{"id":585834,"date":"2026-02-13T00:31:10","date_gmt":"2026-02-13T00:31:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/585834\/"},"modified":"2026-02-13T00:31:10","modified_gmt":"2026-02-13T00:31:10","slug":"randy-blythe-explains-lamb-of-god-logo-change-the-old-logo-looked-like-a-falafel-restaurant-menu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/585834\/","title":{"rendered":"RANDY BLYTHE Explains LAMB OF GOD Logo Change: The Old Logo &#8216;Looked Like A Falafel Restaurant Menu&#8217;"},"content":{"rendered":"<p>In a new interview with <a href=\"https:\/\/www.youtube.com\/@hardlorepod\" target=\"_blank\" rel=\"noopener nofollow\">Hardlore<\/a>, vocalist <b>Randy Blythe<\/b> of Richmond, Virginia metallers <b>LAMB OF GOD<\/b> was asked how he and his bandmates approached the making of their tenth studio album, <b>&#8220;Into Oblivion&#8221;<\/b>, which will be released on March 13 via <b>Epic<\/b>. He said (as transcribed by <b>BLABBERMOUTH.NET<\/b>): &#8220;Much in the same way we went about approaching album number nine, number eight, number seven.&#8221;<\/p>\n<p><b>Randy<\/b> continued: &#8220;I think the biggest difference with us as a band, particularly over the last \u2014 I don&#8217;t know \u2014 five or six years, is we have consciously tried to shelve the ego individual members have and try and keep in mind the greater whole. &#8216;Cause when you&#8217;re a younger band \u2014 and we&#8217;re five very different people \u2014 when you&#8217;re a younger band, it&#8217;s, like, nobody hands you a handbook, &#8216;This is how you be a band.&#8217; But you&#8217;re so passionate and it&#8217;s so important to you, and what you put into the music is so personal that when someone says, &#8216;Eh, I don&#8217;t know about that,&#8217; in the band, then you&#8217;re, like, [hurt]. And we were very contentious for a long time \u2014 writing was very contentious. Somehow in our old age, as we wander off into Alzheimer&#8217;s-riddled legacy territory, we&#8217;ve learned to get along better than we ever did. So we get along great now. And it&#8217;s because, I think, when we&#8217;re writing, we&#8217;re all, like\u2026 There&#8217;s a quote attributed to [American playwright and screenwriter] <b>Tennessee Williams<\/b>: &#8216;You must be willing to murder your darlings.&#8217; Meaning your contribution, your art cannot be so precious that if someone else looks at it and is, like, &#8216;That doesn&#8217;t serve the greater whole,&#8217; you gotta cut it. And it&#8217;s painful. So for us, we&#8217;ve kind of learned as a group to sort of shelve the individual egos and think more about the whole.&#8221;<\/p>\n<p><b>Blythe<\/b> added: &#8220;We have a saying: better is better. It sounds stupid, but it&#8217;s true. And me, just as much as any of the other dudes, have certainly been guilty of, like, &#8216;I love this, but this is how exactly it works.&#8217; And then somebody [goes], &#8216;But what about this?&#8217; And it&#8217;s a hard thing, when you care about something so much and you&#8217;ve put in so much time, to have someone be, like, &#8216;Eh. I don&#8217;t know.&#8217; But better is better. So we try and say that to ourselves.&#8221;<\/p>\n<p>Asked why <b>LAMB OF GOD<\/b> decided to change the band logo on the <b>&#8220;Into Oblivion&#8221;<\/b> cover for the first time in 27 years, <b>Randy<\/b> said: &#8220;Well, our logo, to be perfectly honest, needed changing. It&#8217;s the papyrus font [that we used for the old <b>LAMB OF GOD<\/b> logo]. And had we known 20-however many years ago that we would wind up looking like a falafel restaurant menu, we wouldn&#8217;t have used that. But that was before papyrus font was ubiquitous.&#8221;<\/p>\n<p>News of <b>&#8220;Into Oblivion&#8221;<\/b>&#8216;s March arrival was accompanied by the debut of its title track, <b>&#8220;Into Oblivion&#8221;<\/b>, alongside a video directed by <b>Tom Flynn<\/b> and <b>Mike Watts<\/b>.<\/p>\n<p>&#8220;For me, the album is about having the space to breathe creatively and not feeling like we have to keep up with any trend or expectation,&#8221; <b>LAMB OF GOD<\/b> guitarist <b>Mark Morton<\/b> said in a statement. &#8220;It feels nice to be untethered from any agenda beyond rallying around the notion of, &#8216;Let&#8217;s just make music that we think is cool,&#8217; which is really where it all started.&#8221;<\/p>\n<p>Regarding why <b>LAMB OF GOD<\/b> decided to name the album <b>&#8220;Into Oblivion&#8221;<\/b>, <b>Randy<\/b> said: &#8220;Because that&#8217;s where we&#8217;re heading. In general, the album is about the ongoing and rapid breakdown of the social contract, particularly here in America. Things are acceptable now that would&#8217;ve horrified people just 20 years ago.&#8221;<\/p>\n<p>In the months leading up to last month&#8217;s album announcement, the metal veterans released a pair of blistering singles that offered listeners a taste of the album&#8217;s range. <b>&#8220;Sepsis&#8221;<\/b>, the band&#8217;s first new song since 2022, paid homage to the early &#8217;90s Richmond underground that shaped <b>LAMB OF GOD<\/b>&#8216;s formative years. <b>Consequence<\/b>, in their &#8220;Heavy Song Of The Week&#8221; feature, noted the track&#8217;s fresh approach, saying &#8220;<b>Morton<\/b>&#8216;s riffs are bruising at this slower pace,&#8221; and adding that <b>Blythe<\/b> bellows &#8220;like a heavy metal <b>Nick Cave<\/b>.&#8221; <b>&#8220;Parasocial Christ&#8221;<\/b> followed, evoking classic <b>LAMB OF GOD<\/b> with a three-minute onslaught that <b>Revolver<\/b> dubbed an &#8220;anti-tech thrasher.&#8221;<\/p>\n<p>Produced and mixed by longtime studio collaborator <b>Josh Wilbur<\/b>, <b>&#8220;Into Oblivion&#8221;<\/b> was recorded across multiple locations tied closely to the band&#8217;s identity. Drums were tracked in Richmond, Virginia, with guitars and bass recorded at <b>Morton<\/b>&#8216;s home studio. <b>Blythe<\/b> recorded his vocals at the legendary <b>Total Access<\/b> studio in Redondo Beach, California, the birthplace of seminal punk records by <b>BLACK FLAG<\/b>, <b>H\u00dcSKER D\u00dc<\/b> and <b>DESCENDENTS<\/b>.<\/p>\n<p><b>LAMB OF GOD<\/b> previously announced a spring North American tour in what promises to be the heaviest trek of 2026. Joined by <b>KUBLAI KHAN TX<\/b>, <b>FIT FOR AN AUTOPSY<\/b> and <b>SANGUISUGABOGG<\/b>, the tour kicks off on March 17. Tickets and VIP packages are on sale now via Lamb-of-god.com\/tour.<\/p>\n<p><b>&#8220;Sepsis&#8221;<\/b> arrived during a milestone year for <b>LAMB OF GOD<\/b>. In 2025, the band celebrated the 25th anniversary of its discography, performed at the historic <b>&#8220;Back To The Beginning&#8221;<\/b> concert and subsequently released their thunderous take on <b>BLACK SABBATH<\/b>&#8216;s <b>&#8220;Children Of The Grave&#8221;<\/b>, along with appearances at several festivals, including <b>Inkcarceration<\/b> and <b>Louder Than Life<\/b>, and a headlining show at Richmond&#8217;s new 7500-seat outdoor venue Allianz Amphitheater during its opening season.<\/p>\n<p><b>Randy Blythe<\/b> photo credit: <b>Travis Shinn<\/b><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"In a new interview with Hardlore, vocalist Randy Blythe of Richmond, Virginia metallers LAMB OF GOD was asked&hellip;\n","protected":false},"author":3,"featured_media":585835,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[171,975,67,132,68],"class_list":{"0":"post-585834","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-music","10":"tag-united-states","11":"tag-unitedstates","12":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116060506560917063","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/585834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=585834"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/585834\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/585835"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=585834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=585834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=585834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}