{"id":812996,"date":"2026-05-21T20:38:19","date_gmt":"2026-05-21T20:38:19","guid":{"rendered":"https:\/\/www.europesays.com\/us\/812996\/"},"modified":"2026-05-21T20:38:19","modified_gmt":"2026-05-21T20:38:19","slug":"in-the-continuum-remains-a-compelling-drama-about-black-women-and-hiv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/812996\/","title":{"rendered":"In the Continuum remains a compelling drama about Black women and HIV"},"content":{"rendered":"<p class=\"has-drop-cap wp-block-paragraph\">In 2005, Danai Gurira and Nikkole Salter cowrote and costarred in a two-hander play, In the Continuum, an off-Broadway hit that later toured in Zimbabwe, South Africa, and the U.S., including <a href=\"https:\/\/chicagoreader.com\/arts-culture\/invisible-women\/\" rel=\"nofollow noopener\" target=\"_blank\">a 2007 run at the Goodman Theatre<\/a>. Gurira, a Zimbabwean American writer and actress now known for her role as General Okoye of Wakanda in the Marvel franchise, played Abigail, a newscaster, wife, and mother from Harare, Zimbabwe. American actress and playwright Salter appeared as Nia, a teenager born and raised in Salter\u2019s own hometown, Los Angeles. Despite the significant differences between these two characters, Abigail and Nia share a sobering commonality: Both are diagnosed with HIV during the early stages of pregnancy.\u00a0<\/p>\n<p class=\"has-light-gray-background-color has-background wp-block-paragraph\"><strong>In the Continuum<\/strong><br \/>Through 6\/14: Thu\u2013Sat 7 PM, Sun 2:30 PM; Chicago Dramatists, 798 N. Aberdeen, <a href=\"http:\/\/pegasustheatrechicago.org\" rel=\"nofollow noopener\" target=\"_blank\">pegasustheatrechicago.org<\/a>, $35 ($25 seniors, $15 students 21 and under)<\/p>\n<p class=\"wp-block-paragraph\">Pegasus Theatre Chicago reintroduces Gurira and Salter\u2019s Obie Award-winning and Pulitzer Prize-nominated drama to Chicago audiences with a solid revival, directed by ILesa Duncan and starring Georgerinna Farley as Abigail and Niara Taylor as Nia. Each actress also plays multiple other roles, swapping Marquecia Jordan\u2019s costumes from onstage coat racks while Abboye Lawrence\u2019s vintage-looking projections indicate shifts in setting.\u00a0<\/p>\n<p class=\"wp-block-paragraph\">By the mid-2000s, when the play is set, people living with HIV often had better health outcomes and longer life expectancies than earlier patients, due to the development of highly active antiretroviral therapy. However, Abigail and Nia still fear the social stigma, economic precarity, and potentially dangerous domestic situations that may follow the announcement of their diagnoses. Adding to their pain, they both realize that their male partners gave them the virus but are unlikely to shoulder equally heavy consequences.\u00a0<\/p>\n<p class=\"wp-block-paragraph\">Duncan nimbly handles the play\u2019s unconventional structure, which is mostly made up of overlapping scenes set in Harare and LA. Though Farley and Taylor often share the stage, the spoken dialogue is always one-sided, with Abigail and Nia talking to unseen family members, friends, and colleagues. In other scenes, the actresses play supporting characters while Abigail and Nia become the implied scene partners. In lesser hands, this format could feel disjointed, but Farley and Taylor bring enough energy and humor to this colorful cast to hold the show together. Although a few elements come across as dated, the play\u2019s through line connecting the experiences of African and African American women remains compelling.<\/p>\n<p> Reader Recommends: THEATER &amp; DANCE<\/p>\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\" style=\"padding-top:0;padding-bottom:var(--wp--preset--spacing--40)\">Reader reviews of Chicago theater, dance, comedy, and performance arts.<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/targeted-red-orchid-theatre\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/The-Targeted-1.-Photo-by-Evan-Hanover-e1779393269782.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"The Targeted is a smart and empathetic look at conspiracies and paranoia\" data-hero-candidate=\"1\"   data-attachment-id=\"11066786\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/targeted-red-orchid-theatre\/attachment\/the-targeted-1-photo-by-evan-hanover\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/The-Targeted-1.-Photo-by-Evan-Hanover-e1779393269782.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;6.3&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;NIKON D850&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1778723732&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"The Targeted 1. Photo by Evan Hanover\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Stephanie Shum (L), Natalie West, Glenn Obrero, Sadieh Rifai, and Kirsten Fitzgerald in &lt;i&gt;The Targeted&lt;\/i&gt; at A Red Orchid Theatre&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/The-Targeted-1.-Photo-by-Evan-Hanover-e1779393269782.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tHanna Kime\u2019s drama receives a thoughtful and sometimes harrowing production at A Red Orchid Theatre.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 21, 2026May 21, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/spamalot-broadway-in-chicago\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/The-cast-of-the-North-American-Tour-of-SPAMALOT.-Photo-by-Matthew-Murphy-and-Evan-Zimmerman-2-scaled.jpeg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"Spamalot brings the bright side of parody to life\" data-hero-candidate=\"1\"   data-attachment-id=\"11066770\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/spamalot-broadway-in-chicago\/attachment\/the-cast-of-the-north-american-tour-of-spamalot-photo-by-matthew-murphy-and-evan-zimmerman-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/The-cast-of-the-North-American-Tour-of-SPAMALOT.-Photo-by-Matthew-Murphy-and-Evan-Zimmerman-2-scaled-e1779391340320.jpg?fit=1200%2C801&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,801\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;6.3&quot;,&quot;credit&quot;:&quot;Evan Zimmerman&quot;,&quot;camera&quot;:&quot;Canon EOS R5&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1764712632&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;44&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.0025&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"The cast of the North American Tour of SPAMALOT. Photo by Matthew Murphy and Evan Zimmerman (2)\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;The cast of the North American touring production of &lt;i&gt;Spamalot&lt;\/i&gt;, presented by Broadway in Chicago at CIBC Theatre&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/The-cast-of-the-North-American-Tour-of-SPAMALOT.-Photo-by-Matthew-Murphy-and-Evan-Zimmerman-2-scaled-e1779391340320.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tThe current touring production of the Python-inspired musical offers a bit of goofy comic relief.\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 21, 2026May 21, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/enemy-of-the-people-timeline-theatre\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/TimeLine_AnEnemyOfThePeople_byBrettBeinerPhotography_0498-scaled-e1779389760384.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"An Enemy of the People kicks open the doors of TimeLine\u2019s new home\" data-hero-candidate=\"1\"   data-attachment-id=\"11066759\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/enemy-of-the-people-timeline-theatre\/attachment\/timeline_anenemyofthepeople_bybrettbeinerphotography_0498\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/TimeLine_AnEnemyOfThePeople_byBrettBeinerPhotography_0498-scaled-e1779389760384.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;brett beiner&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;brett beiner photography 2026&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"TimeLine_AnEnemyOfThePeople_byBrettBeinerPhotography_0498\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Will Allan (L) and Behzad Dabu in &lt;i&gt;An Enemy of the People&lt;\/i&gt; at TimeLine Theatre&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/TimeLine_AnEnemyOfThePeople_byBrettBeinerPhotography_0498-scaled-e1779389760384.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tAmy Herzog\u2019s adaptation of Henrik Ibsen\u2019s 19th-century drama contains wit, pathos, and passion.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 21, 2026May 21, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/le-bal-trap-door-theatre\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/1779395897_811_Gus-Thomas-Emily-Nichelson-Genevieve-Corkery-and-Carl-Wisniewski-Photo-by-Michal-Janicki-scaled-e177.jpeg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"Le Bal gives us history without words\" data-hero-candidate=\"1\"   data-attachment-id=\"11066652\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/le-bal-trap-door-theatre\/attachment\/gus-thomas-emily-nichelson-genevieve-corkery-and-carl-wisniewski-photo-by-michal-janicki\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Gus-Thomas-Emily-Nichelson-Genevieve-Corkery-and-Carl-Wisniewski-Photo-by-Michal-Janicki-scaled-e1779216448927.jpg?fit=1200%2C801&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,801\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Gus Thomas, Emily Nichelson, Genevieve Corkery, and Carl Wisniewski \u2013 Photo by Michal Janicki\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt; Gus Thomas (L), Emily Nichelson, Genevieve Corkery, and Carl Wisniewski in &lt;i&gt;LE Bal&lt;\/i&gt; at Trap Door Theatre&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Gus-Thomas-Emily-Nichelson-Genevieve-Corkery-and-Carl-Wisniewski-Photo-by-Michal-Janicki-scaled-e1779216448927.jpg?fit=780%2C521&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tTrap Door\u2019s adaptation of Ettore Scola\u2019s 1983 film covers nine decades of U.S. history in movement and costumes.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 19, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/golden-girls-cheese-pyramid-hell-in-a-handbag\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/1779395898_201_Golden-Girls-Cheese-Pyramid-3.-Photo-by-Rick-Aguilar-Studios-e1779215732306.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"The Golden Girls: The Cheese Pyramid balances kitschy homage and diva drag perfection\" data-hero-candidate=\"1\"   data-attachment-id=\"11066646\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/golden-girls-cheese-pyramid-hell-in-a-handbag\/attachment\/golden-girls-cheese-pyramid-3-photo-by-rick-aguilar-studios\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Golden-Girls-Cheese-Pyramid-3.-Photo-by-Rick-Aguilar-Studios-e1779215732306.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Golden Girls Cheese Pyramid 3. Photo by Rick Aguilar Studios\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Ed Jones as Rose Nylund in &lt;i&gt;The Golden Girls: The Cheese Pyramid&lt;\/i&gt; at Hell in a Handbag Productions&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Golden-Girls-Cheese-Pyramid-3.-Photo-by-Rick-Aguilar-Studios-e1779215732306.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tA multilevel marketing scam entraps Rose in Hell in a Handbag\u2019s latest \u201clost episodes\u201d parody.\n\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 19, 2026\t\t\t\t<\/p>\n<p>\t\t\t\t\t\t\t\t<a href=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/tartuffe-conspirators-review\/\" rel=\"bookmark nofollow noopener\" tabindex=\"-1\" aria-hidden=\"true\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"900\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/1779395899_90_Conspirators_Tartuffe_1-scaled-e1779214346749.jpg\" class=\"attachment-newspack-article-block-landscape-large size-newspack-article-block-landscape-large wp-post-image\" alt=\"True grift\" data-hero-candidate=\"1\"   data-attachment-id=\"11066635\" data-permalink=\"https:\/\/chicagoreader.com\/performing-arts\/theater\/theater-review\/tartuffe-conspirators-review\/attachment\/conspirators_tartuffe_1\/\" data-orig-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Conspirators_Tartuffe_1-scaled-e1779214346749.jpg?fit=1200%2C800&amp;quality=89&amp;ssl=1\" data-orig-size=\"1200,800\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;X-H2&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1778372510&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;140&quot;,&quot;iso&quot;:&quot;640&quot;,&quot;shutter_speed&quot;:&quot;0.008&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Conspirators_Tartuffe_1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&lt;b&gt;Henry DelBello (L) and Deacon Leer in the Conspirators production of &lt;i&gt;Tartuffe, or, The Charlatan&lt;\/i&gt;&lt;\/b&gt;&lt;\/p&gt;&#10;\" data-large-file=\"https:\/\/i0.wp.com\/chicagoreader.com\/wp-content\/uploads\/2026\/05\/Conspirators_Tartuffe_1-scaled-e1779214346749.jpg?fit=780%2C520&amp;quality=89&amp;ssl=1\"\/>\t\t\t\t\t\t\t\t\t\t\t\t<\/a><\/p>\n<p>\n\t\t\t\t\tMoli\u00e8re\u2019s Tartuffe gets a style update with the Conspirators.\t\t\t\t<\/p>\n<p>\n\t\t\t\t\tMay 19, 2026May 20, 2026\t\t\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"In 2005, Danai Gurira and Nikkole Salter cowrote and costarred in a two-hander play, In the Continuum, an&hellip;\n","protected":false},"author":3,"featured_media":812997,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[5124],"tags":[960,302602,5386,168051,1818,330256,4289,330257,330258,77591],"class_list":["post-812996","post","type-post","status-publish","format-standard","has-post-thumbnail","category-chicago","tag-chicago","tag-danai-gurira","tag-il","tag-ilesa-duncan","tag-illinois","tag-in-the-continuum","tag-listings","tag-nikkole-salter","tag-pegasus-theatre-chicago","tag-reader-recommended"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116614498195009766","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/812996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=812996"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/812996\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/812997"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=812996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=812996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=812996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}