{"id":761237,"date":"2026-04-29T11:41:26","date_gmt":"2026-04-29T11:41:26","guid":{"rendered":"https:\/\/www.europesays.com\/us\/761237\/"},"modified":"2026-04-29T11:41:26","modified_gmt":"2026-04-29T11:41:26","slug":"som-preserves-the-soul-of-1960s-office-complex-in-milan","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/761237\/","title":{"rendered":"SOM &#8220;preserves the soul&#8221; of 1960s office complex in Milan"},"content":{"rendered":"<p>Global studio <a href=\"https:\/\/www.dezeen.com\/tag\/skidmore-owings-and-merrill\/\" rel=\"nofollow noopener\" target=\"_blank\">SOM<\/a> has renewed Corso Italia 23, a 1960s <a href=\"https:\/\/www.dezeen.com\/tag\/office-architecture\/\" rel=\"nofollow noopener\" target=\"_blank\">office<\/a> complex in <a href=\"https:\/\/www.dezeen.com\/tag\/milan\/\" rel=\"nofollow noopener\" target=\"_blank\">Milan<\/a>, retrofitting its <a href=\"https:\/\/www.dezeen.com\/tag\/modernism\/\" rel=\"nofollow noopener\" target=\"_blank\">modernist<\/a> structure and fractured interiors to align with modern standards.<\/p>\n<p>Occupying an entire urban block, the Corso Italia 23 building comprises three distinct volumes originally designed by Italian architects <a href=\"https:\/\/www.dezeen.com\/tag\/gio-ponti\/\" rel=\"nofollow noopener\" target=\"_blank\">Gio Ponti<\/a> and Piero Portaluppi.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2321215 size-full\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/04\/som-corso-italia-23-modernist-office-complex-milan_dezeen_2364_col_7-852x558.jpg\" alt=\"Exterior view of revamped Corso Italia 23 in Milan\" width=\"2364\" height=\"1549\"   loading=\"lazy\"\/>SOM has updated the Corso Italia 23 office complex in Milan<\/p>\n<p><a href=\"https:\/\/www.som.com\/\" rel=\"nofollow noopener\" target=\"_blank\">SOM<\/a> looked to improve connectivity throughout the 46,500-square-metre complex, transforming its closed-off layout into a &#8220;porous urban campus&#8221;, while preserving its architectural quality.<\/p>\n<p>This approach included the transformation of a large central courtyard from a parking lot into a shared garden, along with the creation of new pedestrian routes and internal staircases.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2321214 size-full\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/04\/som-corso-italia-23-modernist-office-complex-milan_dezeen_2364_col_6-852x871.jpg\" alt=\"Office complex exterior by SOM\" width=\"2312\" height=\"2364\"   loading=\"lazy\"\/>It was originally designed in the 1960s by Ponti Fornaroli Rosselli and Piero Portaluppi<\/p>\n<p>&#8220;Our core objective was to deliver a strategic reinhabitation of a mid-century landmark,&#8221; studio design partner Kent Jackson told Dezeen.<\/p>\n<p>&#8220;Drawing on the lineage of Gio Ponti and Piero Portaluppi, we reinterpreted the building&#8217;s campus typology \u2013 transforming the site from a closed, insular block into a porous and verdant urban campus.&#8221;<\/p>\n<p>&#8220;The result preserves the soul of the 1960s architecture, while replacing its insular logic with one of openness and transparency,&#8221; he added.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2321219 size-full\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/04\/som-corso-italia-23-modernist-office-complex-milan_dezeen_2364_col_12-852x481.jpg\" alt=\"Courtyard area at Corso Italia 23 by SOM\" width=\"2364\" height=\"1334\"   loading=\"lazy\"\/>A new central courtyard unites the three buildings<\/p>\n<p>Looking to pay homage to the original design, SOM&#8217;s strategy focused on material reuse, with 70 per cent of the existing building structures and foundations retained.<\/p>\n<p>One building, which had become severely damaged over time, saw its red granite facade removed and repurposed into a glass fibre reinforced concrete system that matches the building&#8217;s original colour.<\/p>\n<p>The buildings were also updated to meet modern energy standards, while preserving its original massing and &#8220;geometric discipline&#8221;.<\/p>\n<p>\t\t\t\t<a href=\"https:\/\/www.dezeen.com\/2025\/11\/21\/snohetta-ford-global-headquarters\/\" rel=\"nofollow noopener\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t<img width=\"191\" height=\"191\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/04\/ford-headquarters-snohetta-dearborne_dezeen_2364_sq2-191x191.jpg\" class=\"excludeLightbox wp-post-image\" alt=\"Snohetta ford global headquarters\" decoding=\"async\" data-pin-nopin=\"true\"   loading=\"lazy\"\/><\/p>\n<p> Sn\u00f8hetta showcases &#8220;transformative&#8221; Ford headquarters building in Michigan\n\t\t\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t<\/a><\/p>\n<p>&#8220;By treating the existing 1960s complex as a material bank rather than a site for demolition, we significantly reduced upfront embodied carbon,&#8221; Jackson explained.<\/p>\n<p>&#8220;This circular approach preserves the material memory of the original building while achieving the performance required of a contemporary envelope.&#8221;<\/p>\n<p>New glass-enclosed entrance lobbies have been added to the buildings to reinforce a sense of permeability \u2013 offering views into the shared courtyard, which has been completed with planted seating areas.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2321210 size-full\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/04\/som-corso-italia-23-modernist-office-complex-milan_dezeen_2364_col_3-852x579.jpg\" alt=\"Interior view of Milan office complex by SOM\" width=\"2364\" height=\"1607\"   loading=\"lazy\"\/>Spiral staircases were added to improve internal connections<\/p>\n<p>Inside, new openings in the buildings&#8217; existing floor plates accommodate large spiral staircases that were added to improve internal connections.<\/p>\n<p>&#8220;The central challenge lay in restoring the architectural legibility of the original campus design,&#8221; Jackson said.<\/p>\n<p>&#8220;Over time, internal connections had fractured, and the central courtyard had become impersonal and disconnected from the life of the campus,&#8221; he added.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-2321211 size-full\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/04\/som-corso-italia-23-modernist-office-complex-milan_dezeen_2364_col_4-852x469.jpg\" alt=\"People using the office space at Corso Italia 23 by SOM\" width=\"2364\" height=\"1301\"   loading=\"lazy\"\/>The existing building structures and foundations were largely retained<\/p>\n<p>The offices are complemented by a conference centre with a 200-seat auditorium.<\/p>\n<p>Additional common areas and workspaces added by the studio include lounges, breakout spaces and roof terraces with views over Milan.<\/p>\n<p>Recently, <a href=\"https:\/\/www.dezeen.com\/2026\/04\/14\/som-175-park-avenue-supertall-skyscraper-new-york-permits\/\" rel=\"nofollow noopener\" target=\"_blank\">permits for the proposed supertall skyscraper by SOM in Midtown Manhattan were submitted by the developers for the 175 Park Avenue in New York<\/a>.<\/p>\n<p>Elsewhere, <a href=\"https:\/\/www.dezeen.com\/2026\/03\/23\/itc-green-centre-morphogenesis\/\" rel=\"nofollow noopener\" target=\"_blank\">Morphogenesis has created an expansive mixed-use office clad with sandstone murals in Kolkata<\/a> and <a href=\"https:\/\/www.dezeen.com\/2026\/02\/15\/felix-lewis-architects-the-works\/\" rel=\"nofollow noopener\" target=\"_blank\">Felix Lewis Architects transformed an Egyptian-style boiler house in Kent into a workspace<\/a>.<\/p>\n<p>The photography is by <a href=\"https:\/\/daveburk.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Dave Burk<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Global studio SOM has renewed Corso Italia 23, a 1960s office complex in Milan, retrofitting its modernist structure&hellip;\n","protected":false},"author":3,"featured_media":761238,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[32],"tags":[20371,648,1032,1033,171,2219,70415,124817,35414,92915,92916,245024,120552,67,132,68],"class_list":["post-761237","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-adaptive-reuse","tag-arts","tag-arts-and-design","tag-design","tag-entertainment","tag-italy","tag-milan","tag-modernism","tag-office-architecture","tag-sectionall","tag-sectionarchitecture","tag-sectionexclusives","tag-skidmore-owings-merrill","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116487814655385365","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/761237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=761237"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/761237\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/761238"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=761237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=761237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=761237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}