{"id":623260,"date":"2026-02-28T22:44:10","date_gmt":"2026-02-28T22:44:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/623260\/"},"modified":"2026-02-28T22:44:10","modified_gmt":"2026-02-28T22:44:10","slug":"markiplier-calls-out-hollywood-after-iron-lung-becomes-horror-hit","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/623260\/","title":{"rendered":"Markiplier Calls Out Hollywood After Iron Lung Becomes Horror Hit"},"content":{"rendered":"<p>Mark Fischbach, better known as Markiplier, is one of the most successful, long-running YouTubers in the field. His turn behind the camera has yielded similar success, as he directed and starred in the feature film adaptation of the horror game Iron Lung. The film has netted $50 million on a roughly $4 million budget, competing with studio offerings on a legitimately grassroots distribution campaign. Fischbach now warns Hollywood to ignore fellow YouTubers at its peril.<\/p>\n<p>\u201cAt least a lot of Hollywood was willfully ignoring the potential of YouTubers here,\u201d Fischbach told the Lemonade Stand podcast (via <a href=\"https:\/\/www.pcgamer.com\/movies-tv\/markiplier-says-hollywood-was-willfully-ignoring-the-potential-of-youtubers-before-his-film-iron-lung-made-usd50-million-at-the-box-office\/\" rel=\"nofollow noopener\" target=\"_blank\">PC Gamer<\/a>). \u201cThere is that level of respect that I just haven\u2019t met yet.\u201d<\/p>\n<p>Fischbach has been posting videos since 2012. Best known for let\u2019s plays of horror games like Five Nights at Freddy\u2019s and Amnesia, he has not <a href=\"https:\/\/kotaku.com\/youtube-mrbeast-networth-pewdiepie-net-worth-subscriber-1849784966\" rel=\"nofollow noopener\" target=\"_blank\">faltered in popularity<\/a> or <a href=\"https:\/\/kotaku.com\/pewdiepie-rescinds-50-000-pledge-to-jewish-charity-aft-1838070628\" rel=\"nofollow noopener\" target=\"_blank\">spiraled out<\/a> like many of his contemporaries. In 2023, he stated his intention to write, direct, star and distribute a film based on David Szymanski\u2019s game Iron Lung, in which the player pilots a claustrophobic, windowless submarine in a deep ocean of blood. <br \/>\u201cThey said it shouldn\u2019t be done. Not that it couldn\u2019t be done,\u201d <a href=\"https:\/\/variety.com\/2025\/digital\/news\/markiplier-iron-lung-theatrical-release-date-1236599072\/\" rel=\"nofollow noopener\" target=\"_blank\">Fischbach told Variety<\/a>. \u201cPeople have made movies before, just that it would be \u2018woefully unwise\u2019 to tackle writing, directing, acting and editing a movie myself.\u201d\u00a0<\/p>\n<p>Unassuming, independent films have stunned the box office in the past. With a leaner budget and a mighty return, Iron Lung joins the ranks of hits like 2002\u2019s My Big Fat Greek Wedding, the independent Canadian comedy that twisted a $5 million budget into a nearly $400 million box office haul. One of the films Iron Lung competed against was Send Help, the latest gross-out thriller from Sam Raimi, who stormed Hollywood with his own shoestring 1981 horror classic The Evil Dead.<\/p>\n<p>But what seems to stick in the paw of YouTubers like Fischbach isn\u2019t commercial success. In all likelihood, content creators at his level make more money than most working Hollywood directors. It\u2019s the more elusive prestige factor that haunts them. <\/p>\n<p>The umbrage is reminiscent of that expressed by Kevin Perjurer (aka Defunctland), who dovetails his <a href=\"https:\/\/www.youtube.com\/watch?v=b_rjBWmc1iQ\" rel=\"nofollow noopener\" target=\"_blank\">very good video about unaccredited TV jingle composers<\/a> with a grievance about online documentaries not holding the same space as conventionally produced ones. Given that the documentary space largely filters towards Netflix true-crime specials, I wonder if these creators are agonizing for a status that rarely exists for anyone, even within the current system.<\/p>\n<p>Additionally, it may have been the case in 2023, but Hollywood studios do not seem to be ignoring YouTubers anymore. In 2025, NEON released Shelby Oaks, a horror film from YouTuber Chris Stuckmann, though the film\u2019s impression on critics and the box office was far more modest. <\/p>\n<p>Elsewhere, A24 recently unveiled the trailer for The Backrooms, a big-screen adaptation of the liminal YouTube phenomenon, helmed by 20-year old Kane Parsons, who\u2019s responsible for the viral videos. I have also been told in private conversations that online hitmakers are optioned by Hollywood pretty frequently for their creations, but that they often die on the vine before reaching the public.<\/p>\n<p>For his film, Fischbach says he\u2019d hesitate adapting another video game, preferring not to pigeonhole himself like Resident Evil helm and ultimate wife guy <a href=\"https:\/\/postgame.substack.com\/p\/the-resident-evil-auteur-in-his-own\" rel=\"nofollow noopener\" target=\"_blank\">Paul W.S. Anderson<\/a>. Less surprisingly, Fischbach added that studio reception to him has changed since Iron Lung\u2019s success, saying he\u2019s already met with executives, though they largely just want to know how he pulled it off. \u201cThey\u2019re all asking me the same thing,\u201d says Fischbach. \u201c\u2019How\u2019d you do it? How\u2019d you do it?\u2019\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"Mark Fischbach, better known as Markiplier, is one of the most successful, long-running YouTubers in the field. His&hellip;\n","protected":false},"author":3,"featured_media":623261,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[28],"tags":[171,14107,54,237739,53,67,132,68],"class_list":["post-623260","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-entertainment","tag-hollywood","tag-horror","tag-markiplier","tag-movies","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116150682590025128","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/623260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=623260"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/623260\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/623261"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=623260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=623260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=623260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}