{"id":776508,"date":"2026-05-06T04:53:17","date_gmt":"2026-05-06T04:53:17","guid":{"rendered":"https:\/\/www.europesays.com\/us\/776508\/"},"modified":"2026-05-06T04:53:17","modified_gmt":"2026-05-06T04:53:17","slug":"review-the-eaves-at-nocturne-theatre","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/776508\/","title":{"rendered":"Review: THE EAVES at Nocturne Theatre"},"content":{"rendered":"<p>            \ud83c\udfad NEW! Los Angeles Theatre Newsletter<\/p>\n<p class=\"newsletter-subtitle\" style=\"color: #cccccc; font-size: 16px; margin: 0 0 20px 0; line-height: 1.5; font-family: 'Arial', sans-serif;\">\n            Get all the top news &amp; discounts for Los Angeles &amp; beyond.\n        <\/p>\n<p>Has horror finally found its footing on the stage? While there have been gothic horror plays and musicals, they were always a bit subdued, lending more to atmosphere and suspense versus actual scares. But with \u201cParanormal Activity\u201d frightening the life out of audiences at the Ahmanson last year and now the Nocturne Theatre in Glendale successfully spooking patrons with its new show, THE EAVES, the tables may have started to turn.<\/p>\n<p>            \ud83c\udfad NEW! Los Angeles Theatre Newsletter<\/p>\n<p class=\"newsletter-subtitle\" style=\"color: #cccccc; font-size: 16px; margin: 0 0 20px 0; line-height: 1.5; font-family: 'Arial', sans-serif;\">\n            Get all the top news &amp; discounts for Los Angeles &amp; beyond.\n        <\/p>\n<p>Written and directed by Nocturne co-owner Justin Meyer, the story focuses on a woman, Lorraine (Kayla Fast), who seeks out a medium (Kelly Krippendorf) to help her understand seemingly supernatural goings-on in her family home that she and her daughter, Emily (Hannah Rubinstein), have just returned to. Needless to say, things get crazy.<\/p>\n<p>Meyer\u2019s story has a lot of layers and there are many twists (some you will NOT see coming), especially when you realize you can\u2019t necessarily trust Lorraine and her memories as the protagonist. The setting, in an an intimate upstairs theater, adds tremendously to the effect as it is rickety and creaky, adding to the already-spooky atmosphere. The set design by Jay <a target=\"newwinddow\" href=\"https:\/\/www.broadwayworld.com\/people\/Michael-Roberts\/\" rel=\"nofollow noopener\">Michael Roberts<\/a> is ingenious as it has a bedroom partitioned off by a mesh curtain, adding to the show\u2019s ghostliness. As it sits at an angle, it throws the audience\u2019s perspective off. There\u2019s a tree right outside the window and you just can\u2019t not expect it to burst inside at any moment.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" alt=\"Review: THE EAVES at Nocturne Theatre  Image\" title=\"Review: THE EAVES at Nocturne Theatre \" height=\"226\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/Eaves 3.jpeg\" width=\"300\"\/>&#13;<br \/>\nThe background set of THE EAVES&#13;<\/p>\n<p>Sound and lighting designers <a target=\"newwinddow\" href=\"https:\/\/www.broadwayworld.com\/people\/Kelby-Thwaits\/\" rel=\"nofollow noopener\">Kelby Thwaits<\/a> and Julia Vollstedt work overtime amping up the ambience, while <a target=\"newwinddow\" href=\"https:\/\/www.broadwayworld.com\/people\/Costume-Designer\/\" rel=\"nofollow noopener\">Costume Designer<\/a> Tanya Cyr has created a truly terrifying monster (Dave Beaudrie), maybe the most terrifying since we met Art the Clown in his feature debut in 2013. Meyer keeps things moving at a fair clip without ever seeming rushed, and he serves up real scares, even for a diehard horror fan who has seen hundred, maybe thousands of scary movies in my life. Horror is difficult to pull off live, but when it works, the electric rush from the audience and the nervous laughter after are always a bonding experience. Despite the actors being a little quiet\u2014and some uneven performances\u2014THE EAVES is as haunting as a music-box melody winding down in an attic.<\/p>\n<p>Photos courtesy the Nocturne Theatre.<\/p>\n<p>THE EAVES spooks the Nocturne Theater, 324 North Orange Avenue, Glendale, through May 24. Tickets are available at TheNocturneTheatre.com\/box-office\/.<\/p>\n<p><\/p>\n<p>   Reader Reviews<\/p>\n<p>            To post a comment, you must <a href=\"https:\/\/www.broadwayworld.com\/register.php\" rel=\"nofollow noopener\" target=\"_blank\">register<\/a> and <a href=\"https:\/\/www.broadwayworld.com\/newlogin.php\" rel=\"nofollow noopener\" target=\"_blank\">login<\/a>.<\/p>\n<p><\/p>\n<p>            <a href=\"#\" class=\"d-block\"><br \/>\n              <img decoding=\"async\" src=\"\" class=\"img-fluid bww-rec-img\" alt=\"\" style=\"padding:0px;\"\/><\/p>\n<p>            <\/a><\/p>\n<p>            <a href=\"#\" class=\"d-block\"><br \/>\n              <img decoding=\"async\" src=\"\" class=\"img-fluid bww-rec-img\" alt=\"\" style=\"padding:0px;\"\/><\/p>\n<p>            <\/a><\/p>\n<p>Harker Jones is the author of three award-winning books: the best-selling love story \u201cUntil September,\u201d the young-adult thriller \u201cNever Have I Ever\u201d and the children\u2019s pi&#8230; <a style=\"display: contents;\" href=\"https:\/\/www.broadwayworld.com\/author\/Harker-Jones\" rel=\"nofollow noopener\" target=\"_blank\">(read more about this author)<\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p>  <a class=\"title-16\" href=\"#\"><br \/>\n    <img decoding=\"async\" loading=\"lazy\" class=\"bww-author-img\" style=\"height:auto;max-width:100%\" height=\"148\" width=\"360\" src=\"\" alt=\"\"\/><\/p>\n<p>  <\/a><\/p>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"\ud83c\udfad NEW! Los Angeles Theatre Newsletter Get all the top news &amp; discounts for Los Angeles &amp; beyond.&hellip;\n","protected":false},"author":3,"featured_media":776509,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5123],"tags":[1582,276,2961,224,5337],"class_list":{"0":"post-776508","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-los-angeles","8":"tag-ca","9":"tag-california","10":"tag-la","11":"tag-los-angeles","12":"tag-losangeles"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116525846895763311","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/776508","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=776508"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/776508\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/776509"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=776508"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=776508"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=776508"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}