" decoding=\"async\" loading=\"lazy\"\/>          <\/p>\n<p><a class=\"link\" href=\"https:\/\/bookshop.org\/a\/7748\/9781636810577\" target=\"_blank\" rel=\"noopener\"><b>\u201cJoan Didion: What She Means\u201d<\/b><\/a> <br \/>(Delmonico Books)<\/p>\n<p>David Ulin<\/p>\n<p><b>What is an anecdote about Joan Didion that resonates with you?<\/b><\/p>\n<p>When I was 18 and living in San Francisco, I first read her. I read \u201cSlouching Towards Bethlehem\u201d and then \u201cThe White Album.\u201d The complex, even doom-stricken bleakness of her point of view really resonated with me. I tend to share that point of view in terms of my thinking about the world and humanity. It echoed for me, a dimension I was sensing while living in California for the first time that I hadn\u2019t really seen anywhere else. I subsequently saw it in a lot of other writers, but she was really the first who taught me that California was a complex, complicated, multivaried landscape \u2014 a place with a lot of contradictory history.<\/p>\n<p><b>What is your favorite piece of Joan Didion writing?<\/b><\/p>\n<p>There\u2019s a piece called \u201cOn the Morning After the Sixties,\u201d which ends with this beautiful line: \u201cIf I could believe that going to a barricade would affect man\u2019s fate in the slightest, I would go to that barricade.\u201d That essay in particular should be better known because the writing is so beautiful and her sensibility so sharp and contrarian. It\u2019s very brief; it\u2019s an impression, almost like a sketch. I love that kind of writing in general. She was a writer who taught me that I could write in long form and in short form, with the form dictated by the content. \u201cOn the Morning After the Sixties\u201d is a beautiful encapsulation of her aesthetic and point of view in a very brief format.<\/p>\n<p>            <img class=\"image\" alt=\"&quot;Joan Didion: The 1980s &amp; 90s: Salvador\/Democracy\/Miami\/After Henry\/The Last Thing He Wanted&quot; by Joan Didion\"   width=\"2000\" height=\"3141\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854599_428_\" decoding=\"async\" loading=\"lazy\"\/>          <\/p>\n<p><a class=\"link\" href=\"https:\/\/bookshop.org\/p\/books\/joan-didion-the-1980s-90s-loa-341-salvador-democracy-miami-after-henry-the-last-thing-he-wanted-joan-didion\/d7116bcae738e543?ean=9781598536836&amp;next=t\" target=\"_blank\" rel=\"noopener\"><b>\u201cJoan Didion: The 1980s &amp; 90s\u201d<\/b><\/a> <br \/>(Library of America)<\/p>\n<p>Evelyn McDonnell<\/p>\n<p><b>What is an anecdote about Joan Didion that resonates with you?<\/b><\/p>\n<p>Joan Didion went to Sacramento City College for a brief time. As she wrote, she only applied to Stanford. She was just shooting for the stars. And as we all know, you\u2019re supposed to have your first choice, your medium choice, and then your backup. It was a combination of arrogance and naivete. Her parents weren\u2019t directing her correctly about how to apply for college, so she put all her eggs in one basket \u2014 and that basket denied her. That was a lesson in humility for Didion, and she took it very hard. She actually said she thought she would kill herself, which also demonstrates her tendency to dramatize. She had originally wanted to be an actor. Later, she took the rejection as a lesson and pinned the letter to her wall, where she kept it for many years. Then she applied to Berkeley and was accepted. It was too late to start in the fall, so she completed a summer and a semester at Sacramento City College, which was actually good for her because it connected her to Sacramento as an adult, not just as a child. Later in life, when she talked about her Sacramento roots \u2014 the river parties, the beer parties, and her boyfriend Bob \u2014 much of that came from the time she spent there.<\/p>\n<p><b>What is your favorite piece of Joan Didion writing?<\/b><\/p>\n<p>\u201cWhy I Write\u201d resonates with me because her reasons for writing are very similar to my own. It felt validating. She wrote in order to figure out what she thought. The process of putting words on the page helped her understand herself and the world. As a writer, I completely relate to that. I tell my students not to use AI \u2014 there is something about that process, about formulating one\u2019s thoughts by writing them, that is essential. I think much of her resonance comes from the way she was instructional in her writing. She gave many speeches that are now part of her lore. Even though she was never formally a teacher, I feel she was a teacher to many of us and a mentor to countless writers.<\/p>\n<p>            <img class=\"image\" alt=\"&quot;The World According to Joan Didion&quot; by Evelyn McDonnell\"   width=\"2000\" height=\"3011\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854600_411_\" decoding=\"async\" loading=\"lazy\"\/>          <\/p>\n<p><a class=\"link\" href=\"https:\/\/bookshop.org\/a\/7748\/9780063419155\" target=\"_blank\" rel=\"noopener\"><b>\u201cThe World According to Joan Didion\u201d<\/b><\/a> <br \/>(HarperOne)<\/p>\n<p>Cory Leadbeater<\/p>\n<p><b>What is an anecdote about Joan Didion that resonates with you?<\/b><\/p>\n<p>Some of the most intelligent and talented people would come to dinner with her and spend hours arguing their case about some current event or writer or film or whatever, and Joan would sit in silence the entire time. Eventually, someone would get around to asking Joan, \u201cWell, what do you think?\u201d And Joan would let out a long exhale through her nose, and then say very quietly, \u201cI don\u2019t know.\u201d<\/p>\n<p><b>What is your favorite piece of Joan Didion writing?<\/b><\/p>\n<p>My favorite piece she ever wrote is a small essay in \u201cThe White Album\u201d called \u201cAt the Dam.\u201d It\u2019s about visiting the Hoover Dam. It\u2019s not a piece I often see discussed when people talk about her enormous and overwhelming body of work. If you want to understand her worldview and the feeble attempts human beings make to bring order to a chaotic universe, that essay is the best place to start. It focuses on the massive effort to rein in nature and bring the works of humankind to bear on a landscape that is completely indifferent to us. In the essay, she reflects on her own smallness, the smallness of humankind, and our collective efforts to create something lasting or meaningful. It ends with her thinking about the Hoover Dam after humanity is gone. It\u2019s a quintessential Joan Didion image: She imagines the day after the human race is gone, capturing both apocalyptic self-annihilation and wonder at the tremendous efforts we make to do something meaningful with our time. On a craft level, that last sentence \u2014 \u201ctransmitting power and releasing water to a world where no one is\u201d \u2014 shows her at the peak of her artistic powers.<\/p>\n<p>            <img class=\"image\" alt=\"&quot;The Uptown Local: Joy, Death, and Joan Didion: A Memoir&quot; by Cory Leadbeater\"   width=\"2000\" height=\"3012\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854601_463_\" decoding=\"async\" loading=\"lazy\"\/>          <\/p>\n<p><a class=\"link\" href=\"https:\/\/bookshop.org\/a\/7748\/9780063371583\" target=\"_blank\" rel=\"noopener\"><b>\u201cThe Uptown Local\u201d<\/b><\/a> <br \/>(Ecco)<\/p>\n<p>Steffie Nelson<\/p>\n<p><b>What is an anecdote about Joan Didion that resonates with you?<\/b><\/p>\n<p>I love the story Didion tells of going to Ralphs in a bikini on a 105-degree day. It\u2019s just such a funny image to me. To imagine this woman we all revere \u2014 it\u2019s impossible to imagine her doing it. It seems so out of character. Yet she did it with her reserved way of speaking and her buttoned-up manner. The woman who confronted her was completely outraged, banging her shopping cart into her and saying, \u201cWhat a what a thing to wear to Ralphs.\u201d I love that image because it reveals a person who could always surprise everyone. To me, Didion remains full of surprise.<\/p>\n<p><b>What is your favorite piece of Joan Didion writing?<\/b><\/p>\n<p>My favorite piece is still the first piece of hers that I ever read: \u201cSome Dreamers of the Golden Dream,\u201d which is the opening essay of \u201cSlouching Towards Bethlehem.\u201d It\u2019s not just the story of the murderer, Lucille Miller, who burned her husband alive, that I find so compelling. But it\u2019s the concept of the golden dream and the promise of California, which has taken on a life of its own in my brain. It continues morphing as our cultural ideals change, and I actually interpret the golden dream differently than Didion presents it. Her definition includes the inevitable fall and the ultimate disappointment when you reach for this golden dream. But I believe the potency of the golden dream is in the aspiration and the wish for something greater. This envisioning and reaching is an experience of the golden dream that we all can have, as opposed to something that nobody can ever have.<\/p>\n<p>            <img class=\"image\" alt=\"&quot;Slouching Towards Los Angeles: Living and Writing by Joan Didion's Light&quot; edited by Steffie Nelson\"   width=\"2000\" height=\"2891\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/1764854602_551_\" decoding=\"async\" loading=\"lazy\"\/>          <\/p>\n<p><a class=\"link\" href=\"https:\/\/bookshop.org\/p\/books\/slouching-towards-los-angeles-living-and-writing-by-joan-didion-s-light-ann-friedman\/bba6dcf37b9aa1d5?ean=9781644280676&amp;next=t\" target=\"_blank\" rel=\"noopener\"><b>\u201cSlouching Towards Los Angeles: Living and Writing by Joan Didion\u2019s Light\u201d<\/b><\/a> <br \/>(Rare Bird Books)<\/p>\n<p>Connors is a writer living in Los Angeles. She hosts the literary reading \u201c<a class=\"link\" href=\"https:\/\/www.instagram.com\/unreliablenarratorshow\/?hl=en\" target=\"_blank\" rel=\"noopener\">Unreliable Narrators<\/a>\u201d at Nico\u2019s Wine every month.<\/p>\n<p> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees&hellip;\n","protected":false},"author":3,"featured_media":424151,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5123],"tags":[197794,1582,276,2451,197793,197792,2961,1612,197795,224,2444,5337,6620,22968,8066,103,49253,5558,1628],"class_list":{"0":"post-424150","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-los-angeles","8":"tag-anecdote","9":"tag-ca","10":"tag-california","11":"tag-city","12":"tag-favorite-piece","13":"tag-joan-didion","14":"tag-la","15":"tag-latin-america","16":"tag-literary-prophet","17":"tag-los-angeles","18":"tag-los-angeles-times","19":"tag-losangeles","20":"tag-time","21":"tag-view","22":"tag-work","23":"tag-world","24":"tag-writer","25":"tag-writing","26":"tag-year"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/424150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=424150"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/424150\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/424151"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=424150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=424150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=424150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}