{"id":808166,"date":"2026-05-19T19:46:15","date_gmt":"2026-05-19T19:46:15","guid":{"rendered":"https:\/\/www.europesays.com\/us\/808166\/"},"modified":"2026-05-19T19:46:15","modified_gmt":"2026-05-19T19:46:15","slug":"le-bal-gives-us-history-without-words","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/808166\/","title":{"rendered":"Le Bal gives us history without words"},"content":{"rendered":"<p class=\"has-drop-cap\">At a moment in American history when words chronically fail, Trap Door has chosen to update Ettore Scola\u2019s wordless 1983 film, Le Bal, which dealt with 50 years in the history of France. Covering nine decades of American history asynchronously, starting with the 1980s, the house music soundtrack puts us clearly in Chicago, but after that, the decades and locales fly by in a cascading medley of costumes and movement in director Stephen Buescher\u2019s adaptation.<\/p>\n<p class=\"has-light-gray-background-color has-background\"><strong>Le Bal<\/strong><br \/>Through 6\/20: Thu\u2013Sat 8 PM, Sun 6\/7 and 6\/14 3 PM; Trap Door Theatre, 1655 W. Cortland, 773-384-0494, <a href=\"http:\/\/trapdoortheatre.com\" rel=\"nofollow noopener\" target=\"_blank\">trapdoortheatre.com<\/a>, $32 (two for one Thu)<\/p>\n<p>Removing words causes attention to shift to motion, props, and setting. The stage is bare but the back walls are covered with chairs, clothes, signs, luggage, and bric-a-brac, behind hanging curtains that are pulled down and double as shrouds, banners, and bindings. Each item is used to help illuminate whatever era is being evoked through the actors\u2019 action. The seven-member ensemble, which devised the play, takes turns playing lovers, workers, cops, protestors, soldiers, and revelers, never lingering long in any one time or place.<\/p>\n<p>The scenes depicted will all be familiar to anyone with even a cursory grasp of the country\u2019s history but the cumulative effect is elegiac rather than critical or celebratory. The feeling I was left with was of something coming to an end, which is a feeling many are stuck on these days in this place. As a tribute to a moment in history, few words would have been as apt.<\/p>\n<p> Reader Recommends: THEATER &amp; DANCE<\/p>\n<p class=\"has-text-align-center has-small-font-size\" style=\"padding-top:0;padding-bottom:var(--wp--preset--spacing--40)\">Reader reviews of Chicago theater, dance, comedy, and performance arts.<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/golden-girls-cheese-pyramid-hell-in-a-handbag\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/Golden-Girls-Cheese-Pyramid-3.-Photo-by-Rick-Aguilar-Studios-e1779215732306.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"The Golden Girls: The Cheese Pyramid balances kitschy homage and diva drag perfection\" data-hero-candidate=\"1\"   data-attachment-id=\"11066646\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/golden-girls-cheese-pyramid-hell-in-a-handbag\/attachment\/golden-girls-cheese-pyramid-3-photo-by-rick-aguilar-studios\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Golden-Girls-Cheese-Pyramid-3.-Photo-by-Rick-Aguilar-Studios-e1779215732306.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Golden Girls Cheese Pyramid 3. Photo by Rick Aguilar Studios\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Ed Jones as Rose Nylund in &lt;i&gt;The Golden Girls: The Cheese Pyramid&lt;\/i&gt; at Hell in a Handbag Productions&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Golden-Girls-Cheese-Pyramid-3.-Photo-by-Rick-Aguilar-Studios-e1779215732306.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tA multilevel marketing scam entraps Rose in Hell in a Handbag\u2019s latest \u201clost episodes\u201d parody.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 19, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/tartuffe-conspirators-review\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/Conspirators_Tartuffe_1-scaled-e1779214346749.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"True grift\" data-hero-candidate=\"1\"   data-attachment-id=\"11066635\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/tartuffe-conspirators-review\/attachment\/conspirators_tartuffe_1\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Conspirators_Tartuffe_1-scaled-e1779214346749.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;X-H2&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1778372510&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;140&quot;,&quot;iso&quot;:&quot;640&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Conspirators_Tartuffe_1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Henry DelBello (L) and Deacon Leer in the Conspirators production of &lt;i&gt;Tartuffe, or, The Charlatan&lt;\/i&gt;&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Conspirators_Tartuffe_1-scaled-e1779214346749.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tMoli\u00e8re\u2019s Tartuffe gets a style update with the Conspirators.\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 19, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/fire-house-chicago-shpatz\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/IMG_5460-scaled-e1779212062522.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"Fire House offers stories about burning down and rebuilding\" data-hero-candidate=\"1\"   data-attachment-id=\"11066619\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/fire-house-chicago-shpatz\/attachment\/img_5460\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/IMG_5460-scaled-e1779212062522.jpg?fit=1200%2C675&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,675\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;ILCE-7SM2&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1778790822&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;50&quot;,&quot;iso&quot;:&quot;6400&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IMG_5460\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;&lt;i&gt;Fire House&lt;\/i&gt; by Chicago Shpatz, presented at Firehouse Art Studio&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/IMG_5460-scaled-e1779212062522.jpg?fit=780%2C439&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tChicago Shpatz turns Firehouse Art Studio into an immersive environment for meditations on clandestine love, revolution, ghosts, and more.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 19, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/hookman-bump-in-the-night\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/Hookman-Valerie-Martire-as-Lexi-Anuolwua-Awolola-as-Kayleigh-Photo-Credit-Nathan-Shelton-e1779210997.jpeg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"Urban legend and teenage tragedy combine in Hookman\" data-hero-candidate=\"1\"   data-attachment-id=\"11066610\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/hookman-bump-in-the-night\/attachment\/hookman-valerie-martire-as-lexi-anuolwua-awolola-as-kayleigh-photo-credit-nathan-shelton\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Hookman-Valerie-Martire-as-Lexi-Anuolwua-Awolola-as-Kayleigh-Photo-Credit-Nathan-Shelton-e1779210997153.jpg?fit=1200%2C675&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,675\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.7&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Galaxy S25 Ultra&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1778811027&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;6.3&quot;,&quot;iso&quot;:&quot;640&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Hookman \u2013 Valerie Martire as Lexi, Anuolwua Awolola as Kayleigh Photo Credit Nathan Shelton\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Valerie Martire (L) and Anuoluwa Awolola in &lt;i&gt;Hookman&lt;\/i&gt; at Bump in the Night Theatre Company&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Hookman-Valerie-Martire-as-Lexi-Anuolwua-Awolola-as-Kayleigh-Photo-Credit-Nathan-Shelton-e1779210997153.jpg?fit=780%2C439&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tLauren Yee\u2019s disquieting tragicomedy about death and emotional dislocation returns with Bump in the Night.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 19, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/do-something-pretty-rivendell-theatre-ensemble\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/Katherine-Mallen-Kupferer-Reilly-Oh-scaled-e1778859200832.png\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"Do Something Pretty is an aching look at adolescent longing and fear\" data-hero-candidate=\"1\"   data-attachment-id=\"11066453\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/do-something-pretty-rivendell-theatre-ensemble\/attachment\/katherine-mallen-kupferer-reilly-oh\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Katherine-Mallen-Kupferer-Reilly-Oh-scaled-e1778859200832.png?fit=1200%2C800&amp;quality=80&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Katherine Mallen Kupferer, Reilly Oh\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Katherine Mallen Kupferer (L) and Reilly Oh in &lt;i&gt;Do Something Pretty&lt;\/i&gt; at Rivendell Theatre Ensemble&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Katherine-Mallen-Kupferer-Reilly-Oh-scaled-e1778859200832.png?fit=780%2C520&amp;quality=80&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tMelissa Ross\u2019s drama is set in the early 90s, but it feels disquietingly contemporary at Rivendell Theatre Ensemble.\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 15, 2026May 16, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/covenant-goodman-theatre\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/3_Covenant-Production-Photos-scaled-e1778857989406.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"Covenant is a compelling Southern Gothic thriller with a sorrowful soul\" data-hero-candidate=\"1\"   data-attachment-id=\"11066440\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/covenant-goodman-theatre\/attachment\/3_covenant-production-photos\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/3_Covenant-Production-Photos-scaled-e1778857989406.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS R6&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1777667046&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;33&quot;,&quot;iso&quot;:&quot;4000&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"3_Covenant Production Photos\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Jaeda LaVonne (L), Anji White, and Felicia Oduh in &lt;i&gt;Covenant&lt;\/i&gt; at the Goodman Theatre&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/3_Covenant-Production-Photos-scaled-e1778857989406.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tYork Walker\u2019s drama draws on the Robert Johnson myth, but the women are the center of the story.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 15, 2026May 18, 2026\t\t\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"At a moment in American history when words chronically fail, Trap Door has chosen to update Ettore Scola\u2019s&hellip;\n","protected":false},"author":3,"featured_media":808167,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[5124],"tags":[960,328623,5386,1818,188105,4289,77591,328624,286456],"class_list":["post-808166","post","type-post","status-publish","format-standard","has-post-thumbnail","category-chicago","tag-chicago","tag-ettore-scola","tag-il","tag-illinois","tag-le-bal","tag-listings","tag-reader-recommended","tag-stephen-buescher","tag-trap-door-theatre"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116602967917437112","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/808166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=808166"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/808166\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/808167"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=808166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=808166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=808166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}