{"id":488386,"date":"2026-01-03T01:49:10","date_gmt":"2026-01-03T01:49:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/488386\/"},"modified":"2026-01-03T01:49:10","modified_gmt":"2026-01-03T01:49:10","slug":"rolling-stones-manager-andrew-loog-oldham-called-this-1964-dub-track-the-bands-first-good-song","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/488386\/","title":{"rendered":"Rolling Stones Manager Andrew Loog Oldham Called This 1964 \u201cDub\u201d Track the Band\u2019s First Good Song"},"content":{"rendered":"<p>The Rolling Stones released <a href=\"https:\/\/americansongwriter.com\/why-the-rolling-stones-debut-album-deserves-more-love\/\" target=\"_blank\" rel=\"noopener\">their eponymous debut<\/a> in April 1964, a transformative time in music history that saw popular music\u2019s standards shift from covers to original material. The band\u2019s manager, Andrew Loog Oldham, knew that The Stones would have to learn how to write their own music if they wanted to keep up with the changing times.<\/p>\n<p>So, Oldham did what anyone managing larger-than-life rock \u2018n\u2019 rollers would do. He locked Mick Jagger and Keith Richards in a room and told them they couldn\u2019t come out until they wrote a song. Their first original composition, \u201cTell Me (You\u2019re Coming Back)\u201d, was the only song by Jagger and Richards on their debut. And according to Oldham, it\u2019s one of the best they wrote.<\/p>\n<p>Interestingly, the final album version wasn\u2019t actually going to make it on the release. Jagger and Richards planned on re-recording the track, treating the first version of \u201cTell Me\u201d as a dub. (Which would explain why Richards opted to sing harmonies into the same mic into which he was playing his 12-string guitar.)<\/p>\n<p><strong>The Pop Ballad Marked a Turning Point for the Rolling Stones<\/strong><\/p>\n<p>The Rolling Stones\u2019 shift to original music was a functional choice as well as a trendy one. In a <a href=\"https:\/\/rockcellarmagazine.com\/andrew-loog-oldham-interview-stone-free\/2\/\" target=\"_blank\" rel=\"noreferrer noopener\">2013 interview with Rock Cellar Magazine<\/a>, Andrew Loog Oldham said the band was short on material ahead of recording their debut. \u201cThe R&amp;B barrel of tunes was getting raided and soon would be empty,\u201d he recalled. \u201cI fancied The Stones trying to that great James Ray thing, \u2018If You Gotta Make a Fool of Somebody\u2019. Then somebody told me that Freddie &amp; The Dreamers had covered it. That\u2019s the moment I knew The Stones had to write.\u201d<\/p>\n<p>Speaking to <a href=\"https:\/\/web.archive.org\/web\/20090625185429\/http:\/\/www.rollingstone.com\/news\/coverstory\/mick_jagger_remembers\" target=\"_blank\" rel=\"noreferrer noopener\">Rolling Stone in 1995<\/a>, Mick Jagger said, \u201cIt\u2019s very different from doing those R&amp;B covers or Marvin Gaye covers and all that. There\u2019s a definite feel about it. It\u2019s a very pop song, as opposed to all the blues songs and the Motown covers, which everyone did at the time.\u201d<\/p>\n<p>\u201cTell Me (You\u2019re Coming Back)\u201d was a hit in Belgium and Sweden, where it topped the charts. The song became their first Top 40 hit in the U.S. <\/p>\n<p>While they welcomed the success of the track, the band was fairly distant from the entire release process of \u201cTell Me\u201d. <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/keith-richards-the-rolling-stone-interview-240731\/7\/\" target=\"_blank\" rel=\"noreferrer noopener\">According to Keith Richards<\/a>, The Stones thought their original version of the song was still a dub until they heard it was going on their first record. \u201cThat\u2019s how little control we had. We were driving around the country every f***ing night, playing a different gig, sleeping in the van, hotels if we were lucky. A lot of it was Andrew\u2019s choice.\u201d<\/p>\n<p>Photo by Michael Ochs Archives\/Getty Images<\/p>\n","protected":false},"excerpt":{"rendered":"The Rolling Stones released their eponymous debut in April 1964, a transformative time in music history that saw&hellip;\n","protected":false},"author":3,"featured_media":488387,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[220379,171,975,4185,40010,67,132,68],"class_list":{"0":"post-488386","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-andrew-loog-oldham","9":"tag-entertainment","10":"tag-music","11":"tag-rock-music","12":"tag-the-rolling-stones","13":"tag-united-states","14":"tag-unitedstates","15":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115828658373372991","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/488386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=488386"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/488386\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/488387"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=488386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=488386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=488386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}