{"id":432169,"date":"2025-12-08T01:03:09","date_gmt":"2025-12-08T01:03:09","guid":{"rendered":"https:\/\/www.europesays.com\/us\/432169\/"},"modified":"2025-12-08T01:03:09","modified_gmt":"2025-12-08T01:03:09","slug":"2025-l-a-film-critics-association-winners-list","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/432169\/","title":{"rendered":"2025 L.A. Film Critics Association Winners List"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOne Battle After Another was named best picture by the Los Angeles Film Critics Association, which voted Sunday this year\u2019s best films, performances and technical achievements.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe Secret Agent was the runner-up, and also nabbed the award for best film not in the English language.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn addition, Paul Thomas Anderson won best director for One Battle After Another, with Ryan Coogler as the runner-up for Sinners.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFor best lead performance, Ethan Hawke and Rose Byrne won for Blue Moon and If I Had Legs I\u2019d Kick You, respectively, and for best supporting performance, Stellan Skarsg\u00e5rd and Teyana Taylor won for Sentimental Value and One Battle After Another, respectively. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBest cinematography was the first award revealed on Sunday, with Adolpho Veloso for Train Dreams being named the winner. Hannah Beachler later won best production design for Sinners, and Ronald Bronstein and Josh Safdie won best editing for Marty Supreme.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAs for best animation, Little Am\u00e9lie or the Character of Rain took home the award, while KPop Demon Hunters was the runner-up.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe association previously announced in October that filmmaker and screenwriter Philip Kaufman as the recipient of this year\u2019s Career Achievement Award. \u201cIntrepid doesn\u2019t even begin to describe a director who, among his many considerable achievements, gave\u00a0Indiana Jones\u00a0his first assignment and inspired the NC-17 rating,\u201d said LAFCA president Robert Abele of Kaufman.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cA criminally underappreciated director, Philip Kaufman could never be pigeonholed, from his early days absorbing the independent spirit of homegrown DIY-ers and the European New Wave, to his cool, vivid command of genre in the \u201970s, followed by a handful of uncompromising historical epics, including\u00a0The Right Stuff\u00a0and\u00a0The Unbearable Lightness of Being, that belied anybody\u2019s notion that American filmmakers couldn\u2019t be versatile, intelligent and entertaining about big ideas,\u201d Abele continued. \u201cThe L.A. Film Critics Association is immensely proud to be honoring this dyed-in-the-wool iconoclast.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tLast year, <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/la-film-critics-association-winners-2-1236081018\/\" data-type=\"link\" data-id=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-news\/la-film-critics-association-winners-2-1236081018\/\" rel=\"nofollow noopener\" target=\"_blank\">Anora was voted best picture<\/a> by the Los Angeles Film Critics Association.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tMost years, the organization\u2019s choice for best picture garners an Oscar nomination for the night\u2019s top prize. This was true last year, when Anora earned the LAFCA trophy for best picture and then went on to receive an Oscar nod for best picture and ultimately took home the Academy Award. For the fourth year in a row, the L.A. Film Critics Association <a href=\"https:\/\/www.hollywoodreporter.com\/t\/awards\/\" id=\"auto-tag_awards_1\" data-tag=\"awards\" rel=\"nofollow noopener\" target=\"_blank\">Awards<\/a> will feature gender-neutral acting categories.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tA list of this year\u2019s winners follows.<\/p>\n<p>\t\tBest Picture\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: One Battle After Another<br \/>Runner-up: The Secret Agent<\/p>\n<p>\t\tBest Director\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Paul Thomas Anderson, One Battle After Another<br \/>Runner-up: Ryan Coogler, Sinners<\/p>\n<p>\t\tBest Lead Performance\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Rose Byrne, If I Had Legs I\u2019d Kick You, and Ethan Hawke, Blue Moon<br \/>Runner-up: Timoth\u00e9e Chalamet, Marty Supreme, and Wagner Moura, The Secret Agent<\/p>\n<p>\t\tBest Supporting Performance\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Stellan Skarsg\u00e5rd, Sentimental Value, and Teyana Taylor, One Battle After Another<br \/>Runner-up: Inga Ibsdotter Lilleaas, Sentimental Value, and Andrew Scott, Blue Moon<\/p>\n<p>\t\tBest Screenplay\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Jafar Panahi, It Was Just an Accident<br \/>Runner-up: Eva Victor, Sorry, Baby<\/p>\n<p>\t\tBest Documentary\/Nonfiction\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: My Undesirable Friends: Part I \u2013 Last Air in Moscow<br \/>Runner-up: The Perfect Neighbor<\/p>\n<p>\t\tBest Cinematography\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Adolpho Veloso, Train Dreams<br \/>Runner-up: Autumn Durald Arkapaw, Sinners<\/p>\n<p>\t\tBest Music\/Score\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Kangding Ray, Sir\u0101t<br \/>Runner-up: Ludwig G\u00f6ransson, Sinners<\/p>\n<p>\t\tBest Production Design\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Hannah Beachler, Sinners<br \/>Runner-up: Tamara Deverell, Frankenstein<\/p>\n<p>\t\tBest Editing\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Ronald Bronstein and Josh Safdie, Marty Supreme<br \/>Runner-up: Andy Jurgensen, One Battle After Another<\/p>\n<p>\t\tBest Animation\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Little Am\u00e9lie or the Character of Rain<br \/>Runner-up: KPop Demon Hunters<\/p>\n<p>\t\tBest Film Not in the English Language\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: The Secret Agent<br \/>Runner-up: It Was Just an Accident<\/p>\n<p>\t\tDouglas Edwards Experimental Film Prize\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Albert Serra\u2019s Afternoons of Solitude<\/p>\n<p>\t\tDouglas Edwards Experimental Film Special Award\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Thom Andersen<\/p>\n<p>\t\tNew Generation\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWinner: Eva Victor, Sorry, Baby<\/p>\n","protected":false},"excerpt":{"rendered":"One Battle After Another was named best picture by the Los Angeles Film Critics Association, which voted Sunday&hellip;\n","protected":false},"author":3,"featured_media":432170,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[5800,200659,171,53,67,132,68],"class_list":{"0":"post-432169","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-awards","9":"tag-awards-2025","10":"tag-entertainment","11":"tag-movies","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115681257811083815","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/432169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=432169"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/432169\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/432170"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=432169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=432169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=432169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}