{"id":817232,"date":"2026-05-23T17:02:27","date_gmt":"2026-05-23T17:02:27","guid":{"rendered":"https:\/\/www.europesays.com\/us\/817232\/"},"modified":"2026-05-23T17:02:27","modified_gmt":"2026-05-23T17:02:27","slug":"review-fort-worth-symphony-plays-italian-inspired-works","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/817232\/","title":{"rendered":"Review: Fort Worth Symphony plays Italian-inspired works"},"content":{"rendered":"<p><img alt=\"Fort Worth Symphony Orchestra principal violist DJ Cheek performs Hector Berlioz's &quot;Harold in Italy&quot; with the FWSO on May 22, 2026.\" loading=\"eager\" fetchpriority=\"high\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofcv bgscv block bg-black mnh0px fill\"\/><\/p>\n<p>Fort Worth Symphony Orchestra principal violist DJ Cheek performs Hector Berlioz&#8217;s &#8220;Harold in Italy&#8221; with the FWSO on May 22, 2026.<\/p>\n<p>Karen Almond<img alt=\"The Fort Worth Symphony Orchestra onstage for a concert at Bass Performance Hall in Fort Worth on May 22, 2026.\u00a0\" loading=\"lazy\"   style=\"aspect-ratio:3 \/ 2\" class=\"x100 y100 opc bgpc ofct bgsct block bg-black mnh0px fill\"\/><\/p>\n<p>The Fort Worth Symphony Orchestra onstage for a concert at Bass Performance Hall in Fort Worth on May 22, 2026.\u00a0<\/p>\n<p>Scott Cantrell\/Special Contributor<\/p>\n<p>FORT WORTH \u2014 Friday night\u2019s\u00a0<a href=\"https:\/\/fwsymphony.org\/\" data-link=\"native\" class=\"\" rel=\"nofollow noopener\" target=\"_blank\">Fort Worth Symphony<\/a> concert, the last of the orchestra\u2019s classical season, was billed as \u201cAn Evening in Finland.\u201d Only the second half, though, was devoted to the best-known Finnish symphonist, Jean Sibelius. The first half featured Harold in Italy, a hybrid symphony-concerto by the tr\u00e8s French Hector Berlioz.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cdn-channels-pixel.ex.co\/events\/0012000001fxZm9AAE?integrationType=DEFAULT&amp;template=design%2Farticle%2Fplatypus_two_column.tpl\" alt=\"\" class=\"x1px y1px vh abs\" aria-hidden=\"true\" width=\"1\" height=\"1\"\/><\/p>\n<p>Actually, the program could have been titled \u201cTwo Pieces by Two Very Different Composers Inspired by Italian Visits.\u201d<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>\u00a0As a winner of the Prix de Rome, Berlioz traveled widely in Italy during 1831-32, and scenes and folk songs he encountered inspired a number of subsequent works. In Harold in Italy, he imagined the solo viola as a traveler akin to the eponym of Lord Byron\u2019s Childe Harold\u2019s Pilgrimage. It was intended for the famous violin virtuoso Niccol\u00f2 Paganini, who also played viola, but the latter dismissed it for insufficient showiness.<\/p>\n<p>Indeed, it\u2019s less a conventional concerto than a symphony with a semi-prominent solo viola part. Its four movements purportedly evoke \u201cHarold in the Mountains,\u201d \u201cProcession of Pilgrims Singing the Evening Hymn,\u201d \u201cSerenade of an Abruzzi Mountaineer to his Sweetheart\u201d and \u201cThe Bandits\u2019 Orgy.\u201d If the viola drifts in and out of a subtle spotlight, it\u2019s still a relatively rare solo outing for the alto of stringed instruments.<\/p>\n<p>FWSO principal violist DJ Cheek underlined its strangeness by walking onstage well after the orchestral introduction, and walking off, then back on again, in the finale. Beginning with gentle, silken tone and expressive reserve, he summoned a darker, creamier sound for the pilgrims\u2019 evening hymn.<\/p>\n<p>Make Dallas News a preferred source so your search results prioritize writing by actual people, not AI.<\/p>\n<p><a href=\"https:\/\/www.google.com\/preferences\/source?q=dallasnews.com\" data-link=\"native\" role=\"button\" aria-label=\"Add Preferred Source\" class=\"td300 cp f aic jcc disabled:cd wsn px24 y40px px16 py8 buttonSm fs13 xs:fs16 xs:buttonLg bg-primaryAccessible hover:o80 c-white disabled:bg-gray300 disabled:c-gray600 border bn tac br2\"><\/p>\n<p>Add Preferred Source<\/p>\n<p><\/a><\/p>\n<p>He played wisely and well, although the gentle-voiced viola couldn\u2019t always be heard over larger sounds from the orchestra. I wondered if balances might have been better if he and music director Robert Spano had been a bit more forward on the Bass Performance Hall stage. But apart from a couple brief slippages of ensemble, the orchestra supplied an aptly dramatic performance.<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>We think of Sibelius as the quintessentially Finnish composer, his music suggesting rugged, windswept landscapes of forests and lakes. But he began sketching his Second Symphony on a 1901 Italian trip. After the strings\u2019 opening shudders, the winds\u2019 catchy little tune may be as Italian as Finnish.<\/p>\n<p>Sibelius himself acknowledged the mosaic quality of the symphony\u2019s materials, but, even with starts and stops within movements, he was at pains to integrate the ideas.<\/p>\n<p>Spano, though, emphasized contrasts at the expense of coherence. Starting with the horns\u2019 too-loud first entrance, bright sonic floodlights were trained on nearly every new idea.<\/p>\n<p>If your idea of musical pleasure is strings as well as brasses playing as loudly as humanly possible \u2014 and doing so skillfully \u2014 you may have been thrilled. And there were patches of very quiet playing. Overall, I yearned for a subtler, more cohesive performance.<\/p>\n<p class=\"uiTextSmall f aic jcc\">Article continues below this ad<\/p>\n<p>Details<\/p>\n<p>Repeats at 7:30 p.m. Saturday and 2 p.m. Sunday at Bass Performance Hall, Fourth and Commerce, Fort Worth. $30 to $103. 817-665-6000, <a href=\"https:\/\/fwsymphony.org\/concert-archive\/25-26-season\/symphonic-series\/an-evening-in-finland\" data-link=\"native\" class=\"\" rel=\"nofollow noopener\" target=\"_blank\">fwsymphony.org<\/a>.<\/p>\n<p>UPDATE, May 23, 2026, 10:45 a.m.: Additional photos from the concert were added.<\/p>\n","protected":false},"excerpt":{"rendered":"Fort Worth Symphony Orchestra principal violist DJ Cheek performs Hector Berlioz&#8217;s &#8220;Harold in Italy&#8221; with the FWSO on&hellip;\n","protected":false},"author":3,"featured_media":817233,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[5138],"tags":[5229,7371,7372,358,336326,336327,3187,67,586,132,5230,68,2969],"class_list":["post-817232","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fort-worth","tag-america","tag-fort-worth","tag-fortworth","tag-texas","tag-tp-classical-music","tag-tp-fort-worth-symphony-orchestra","tag-tx","tag-united-states","tag-united-states-of-america","tag-unitedstates","tag-unitedstatesofamerica","tag-us","tag-usa"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116624973119942259","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/817232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=817232"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/817232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/817233"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=817232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=817232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=817232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}