{"id":55493,"date":"2025-07-11T00:45:14","date_gmt":"2025-07-11T00:45:14","guid":{"rendered":"https:\/\/www.europesays.com\/us\/55493\/"},"modified":"2025-07-11T00:45:14","modified_gmt":"2025-07-11T00:45:14","slug":"big-brands-rule-box-office-but-dont-forget-summer-surprises","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/55493\/","title":{"rendered":"Big Brands Rule Box Office, But Don&#8217;t Forget Summer Surprises"},"content":{"rendered":"<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/07\/Peter-Bart.jpg\" alt=\"\" data-lazy- data-lazy- height=\"300\" width=\"300\"\/><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThis summer\u2019s glowing box office numbers have put smiles on Hollywood\u2019s corporate faces, if also a hint of concern. The message: The mythic summer blockbuster is alive and well, but is someone missing from the party?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tOn one level, the soaring return of Universal\u2019s Jurassic brand and Warners\u2019 <a href=\"https:\/\/deadline.com\/tag\/superman\/\" id=\"auto-tag_superman\" data-tag=\"superman\" rel=\"nofollow noopener\" target=\"_blank\">Superman<\/a> brand represent triumphs in Hollywood archeology. And the techie giants are in hot pursuit: <a href=\"https:\/\/deadline.com\/tag\/f1\/\" id=\"auto-tag_f1\" data-tag=\"f1\" rel=\"nofollow noopener\" target=\"_blank\">F1<\/a> marks a brilliant breakthrough for Apple, and Amazon MGM before long will be unfurling a new Bond.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBut in eons past the \u201csummer hits\u201d that stirred cinephiles represented as much a voyage of discovery as a branding mission. The \u201cmust see\u201d movies of summers past included an American Graffiti (1973) or a Dog Day Afternoon (1975) or a Stand By Me (1986). They were surprises, not pre-sold commodities.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tEven The Godfather (1972) and Jaws (1975) arrived in a mist of confusing rumors. Both were behind schedule and over budget and endured post-production crises under filmmakers who had little experience with studio productions. Their meteoric success, to be sure, set Hollywood on a new course: Why not aggressively create the summer blockbuster rather than wait for the unexpected?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>RELATED: <a href=\"https:\/\/deadline.com\/gallery\/highest-grossing-movies-all-time\/\" data-type=\"pmc-gallery\" data-id=\"1235520083\" rel=\"nofollow noopener\" target=\"_blank\">The Movies That Have Made More Than $1 Billion At The Global Box Office<\/a><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIn their quest, the studios began to stumble: In their zeal, they realized they occasionally were making the same movie over and over again. Deep Impact and Armageddon opened weeks apart in 1998 with similar plots about Earth being assaulted by space objects, for example. The blockbuster derby had run out of ideas.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSo the hits of summer 2025 again raise the big question: Who is going to develop and finance the next cycle of prospective surprises? And how will the public discover them?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tA search through the current list of non-branded openings and finding their showtimes requires patience. While a few releases establish a buzz on the festival circuit, most arrive behind a curtain of anonymity. Disaster looms.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tWhen I set forth on my personal voyage of discovery this week, I wasn\u2019t hoping for a new Graffiti, but <a href=\"https:\/\/deadline.com\/tag\/the-life-of-chuck\/\" id=\"auto-tag_the-life-of-chuck\" data-tag=\"the-life-of-chuck\" rel=\"nofollow noopener\" target=\"_blank\">The Life of Chuck<\/a> seemed a likely target. It\u2019s based on short stories by Stephen King, whose novels became hits like The Shining and Stand By Me.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIts director is Mike Flanagan, a 47-year-old filmmaker responsible for genre-bending films like Hush and Absentia.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tChuck itself was picked up for distribution by Neon, which last year championed Anora, a mind-bending hit.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tChuck is not Anora but it takes brave chances. Its narrative is told backwards in three acts, the third coming first. Chuck himself is a bland accountant who has one prize secret: He is a superbly talented dancer. Even as a boy he steals the show \u2013 when and if he chooses to dance, which he doesn\u2019t very often.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIndeed, Chuck, the repressed dancer, doesn\u2019t have a very interesting life but one which \u2013 the surprise \u2013 has a cosmic ending it would be inappropriate to disclose.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tI admire Neon for distributing Chuck since there are no big names to sell, no special effects to highlight and little jeopardy. Not much plot either.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBut when I left Chuck I heard people arguing. \u201cWhat was it about?\u201d they asked. They were not exactly blown away but nonetheless moved.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tWe all know why F1, <a href=\"https:\/\/deadline.com\/tag\/jurassic-world-rebirth\/\" id=\"auto-tag_jurassic-world-rebirth\" data-tag=\"jurassic-world-rebirth\" rel=\"nofollow noopener\" target=\"_blank\">Jurassic World Rebirth<\/a> and Superman were made: to fill theaters and replenish earnings \u2013 sufficient, one hopes, that one of the production entities might be willing to grapple with a Chuck.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBecause whatever Chuck\u2019s message may be, its existence is symbolically important.<\/p>\n","protected":false},"excerpt":{"rendered":"This summer\u2019s glowing box office numbers have put smiles on Hollywood\u2019s corporate faces, if also a hint of&hellip;\n","protected":false},"author":3,"featured_media":55494,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[171,1463,238,53,9180,40843,67,132,68],"class_list":{"0":"post-55493","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-f1","10":"tag-jurassic-world-rebirth","11":"tag-movies","12":"tag-superman","13":"tag-the-life-of-chuck","14":"tag-united-states","15":"tag-unitedstates","16":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114831839962575852","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/55493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=55493"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/55493\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/55494"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=55493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=55493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=55493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}