{"id":801545,"date":"2026-05-16T22:36:12","date_gmt":"2026-05-16T22:36:12","guid":{"rendered":"https:\/\/www.europesays.com\/us\/801545\/"},"modified":"2026-05-16T22:36:12","modified_gmt":"2026-05-16T22:36:12","slug":"the-hu-at-palladium-times-square-in-new-york-ny","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/801545\/","title":{"rendered":"The Hu at Palladium Times Square in New York, NY"},"content":{"rendered":"<p><img width=\"678\" height=\"381\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/HEADER-THEHU-PALLADIUM-NEWYORK-NY-20260513-RICHZOELLER-678x381.jpg\" class=\"attachment-mh-magazine-content size-mh-magazine-content wp-post-image\" alt=\"\" title=\"HEADER-THEHU-PALLADIUM-NEWYORK-NY-20260513-RICHZOELLER\" loading=\"eager\" decoding=\"async\" fetchpriority=\"high\"\/><\/p>\n<p>Mongolian folk metal band The Hu stormed through New York City for an absolutely killer evening, with support from Finnish rockers Apocalyptica and The Rasmus.<\/p>\n<p>Kicking off the night in the always energetic Times Square of New York City\u2019s Palladium, Finland\u2019s own <strong>The Rasmus<\/strong>. They hit the stage and wasted no time getting right to it. As a band on only night two of this tour, they brought a tight, emotionally charged set with great energy and powerful sing-alongs from fans. Frontman Lauri Ylonen was in full command of the stage, keeping the crowd locked in while maintaining a balanced, theatrically intense performance, pointing the microphone toward the fans and feeding off the shouted lyrics.<\/p>\n<p>As the band sounded heavier than many fans probably expected, the guitars carried an extra crunch, and the drums hit with a harder punch that worked just perfectly in a relatively intimate room. What stood out the most was how naturally their newer material blended into the set, while keeping the same melancholy and dark pop that their reputation was built on. Be sure to catch them on this tour, as you will not be disappointed.<\/p>\n<p>The anticipation was pretty high as it was about that time for <strong>Apocalyptica\u00a0<\/strong>to bring their quartet madness, turning the Palladium into a thunderous chamber of distortion and power, proving that three cellos can hit harder than many traditional metal bands.\u00a0<\/p>\n<p>Kicking off their set with \u201cBattery,\u201d originally performed by Metallica, Apocalyptica dismantled the Palladium with hit after hit of the metal legends\u2019 catalog. The tracks shifted seamlessly between the crushing riffs as the crowd was completely locked into the apocalyptic zone, with the combination of synchronized headbanging and the dramatic lighting transforming the venue into organized chaos. Their chemistry as a band was magnetic, as they completely fed off one another while remaining technically flawless throughout their set. The cellos vibrated through the floor while still allowing the melodies to remain sharp and distinct.<\/p>\n<p>Visually, the show was matched by the intensity of the music. The smoke filled the atmosphere along with the red and blue lighting, accompanied by blinding white strobes pulsating across the stage, amplifying a pure gothic feel that only Apocalyptica can create, almost resembling a dark symphonic opera. The crowd roared after every song, refusing to allow the momentum to fade as it was both triumphant and emotionally overwhelming. When the final notes rang out, the standing ovation and cheers were heard loud and clear. Don\u2019t miss the opportunity to catch Apocalyptica, as you\u2019ll never hear a cello the same again.<\/p>\n<p>The time of the night had finally arrived as\u00a0<strong>The Hu<\/strong>, all the way from Mongolia, were about to hit the stage. The first deep throat-sung note echoed through the room of the Palladium, making it not just a show but an experience that was not to be missed. The traditional Mongolian instruments, such as the morin khuur and tovshuur, blended seamlessly with crushing riffs and drums, bringing a sound that felt ancient and futuristic all at the same time. Despite being diverse, the crowd felt together as one with The Hu as they brought that real energy that was in a class of its own.<\/p>\n<p>The band moved with total confidence, balancing a ritualistic atmosphere as they crushed through their set, as fans raised their fists and shouted back the recognizable vocals. The pairing with Apocalyptica worked very well as both bands thrive on blending instrumental with pure modern metal aggression. Some of the songs performed, such as \u201cWolf Totem\u201d and \u201cYuve Yuve Yu,\u201d were greatly received as they hit hard while shaking the floor. The crowd roared along to every chant. Vocally, the band sounded phenomenal as the throat singing was powerful and resonated throughout the venue. Some of the new listeners stood mesmerized, witnessing the blend of traditional Mongolian culture and modern metal unfold in real time, which really was something next level to encounter.<\/p>\n<p>The Hu truly are on a mission and touring hard worldwide, sharing their incredible culture and talent. Be sure to catch them on this headlining tour as they will have you locked in with their fierce and unforgettable experience. This tour concludes in Anaheim, CA, on June 7th.<\/p>\n<p><strong>THE HU<br \/><\/strong><a href=\"https:\/\/www.thehuofficial.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Website<\/a> \u00a0<a href=\"https:\/\/www.facebook.com\/thehuofficial\" target=\"_blank\" rel=\"noopener nofollow\">Facebook<\/a> \u00a0<a href=\"https:\/\/x.com\/TheHuOfficial\" target=\"_blank\" rel=\"noopener nofollow\">X<\/a><strong><br \/><\/strong><\/p>\n<p><strong>APOCALYPTICA<br \/><\/strong><a href=\"https:\/\/www.apocalyptica.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Website<\/a>\u00a0 <a href=\"https:\/\/www.facebook.com\/Apocalyptica\" target=\"_blank\" rel=\"noopener nofollow\">Facebook<\/a> \u00a0<a href=\"https:\/\/x.com\/apocalypticafi\" target=\"_blank\" rel=\"noopener nofollow\">X<\/a><\/p>\n<p><strong>THE RASMUS<br \/><\/strong><a href=\"https:\/\/therasmus.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Website<\/a> \u00a0<a href=\"https:\/\/www.facebook.com\/therasmusofficial\" target=\"_blank\" rel=\"noopener nofollow\">Facebook<\/a> \u00a0<\/p>\n<p><strong>PALLADIUM TIMES SQUARE<br \/><\/strong><a href=\"https:\/\/www.palladiumtimessquare.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Website<\/a> \u00a0<a href=\"https:\/\/www.facebook.com\/PalladiumTimesSquare\" target=\"_blank\" rel=\"noopener nofollow\">Facebook<\/a> \u00a0<a href=\"https:\/\/x.com\/PalladiumTS\" target=\"_blank\" rel=\"noopener nofollow\">X<\/a><strong><br \/><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Mongolian folk metal band The Hu stormed through New York City for an absolutely killer evening, with support&hellip;\n","protected":false},"author":3,"featured_media":801546,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5122],"tags":[5229,326415,69499,326416,405,403,5226,5225,5228,5227,326417,326418,326419,67,586,132,5230,68,2969],"class_list":{"0":"post-801545","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-new-york","8":"tag-america","9":"tag-apocalyptica","10":"tag-hard-rock","11":"tag-mongolian","12":"tag-new-york","13":"tag-new-york-city","14":"tag-newyork","15":"tag-newyorkcity","16":"tag-ny","17":"tag-nyc","18":"tag-palladium-times-square","19":"tag-the-hu","20":"tag-the-rasmus","21":"tag-united-states","22":"tag-united-states-of-america","23":"tag-unitedstates","24":"tag-unitedstatesofamerica","25":"tag-us","26":"tag-usa"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/801545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=801545"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/801545\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/801546"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=801545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=801545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=801545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}