{"id":759994,"date":"2026-04-28T23:02:16","date_gmt":"2026-04-28T23:02:16","guid":{"rendered":"https:\/\/www.europesays.com\/us\/759994\/"},"modified":"2026-04-28T23:02:16","modified_gmt":"2026-04-28T23:02:16","slug":"widows-bay-review-matthew-rhys-in-fun-but-uneven-apple-horror-com","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/759994\/","title":{"rendered":"&#8216;Widow&#8217;s Bay&#8217; Review: Matthew Rhys in Fun but Uneven Apple Horror-Com"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAt the end of a very strange dinner punctuated by flickering lights and ominous warnings, a travel writer (Bashir Salahuddin) scouting an island village diagnoses what he sees as the problem with its marketing pitch. \u201cI see what\u2019s going on here. You don\u2019t want to be Nantucket. You want to be Salem,\u201d he says. Leaning in, he adds, \u201cIt\u2019s a nice town. You don\u2019t need the gimmick.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIt\u2019s a well-intentioned bit of advice, and exactly the compliment mayor Tom Loftis (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/matthew-rhys\/\" id=\"auto-tag_matthew-rhys\" data-tag=\"matthew-rhys\" rel=\"nofollow noopener\" target=\"_blank\">Matthew Rhys<\/a>), the man who\u2019s been desperately trying to show him a good time, has been hoping to hear. By that point, however, Tom, and we, understand that he is dead wrong. This is a nice town. But its spookiness is no gimmick. It\u2019s the real deal. And in a TV landscape dotted with quirky little hamlets, it\u2019s the best reason to drop in on Widow\u2019s Bay, Apple\u2019s uneven but intriguing mashup of Pawnee-style coziness and Derry-esque chills.<\/p>\n<p>\t\t\t\t\tWidow&#8217;s Bay\t\t<\/p>\n<p>\n\t\t\t\t\tThe Bottom Line<\/p>\n<p>\tWorth a visit.<\/p>\n<p>\t\t\t\t\t\t\t<strong>Airdate:<\/strong> Wednesday, April 29 (Apple)<br \/><strong>Cast:<\/strong> Matthew Rhys, Kate O&#8217;Flynn, Stephen Root, Kevin Carroll, Dale Dickey, Kingston Rumi Southwick, Jeff Hiller, K Callan<br \/><strong>Creator:<\/strong> Katie Dippold\t\t\t<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tEven before the island reveals its supernatural hand, it exerts a strong pull. With sweet shingled buildings, a briny breeze you can practically taste thanks to Christian Sprenger\u2019s crisp photography, and an appealingly old-fashioned lack of Wi-Fi, Widow\u2019s Bay, located 40 miles off the New England coast, feels like a refreshing antidote to disconnected modernity.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIf its denizens seem a bit offbeat, that\u2019s part of the charm \u2014 this is the sort of insular enclave where a chain-smoking gossip (Dale Dickey\u2019s Rosemary) will tell you exactly which of her neighbors is suffering from syphilis or crushing debt, and a salty fisherman (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/stephen-root\/\" id=\"auto-tag_stephen-root\" data-tag=\"stephen-root\" rel=\"nofollow noopener\" target=\"_blank\">Stephen Root<\/a>\u2019s Wyck) can trace his lineage on this rock back for centuries. And while Tom might be desperate to downplay the town\u2019s surprisingly bleak history (the people did not immediately turn to cannibalism during the deadly storm of 1786, he insists to a visitor: \u201cThat took four days!\u201d), even that just adds to its sense of character. It\u2019s no wonder he imagines this place becoming the next Martha\u2019s Vineyard.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBut Widow\u2019s Bay, it soon becomes apparent, is more than just strange. Among locals, it\u2019s established fact that the whole place is damned: Monsters roam its woods and mysterious storms rock its coastlines, and legend has it anyone born here can never leave. Mainlanders like Tom might be more skeptical of those claims (and to be fair, he\u2019s not wrong to point out that \u201cthe fog took him\u201d is hardly the only logical explanation for the disappearance of a sailor with a drinking problem), but the evidence speaks for itself. By the end of the first episode, it\u2019s clear something unequivocally supernatural is happening here. By the midpoint of its ten-part season, it\u2019s obvious Tom must do something to counteract the curse, lest it destroy not only his citizens but all the tourists he\u2019s insisted on luring here, in a \u201cmayor from Jaws\u201c-level fit of denial.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAt its best, Widow\u2019s Bay highlights the blurry line between comedy and horror. The premiere, directed by Hiro Murai (<a href=\"https:\/\/www.hollywoodreporter.com\/t\/atlanta\/\" id=\"auto-tag_atlanta\" data-tag=\"atlanta\" rel=\"nofollow noopener\" target=\"_blank\">Atlanta<\/a>), bleeds from the former to the latter as Tom tries at first to brush off the island\u2019s ugly history (\u201cBut he murdered teenage girls. You\u2019re in your 40s,\u201d he reasons with an assistant, Kate O\u2019Flynn\u2019s Patricia, still haunted by her youthful brush with a serial killer) and then is confronted by the sheer, undeniable truth of it. That it\u2019s not always easy to decide what\u2019s odd in a scary way and what\u2019s odd in a funny way is part of the fun.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnother favorite of mine was the Patricia-centric, Sam Donovan-helmed fourth episode, which cuts a jagged line between the pathos of her loneliness, the cringe comedy of her efforts to fix it, and true horror as we realize what she\u2019s been driven to do. It\u2019s also one of the few installments not centered around Tom, and speaks to the potential for any future seasons to continue fleshing out the rest of the ensemble.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBut if Widow\u2019s Bay excels at setting a tone of pervasive oddness, with the help of directors like Ti West and Andrew Young, it\u2019s less reliable at converting that tension into catharsis. Despite an ensemble that wouldn\u2019t feel out of place on a Mike Schur sitcom, the series only rarely rises above the level of darkly amusing; I smirked often but laughed almost never. While it contains a few solid jolts, many of them nodding to genre classics like It or Halloween, none are nasty or surprising enough to leave a lasting mark. And with episodes running around 40 minutes apiece, the lack of payoff left me frustrated more than once.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn fairness, those vibing harder with the show\u2019s creepy-cozy vibe might find the relaxed pace of the storytelling a boon rather than a drawback \u2014 all the more time to soak it all in. And even with my minor complaints, I found myself reluctant to abandon this isle entirely. As that travel writer also comments to Tom, the real secret sauce of Widow\u2019s Bay is the people.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tRhys delivers some top-notch physical comedy as Tom, a coward trying and failing to mask his flop sweat in bright smiles and reasonable tones. Root is delightfully salty as an old-timer who\u2019s long since run out of the patience needed to deal with that kind of bullshit. A deep bench of comic performers (the most exciting of which I\u2019ve been asked not to spoil here) add to the sense that anything might and does happen in Widow\u2019s Bay. For my money, though, the breakout performance is O\u2019Flynn\u2019s. Tragically earnest but painfully awkward, her Patricia comes off like the sort of overgrown outcast you might imagine Carrie White growing into under less fiery circumstances.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThese are not folks I\u2019d necessarily want to live with day in and day out, let alone hunker down with for days on end should a devilish flood or a masked immortal murderer threatens to demolish the entire populace for good. But against the most strenuous warnings from the likes of Wyck and eventually Tom, they do make Widow\u2019s Bay a destination worth visiting \u2014 perhaps even again and again, for years and years to come.<\/p>\n","protected":false},"excerpt":{"rendered":"At the end of a very strange dinner punctuated by flickering lights and ominous warnings, a travel writer&hellip;\n","protected":false},"author":3,"featured_media":759995,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[28],"tags":[4964,5356,171,85224,53,21115,67,132,68],"class_list":["post-759994","post","type-post","status-publish","format-standard","has-post-thumbnail","category-movies","tag-apple-tv","tag-atlanta","tag-entertainment","tag-matthew-rhys","tag-movies","tag-stephen-root","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116484829902594743","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/759994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=759994"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/759994\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/759995"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=759994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=759994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=759994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}