{"id":690615,"date":"2026-03-29T17:33:13","date_gmt":"2026-03-29T17:33:13","guid":{"rendered":"https:\/\/www.europesays.com\/us\/690615\/"},"modified":"2026-03-29T17:33:13","modified_gmt":"2026-03-29T17:33:13","slug":"project-hail-mary-flies-to-54-5-million-second-weekend","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/690615\/","title":{"rendered":"&#8216;Project Hail Mary&#8217; flies to $54.5 million second weekend"},"content":{"rendered":"<p>NEW YORK (AP) \u2014 <a class=\"Link AnClick-LinkEnhancement\" data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/project-hail-mary-phil-lord-chris-miller-d636d596f17ce853b17ec58f38dd1ed3\" rel=\"nofollow noopener\" target=\"_blank\">\u201cProject Hail Mary\u201d<\/a> stayed aloft in its second weekend, holding strongly with $54.5 million, according to studio estimates Sunday, and adding to the long-term prospects of the year\u2019s biggest hit thus far.<\/p>\n<p>The Phil Lord and Chris Miller sci-fi adventure, starring Ryan Gosling, dipped only 32% after notching <a class=\"Link AnClick-LinkEnhancement\" data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/project-hail-mary-b0a693d3160a90c1724248151edeea34\" rel=\"nofollow noopener\" target=\"_blank\">the best non-franchise opening weekend<\/a> since 2023\u2019s \u201cOppenheimer.\u201d Amazon MGM\u2019s yet, \u201cProject Hail Mary\u201d has grossed $300.8 million worldwide in two weeks.<\/p>\n<p>\u201cProject Hail Mary,\u201d which cost nearly $200 million to produce, didn\u2019t face any significant new competition and kept premium format screens largely to itself. Potentially the weekend\u2019s most watched movie, the KPop documentary <a class=\"Link AnClick-LinkEnhancement\" data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/bts-return-review-netflix-documentary-bd1b21a574d733d3823d8755607be521\" rel=\"nofollow noopener\" target=\"_blank\">\u201cBTS: The Return,\u201d<\/a> went straight to streaming on Netflix.<\/p>\n<p>But \u201cProject Hail Mary\u201d is on an enviable trajectory. Its second weekend hold was even better than that of \u201cOppenheimer,\u201d which collected $46.7 million in its follow-up frame.<\/p>\n<p>Meanwhile, the weekend\u2019s top new release, <a class=\"Link AnClick-LinkEnhancement\" data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/they-will-kill-you-movie-review-3c1a3ef73ca3f80c5f2c4e73b1a9f43e\" rel=\"nofollow noopener\" target=\"_blank\">\u201cThey Will Kill You,\u201d<\/a> debuted with a disappointing $5 million for Warner Bros. The gory R-rated horror film stars Zazie Beetz as a woman who applies to be a maid at an apartment complex where she\u2019s to become a sacrificial offering.<\/p>\n<p>While the result was far from catastrophic for a movie with a modest $20 million budget, it did suggest that theaters may have become oversaturated in horror. David A. Gross, who runs the movie consulting firm FranchiseRe, noted that there has been a new horror film released every weekend for the last 14 weekends.<\/p>\n<p>That included last week\u2019s \u201cReady or Not 2: Here I Come\u201d ($16.3 million domestically so far) and a second horror-comedy that also debuted this weekend. IFC\u2019s \u201cForbidden Fruits,\u201d about a coven of witches who work at a Texas mall, debuted with $1.2 million in sales.<\/p>\n<p>Despite the glut, Gross is forecasting horror films will account for about $2.1 billion in North American ticket revenue in 2026, down from $2.75 million last year. While horror remains popular with audiences and relatively cheap to produce, the genre may be approaching overkill.<\/p>\n<p>Meanwhile, family movies continue to thrive. The Pixar original <a class=\"Link AnClick-LinkEnhancement\" data-gtm-enhancement-style=\"LinkEnhancementA\" href=\"https:\/\/apnews.com\/article\/hoppers-movie-review-aca91fd643e57595bf29e433f8419049\" rel=\"nofollow noopener\" target=\"_blank\">\u201cHoppers\u201d<\/a> remained in second place with $12.2 million in its fourth weekend. The Walt Disney Co. release has accumulated $297.6 million globally.<\/p>\n<p>Next weekend, though, it will face stiff competition in Universal Pictures\u2019 \u201cThe Super Mario Galaxy Movie.\u201d It\u2019s expected to have the biggest opening of 2026.<\/p>\n<p>Top 10 movies by domestic box office<\/p>\n<p>With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:<\/p>\n<p>1. \u201cProject Hail Mary,\u201d $54.5 million.<\/p>\n<p>2. \u201cHoppers,\u201d $12.2 million.<\/p>\n<p>3. \u201cThey Will Kill You,\u201d $5 million.<\/p>\n<p>4. \u201cDhurandhar The Revenge,\u201d $4.8 million.<\/p>\n<p>5. \u201cReminders of Him,\u201d $4.7 million.<\/p>\n<p>6. \u201cReady or Not 2: Here I Come,\u201d $4 million.<\/p>\n<p>7. \u201cScream 7,\u201d $2.6 million.<\/p>\n<p>8. \u201cGOAT,\u201d $2.2 million.<\/p>\n<p>9. \u201cUndertone,\u201d $1.7 million.<\/p>\n<p>10. \u201cForbidden Fruits,\u201d $1.2 million.<\/p>\n","protected":false},"excerpt":{"rendered":"NEW YORK (AP) \u2014 \u201cProject Hail Mary\u201d stayed aloft in its second weekend, holding strongly with $54.5 million,&hellip;\n","protected":false},"author":3,"featured_media":690616,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[28],"tags":[2122,276,63150,7707,171,57,54,250069,53,63152,23898,60810,1148,61,67,132,68,222713],"class_list":["post-690615","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-arts-and-entertainment","tag-california","tag-chris-miller","tag-david-a-gross","tag-entertainment","tag-general-news","tag-horror","tag-mario-galaxy","tag-movies","tag-phil-lord","tag-ryan-gosling","tag-scifi-and-fantasy","tag-theater","tag-u-s-news","tag-united-states","tag-unitedstates","tag-us","tag-zazie-beetz"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/690615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=690615"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/690615\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/690616"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=690615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=690615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=690615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}