{"id":643271,"date":"2026-03-09T13:41:19","date_gmt":"2026-03-09T13:41:19","guid":{"rendered":"https:\/\/www.europesays.com\/us\/643271\/"},"modified":"2026-03-09T13:41:19","modified_gmt":"2026-03-09T13:41:19","slug":"the-2025-american-society-of-cinematographers-asc-winners","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/643271\/","title":{"rendered":"The 2025 American Society Of Cinematographers (ASC) Winners"},"content":{"rendered":"

The American Society Of Cinematographers (ASC<\/a>) have announced their winners representing the best in cinematography for 2025. Here are this year\u2019s winners\u2026<\/p>\n

Theatrical Feature Film (Sponsored by Keslow Camera)<\/strong>
Autumn Durald Arkapaw, ASC for \u201cSinners<\/a>\u201d
Michael Bauman for \u201cOne Battle After Another<\/a>\u201d<\/strong>
Darius Khondji, ASC, AFC for \u201cMarty Supreme<\/a>\u201d
Dan Laustsen, ASC, DFF for \u201cFrankenstein<\/a>\u201d
Adolpho Veloso, ABC, AIP for \u201cTrain Dreams<\/a>\u201d<\/p>\n

Episode of a Half-Hour Series (Sponsored by RED Digital Cinema)<\/strong>
Adam Bricker, ASC for \u201cHacks<\/a>\u201d (\u201cI Love LA\u201d)
Fraser Brown, CSC for \u201cTwisted Metal\u201d (\u201cNUY3ARZ\u201d)
Paul Daley for \u201cThe Righteous Gemstones\u201d (\u201cPrelude\u201d)
Daniel Grant for \u201cMurderbot\u201d (\u201cEscape Velocity Protocol\u201d)
Matthew J. Lloyd, ASC for \u201cGovernment Cheese<\/a>\u201d (\u201cTrial and Error\u201d)
Adam Newport-Berra for \u201cThe Studio<\/a>\u201d (\u201cThe Oner\u201d)<\/strong><\/p>\n

Limited or Anthology Series or Motion Picture Made for Television (Sponsored by ARRI)<\/strong>
Michael Bauman for \u201cMonster: The Ed Gein Story\u201d (\u201cBuxum Bird\u201d)
Sam Chiplin for \u201cThe Narrow Road to the Deep North\u201d (\u201cEpisode One\u201d)
Pete Konczal, ASC for \u201cBlack Rabbit<\/a>\u201d (\u201cIsle of Joy\u201d)<\/strong>
Matthew Lewis for \u201cAdolescence<\/a>\u201d (\u201cEpisode Two\u201d)
Igor Martinovi\u0107 for \u201cBlack Rabbit<\/a>\u201d (\u201cAttaf**kinboy\u201d)<\/p>\n

Episode of a One-Hour Regular Series (Sponsored by Panavision)<\/strong>
Alex Disenhof, ASC for \u201cTask<\/a>\u201d (\u201cCrossings\u201d) (TIE)<\/strong>
Jessica Lee Gagn\u00e9 for \u201cSeverance<\/a>\u201d (\u201cHello, Ms. Cobel\u201d)
Dana Gonzalez, ASC for \u201cAlien: Earth<\/a>\u201d (\u201cNeverland\u201d)
Ben Kutchins, ASC for \u201cThe White Lotus<\/a>\u201d (\u201cKiller Instincts\u201d)
Christophe Nuyens, SBC for \u201cAndor<\/a>\u201d (\u201cI Have Friends Everywhere\u201d) (TIE)<\/strong><\/p>\n

Spotlight Award (Sponsored by Panavision)<\/strong>
Steven Breckon for \u201cThe Plague<\/a>\u201d
M\u00e1ty\u00e1s Erd\u00e9ly, ASC, HSC for \u201cOrphan<\/a>\u201d<\/strong>
Karl Walter Lindenlaub, ASC, BVK for \u201cAmrum<\/a>\u201d<\/p>\n

Documentary Award (Sponsored by Canon U.S.A.)<\/strong>
Mstyslav Chernov and Alex Babenko for \u201c2000 Meters from Andriivka<\/a>\u201d<\/strong>
Brandon Somerhalder for \u201cCome See Me in the Good Light<\/a>\u201d
Lars Erlend Tubaas \u00d8ymo and Tor Edvin Eliassen for \u201cFolktales<\/a>\u201d<\/p>\n

ASC Music Video Award (Sponsored by Nanlux)<\/strong>
Jeff Cronenweth, ASC for \u201cSupernatural\u201d (Performed by Ariana Grande)
Jon Joffin, ASC for \u201cFalse Prophet\u201d (Performed by Pillars of a Twisted City)
Jon Joffin, ASC for \u201cVisiting Hours\u201d (Performed by Jon Bryant)
Juliette Lossky for \u201cAltamaha-ha\u201d (Performed by Stacy Subero)
Rodrigo Prieto, ASC, AMC for \u201cThe Fate of Ophelia\u201d (Performed by Taylor Swift)<\/strong><\/p>\n

What are your thoughts on the winners? Please let us know your thoughts on our\u00a0X<\/a>\u00a0account. Click\u00a0here<\/a> for more upcoming awards season dates, here<\/a> for the most recent tally of awards season winners, here<\/a> for our precursor tracker, and here<\/a> for our current Oscar predictions.<\/p>\n","protected":false},"excerpt":{"rendered":"The American Society Of Cinematographers (ASC) have announced their winners representing the best in cinematography for 2025. Here…\n","protected":false},"author":3,"featured_media":643272,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[9],"tags":[178442,203774,122665,171,203775,67,132,68],"class_list":["post-643271","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-asc","tag-award-winners","tag-awards-season","tag-entertainment","tag-precursor-awards-2025","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116199508196167114","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/643271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=643271"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/643271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/643272"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=643271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=643271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=643271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}