![\"The](\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/01\/The-Kinks-Stockholm-1965-Far-Out-Magazine-1140x855.jpg\")
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(Credits: Far Out \/ Public Domain)<\/p>\n
Tue 27 January 2026 8:07, UK <\/p>\n
From the time Ray Davies wrote his first song, he always followed the darker side of life. Whereas most contemporary acts were writing straight-ahead love songs, The Kinks<\/a> had the snarl in their guitar tone on \u2018You Really Got Me\u2019 and later subverted gender roles on \u2018Lola\u2019. Though things seemed to be going down a simple path on \u2018Art Lover\u2019, the real meaning behind the track was enough to break your heart.<\/p>\n At first glance, the lyrics read as a stalker quietly looming over the victim as they walk down the street. In the first verse alone, the line \u201cJogging in the park is my excuse\/To look at all the little girls\u201d is enough to make people\u2019s hairs stand on end and fall into a state of fear. However, despite Davies suggesting the narrator is a sexual deviant who is inappropriately loitering around a children\u2019s playground, that\u2019s not the reality.<\/p>\n While the man in question sounds like a monster, Davies wrote this song in tribute to absentee fathers who had been locked out of their children\u2019s lives. The frontman regularly ran through his local parks and was inspired to write \u2018Art Lover\u2019 after noticing part-time fathers spending time with their kids while he was exercising.<\/p>\n As the story plays out in the track, Davies has a lot of empathy for this character, asking for people not to call him a monster but to try and understand his situation. The protagonist had made a number of bad decisions in his life, and having these little moments with his daughter may be essential to his existence. Although the song was originally written with the line, \u201cSunday parents with their kids knowing they\u2019re just alone,\u201d it was omitted by Davies to keep the song open to interpretation. <\/p>\n If the track was kept in its original form, that one line would have explained everything, stopping the widespread confusion in an instant. Although Davies had pushed \u2018Art Lover\u2019 out as a single at the time, the BBC shot it down quickly because of the creepy undertones. While Davies understood, he almost would have preferred that the album take a loss rather than sacrifice the integrity of the song, telling Creem: \u201cIt\u2019s a good song. It\u2019s a sad song. And I\u2019d love it to be a single. I wouldn\u2019t care if it bombed and died a death because I believe in that song so much\u201d.\u00a0<\/p>\n The tune barely registered on The Kinks\u2019 scale, though. The band were known for their powerhouse pop tracks and had delivered such rip-roaring songs that perhaps the gentle complexity of this number left fans a little confused. As such, it failed to make a real imprint on the band\u2019s already impressive career. Add to this the apparent deviance in the lyrics, and it struggled to deliver.<\/p>\n Despite never taking off, the track is a favourite of Bruce Springsteen<\/a>, as Davies later explained to Clash<\/a>: \u201cBruce knew everything about my songwriting. One song he wanted to do he really loved was a song called \u2018Art Lover\u2019. The Kinks were like touring arenas in America, and we had that music out then \u2013 he knew \u2018Better Things\u2019 and \u2018Art Lover\u2019 \u2013 whereas for English artists they may not have been accessible to them\u201d.\u00a0 <\/p>\n Ray Davies has never been afraid of his own art. His decision to write songs with unabashed honesty didn\u2019t just help the band to achieve success but ended up positioning Davies as one of the best lyric writers of the 20th century. He didn\u2019t feel the need to lay everything out for his audience; he created poetry set to music, and if you misunderstood it, well, that was just your fault. <\/p>\n \u2018Art Lover\u2019 might have gotten buried under its controversy before it could take on a life of its own, but the most important thing to Davies was keeping his artistic integrity, even if it cost him financially.<\/p>\n<\/p>\n Related Topics<\/p>\n","protected":false},"excerpt":{"rendered":"(Credits: Far Out \/ Public Domain) Tue 27 January 2026 8:07, UK From the time Ray Davies wrote…\n","protected":false},"author":3,"featured_media":546662,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[171,975,240406,200938,67,132,68],"class_list":{"0":"post-546661","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-music","10":"tag-ray-davies","11":"tag-the-kinks","12":"tag-united-states","13":"tag-unitedstates","14":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115966712766177610","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/546661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=546661"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/546661\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/546662"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=546661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=546661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=546661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}