{"id":475642,"date":"2025-12-27T20:35:17","date_gmt":"2025-12-27T20:35:17","guid":{"rendered":"https:\/\/www.europesays.com\/us\/475642\/"},"modified":"2025-12-27T20:35:17","modified_gmt":"2025-12-27T20:35:17","slug":"karolina-wydra-has-optimistic-take-on-zosias-final-look","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/475642\/","title":{"rendered":"Karolina Wydra Has Optimistic Take on Zosia&#8217;s Final Look"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>[This story contains major spoilers from <a href=\"https:\/\/www.hollywoodreporter.com\/t\/pluribus\/\" id=\"auto-tag_pluribus_1\" data-tag=\"pluribus\" target=\"_blank\" rel=\"noopener\">Pluribus<\/a>\u2019s season one finale, \u201cLa Chica o El Mundo.\u201d]<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tPluribus star <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-breakout-karolina-wydra-zosia-interview-1236421451\/\">Karolina Wydra<\/a> has a surprisingly glass-half-full take on the <a rel=\"noreferrer noopener\" data-id=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-cliffhanger-creator-vince-gilligan-interview-1236455087\/\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-cliffhanger-creator-vince-gilligan-interview-1236455087\/\">ominous ending of season one<\/a>. Her character, Zosia, may have had to honor Carol Sturka\u2019s (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/rhea-seehorn\/\" id=\"auto-tag_rhea-seehorn_1\" data-tag=\"rhea-seehorn\" target=\"_blank\" rel=\"noopener\">Rhea Seehorn<\/a>) request for an atom bomb, but based on their parting glance, Wydra still senses some indecision from Carol about this <a rel=\"noreferrer noopener\" data-id=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-carol-ending-rhea-seehorn-interview-1236456122\/\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-carol-ending-rhea-seehorn-interview-1236456122\/\">manner of escalation<\/a>. It\u2019s a big swerve when you factor how resistant Carol was to Manousos\u2019 (Carlos-Manuel Vesga) violent approach to undoing the Joining.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cWhat [the parting glance] was for me is that maybe there\u2019s somehow still a chance [to reconsider]. It\u2019s not goodbye forever; it\u2019s just, \u2018Are you sure about whatever it is that you\u2019re doing? Are you sure about the atom bomb? Are you sure about whatever is the next chapter?\u2019\u201d Wydra tells The Hollywood Reporter.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tZosia and Carol\u2019s globe-trotting romance took a dark turn in Big Sky, Montana, when Carol learned that Zosia and the rest of the Joined were nearing completion on another method to turn her into one of them. The revelation recontextualizes the penultimate episode which saw Zosia and Carol consummate their relationship after Zosia and the hive mind rebuilt her once-favorite local diner. Prior to Zosia initiating their first kiss, Carol accused her of manipulation by recreating the beloved haunt that was lost to a fire. She felt they were trying to divert her attention away from restoring the human race. And Seehorn \u2014\u00a0per her own finale <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-carol-ending-rhea-seehorn-interview-1236456122\/\">postmortem<\/a> with THR \u2014\u00a0now believes that the Joined\u2019s scheme to use Carol\u2019s frozen eggs to belatedly \u201cjoin\u201d her confirms that episode eight was all an elaborate seduction, even if there were some lovely qualities to it.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFor Wydra, she still takes her character at her word when she says that everything the Joined do is out of love and a desire to make Carol happy.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cVince and I talked about how they\u2019re not manipulative and Zosia is not sinister,\u201d Wydra says. \u201cSo it was just about making sure that she\u2019s coming from a place of true honesty and just doing things to be of service to Carol.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn episode four, Carol tried to persuade Zosia into revealing how to reverse the Joining, and despite having the inability to lie, Zosia stated, \u201cWe can\u2019t answer questions like that.\u201d Thus, it\u2019s possible that the Joined\u2019s programming also won\u2019t let them entertain the notion that they\u2019re manipulating someone, something Gilligan acknowledged in another<a href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-carol-ending-rhea-seehorn-interview-1236456122\/\" data-type=\"link\" data-id=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-finale-carol-ending-rhea-seehorn-interview-1236456122\/\" target=\"_blank\" rel=\"noreferrer noopener\"> finale postmortem with THR<\/a>. \u201cCan you think of examples in real life where people are manipulating without knowing it? I think the answer is yes,\u201d Gilligan says. \u201cI don\u2019t know that the Others are any simpler than human beings in real life.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBelow, during a conversation with THR, Wydra also discusses the morsels of backstory that Zosia reveals about her pre-Joining self, as well as how the character was rewritten to be Polish like her.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>***<\/strong><\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/themes\/vip\/pmc-hollywoodreporter-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/Pluribus_109_F01166F-H-2025.jpg\" alt=\"\" data-lazy- data-lazy- height=\"730\" width=\"1296\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\t<a href=\"https:\/\/www.hollywoodreporter.com\/t\/karolina-wydra\/\" id=\"auto-tag_karolina-wydra_1\" data-tag=\"karolina-wydra\" target=\"_blank\" rel=\"noopener\">Karolina Wydra<\/a>\u2018s Zosia and Rhea Seehorn\u2019s Carol Sturka in Pluribus\u2018 season one finale.<\/p>\n<p>\t\t\t\t\t\t\t\t\tApple TV+<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>In episode three, Zosia fetched Carol a hand grenade, and in the finale, she ups the ante by fetching her an atomic bomb. What was your first reaction to Carol\u2019s escalation?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tWell, what was funny about the grenade is that \u201cwe\u201d misunderstood [her sarcasm]. But we didn\u2019t want to risk insulting her, so we wanted to make sure that we provided her with what she wanted just in case. But then we realize, \u201cOh wait, you\u2019re messing with us.\u201d With the atom bomb, it\u2019s another one of those moments where we will give her whatever she needs and whatever she wants to make sure that she\u2019s happy. So when I read it, I said, \u201cOh! Where are we going to go with this?\u201d (Laughs.) It was fun.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Do you now have some idea of where it\u2019s going?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tNo, I don\u2019t. I wish. I love that Vince is going to write the [second] season before we\u2019ll get to know something. Even with season one, I discovered it as it went along with each episode. We didn\u2019t get all of them all at once, so it\u2019s really fun that way. What\u2019s also great is it doesn\u2019t color your performance. What happens in 109, I wonder if knowing that information would\u2019ve somehow seeped into my subconscious and made Zosia be more, \u201cOoh, I have a secret.\u201d Vince and I talked about how they\u2019re not manipulative and Zosia is not sinister. So it was just about making sure that she\u2019s coming from a place of true honesty and just doing things to make Carol happy and be of service to Carol.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/themes\/vip\/pmc-hollywoodreporter-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/Pluribus_109_F01202F-EMBED-2025.jpg\" alt=\"\" data-lazy- data-lazy- height=\"423\" width=\"1000\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tRhea Seehorn\u2019s Carol Sturka and Karolina Wydra\u2019s Zosia in Pluribus\u2019 season one finale.<\/p>\n<p>\t\t\t\t\t\t\t\t\tApple TV+<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>The parting glance that Carol and Zosia exchanged as Carol exited the helicopter, were they both basically saying that things are never going to be the same again?\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat\u2019s a great interpretation. What it was for me is that maybe there\u2019s somehow still a chance [to reconsider]. \u201cI don\u2019t want to say bye at this moment.\u201d It\u2019s not goodbye forever; it\u2019s just, \u201cAre you sure about whatever it is that you\u2019re doing? Are you sure about the atom bomb? Are you sure about whatever is the next chapter?\u201d I think that\u2019s what it is, and it\u2019s not wanting to let her go because [the Joined] can\u2019t be around Manousos. If she goes back home, they have to separate themselves from her. Zosia and Carol were able to go on this epic journey [around the globe] because they were away from Manousos.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>When you tested with Rhea during casting, you had already received the first couple episodes. But did Vince at least tell you ahead of time that romance was in the cards?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI don\u2019t know if we had that conversation when we tested. He didn\u2019t reveal to me where the season was going to go, so I don\u2019t think I knew that. And I don\u2019t know when I found out, to be honest with you. I wonder if I found out when I got the script [for 108], and we had the conversation about their first kiss and what it means. We had a lot of discussions about that episode. Jonny Gomez, who wrote it, had a version of it. Melissa Bernstein. who directed, had a version of it. Rhea and I both had a version of it, and then Vince had a version of it. So it was really interesting to come together and find what that moment means.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI don\u2019t want to say what it means because I want the audience to have their own interpretation of what [108] is and who Zosia is in that episode and what that kiss means. Is that kiss because Zosia is separating a little bit from the collective? Is she finding a little bit of her personality and individuality within the collective? Or is Zosia just really trying to make Carol happy? Is that kiss something that Zosia thinks Carol needs in that moment?<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/themes\/vip\/pmc-hollywoodreporter-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/12\/Pluribus_Photo_010803-H-2025.jpg\" alt=\"\" data-lazy- data-lazy- height=\"730\" width=\"1296\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tKarolina Wydra\u2019s Zosia and Rhea Seehorn\u2019s Carol Sturka in Pluribus episode eight.<\/p>\n<p>\t\t\t\t\t\t\t\t\tApple TV+<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Prior to the kiss, Carol had just called Zosia out for her diner theatrics because she felt like Zosia was trying to manipulate her. So I think Zosia kissed her as a last-ditch effort to distract Carol from not only her quest to save the world, but also from finding out about Zosia\u2019s own scheme to use Carol\u2019s frozen eggs to turn her. So my interpretation of episode eight has evolved now that we know about the collective\u2019s secret plan to \u201cjoin\u201d Carol.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tSee, I love that that is your interpretation. That\u2019s exactly why I can\u2019t wait to see the audience reaction to that. If it is that, then Zosia and her world are manipulative and calculated. But are they manipulative? Are they trying to distract Carol? Or is Carol actually trying to distract them from what she\u2019s trying to do? Carol is on her own mission.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>They\u2019re both scheming!<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t(Laughs.)<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Carol was conscious of her own plotting, but I don\u2019t think the Joined\u2019s programming allows them to know when they\u2019re manipulating someone. When Zosia volunteers some information about the original Zosia being from Gda\u0144sk, Poland, and loving mango ice cream, I now think that was part of an [unconscious] effort to soften Carol and lull her into this false sense of security.<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat\u2019s interesting. Again, I love that that\u2019s your interpretation of it. I love that we got to see a glimpse of who Zosia was in her past life. She came from poverty. She grew up during a time of scarcity, and this guy [with a cart] took pity on [the neighborhood kids] by giving them leftover ice cream. I thought that was such a sweet moment of connection with Carol. There\u2019s a moment where Zosia pauses to think [about her favorite food],\u00a0and we talked about that moment of pause as Zosia having to separate herself from the collective and go to the memory lane of who Zosia was prior to the Joining. So she has to separate herself from the collective mind to find what that answer is, and then she comes back with that information. I haven\u2019t seen the episode yet, but when we were shooting it, there was a moment of excitement, like, \u201cOh yeah! I like mango!\u201d So, for me, it came from a pure place of connection and sharing of oneself, but I love that you thought it was very manipulative [in hindsight].<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Did Vince and co. rewrite her to be Polish after they cast you?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThey did a vast casting across the world. Whoever Vince found, the character would\u2019ve been named after [whatever their background is]. The fake sides had a woman named Anna, and when I got the [first two] scripts, her name was Yara. Then they changed it to Zosia when I got cast. They decided to give her a Polish name, which I thought was pretty cool. I felt very honored.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Lastly, I want to go back to the end of episode four when Zosia goes into cardiac arrest. It\u2019s an especially harrowing moment when you consider that Rhea and a lot of the same crew also experienced a real-life version of that when Bob Odenkirk had to be revived on the Better Call Saul set. The performer who brought Zosia back to life was Rosa Estrada, Saul\u2019s healthy and safety supervisor who saved Bob. So could you feel a heaviness on set that day?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tYeah, for sure. There was melancholy in the air. But was it because the scene brought up their feelings from having gone through that with Bob? I don\u2019t know. I think the melancholy and the heaviness also came from having all these extras chanting, \u201cPlease, Carol. Please, Carol.\u201d The world was crying. People were in tears everywhere, creating this very eerie feeling. And then pretending to revive me, as Zosia, had a very particular feeling in the air. So I don\u2019t know if people were experiencing feelings from the past or the scene itself, but I also think they were extremely exhausted from the summer heat.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t***<br \/>Pluribus season one is now streaming on Apple TV. Read THR\u2019s previous interviews with<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-vince-gilligan-rhea-seehorn-1236414569\/\"> creator <a href=\"https:\/\/www.hollywoodreporter.com\/t\/vince-gilligan\/\" id=\"auto-tag_vince-gilligan_1\" data-tag=\"vince-gilligan\" target=\"_blank\" rel=\"noopener\">Vince Gilligan<\/a><\/a>, <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-episode-3-ai-division-sprouts-gordon-smith-interview-1236428529\/\">EP Gordon Smith<\/a> and stars<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-rhea-seehorn-better-call-saul-interview-1236420433\/\"> Rhea Seehorn<\/a>,<a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-breakout-karolina-wydra-zosia-interview-1236421451\/\"> Karolina Wydra<\/a> and <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-features\/pluribus-john-cena-cameo-samba-schutte-interview-1236442895\/\">Samba Schutte<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"[This story contains major spoilers from Pluribus\u2019s season one finale, \u201cLa Chica o El Mundo.\u201d] Pluribus star Karolina&hellip;\n","protected":false},"author":3,"featured_media":475643,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[171,209297,86201,209298,67,132,68,176432],"class_list":{"0":"post-475642","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-entertainment","9":"tag-karolina-wydra","10":"tag-pluribus","11":"tag-rhea-seehorn","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us","15":"tag-vince-gilligan"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115793450954788537","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/475642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=475642"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/475642\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/475643"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=475642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=475642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=475642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}