{"id":826095,"date":"2026-05-27T18:47:24","date_gmt":"2026-05-27T18:47:24","guid":{"rendered":"https:\/\/www.europesays.com\/us\/826095\/"},"modified":"2026-05-27T18:47:24","modified_gmt":"2026-05-27T18:47:24","slug":"box-office-preview-mandalorian-to-get-lost-in-backrooms","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/826095\/","title":{"rendered":"Box Office Preview: &#8216;Mandalorian&#8217; To Get Lost In &#8216;Backrooms&#8217;"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tIt\u2019s the summer of surprises, and one in which studios are finally getting their arms around the lost YouTube generation, as they call it, when it comes to younger moviegoers. Chernin Entertainment, Blumhouse-Atomic Monster and A24\u2019s thrifty financed feature take of Kane Parsons\u2019 IP <strong><a href=\"https:\/\/deadline.com\/tag\/backrooms\/\" id=\"auto-tag_backrooms\" data-tag=\"backrooms\" rel=\"nofollow noopener\" target=\"_blank\">Backrooms<\/a><\/strong> is looking to Force-choke Lucasfilm\/Disney\u2019s Star Wars: Mandalorian and Grogu for No. 1 this box office frame with a <strong>$40 million-$45 million domestic opening<\/strong>. That would rep the highest opening ever for an A24 movie, beating their previous start, 2024\u2019s Civil War ($25.5M).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFor rabid fans of Parsons (online handle: Kane Pixel), who originally launched the IP on 4chan and spread on Reddit, Backrooms is a dream come true in its big-screen arrival \u2014 a movie directed by the original creator. Parsons launched Backrooms when he was 16 with this universe of a man lost in myriad banal rooms filled with nightmarish people morphing into Roblox and Minecraft games. The property was transformed into a found-footage YouTube series created via Blender and Unreal Engine that amassed north of 190 million views. Oscar nominees Chiwetel Ejiofor and Renate Reinsve star alongside Mark Duplass.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tGood news for the under-35 appealing property which plays like a first-person video game: Critical reviews are at 81% fresh. They amazingly get it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tPresales for Backrooms \u2014 and take this with a grain of salt \u2014 are on the level of Scream 7 per distribution sources. Though that movie opened to $63.6M, keep in mind it\u2019s expected that Backrooms will be front-loaded. Previews for Scream 7 came in at $7.8M.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe R-rated genre pic starts previews Thursday at 4 p.m. with a 3,000-theater break Friday.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/MCDSTWA_WD072.jpg\" alt=\"\" data-lazy- data-lazy- height=\"428\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\t\u2018Star Wars: The Mandalorian and Grogu\u2019<\/p>\n<p>\t\t\t\t\t\t\t\t\tWalt Disney Studios Motion Pictures \/ Everett Collection<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tMeanwhile, the Jon Favreau-directed feature take of the Disney+ series<strong> The Mandalorian and Grogu<\/strong> is expecting to ease near 60%, or <strong>$40M<\/strong> (yes, a possible close call). That decline would be ahead of Solo: A Star Wars Story\u2018s post-Memorial Day weekend decline, which was 65% for $29.3M. On Tuesday, the Lucasfilm title led with an estimated $6.4M over Focus Features\u2019 second Tuesday of <strong>Obsession<\/strong> $5.5M. That pic will continue to hold like a sustained scream into weekend 3 with an estimated <strong>$13M<\/strong>, a 45% dip; the Curry Barker directed romance horror will continue to leave couples in debate as they leave the theater.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tCurrent running cumes on Mandalorian and Grogu and Obsession are <strong>$104.5M <\/strong>and <strong>$67.8M<\/strong>, respectively. More powerful than lightsabers in regards to the bottom lines, Mando and Baby Yoda will hold onto Imax screens in their second and third frames.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>RELATED: <a href=\"https:\/\/deadline.com\/gallery\/highest-grossing-movies-all-time\/\" data-type=\"pmc-gallery\" data-id=\"1235520083\" rel=\"nofollow noopener\" target=\"_blank\">The 60 Movies That Have Made More Than $1 Billion At The Global Box Office<\/a><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBackrooms is one of three wide entries this weekend along with Sony\u2019s PG-rated Nate Bargatze movie <strong>The Breadwinner,<\/strong> which is spotting <strong>$8M<\/strong> at 3,300 locations, and maybe $10M in its play toward families. Pic was cheap for Sony at a net $25M production cost before P&amp;A. Exhibitors have been pushing special lower pricing for families on the film as encouraged by the Netflix comedian, aka \u201cThe Nate Rate\u201d; AMC will have special matinee pricing, while Cinemark is offering 25% off on tickets. The last time we saw this type of flexible pricing was with Paramount\u2019s older-skewing 2023 Jane Fonda-Lily Tomlin-Sally Field-Rita Moreno comedy 80 for Brady, which opened to $12.7M.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBillboard has measured Bargatze as one of today\u2019s top grossing comedians, the stand-up topping April comedy tours with $11.2M from 15 shows. No critics scores on Breadwinner yet. Previews begin Thursday at noon.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/P_FP_00001_R.jpg\" alt=\"Brendan Fraser as Gen. Dwight D. Eisenhower in a scene from the movie Pressure\" data-lazy- data-lazy- height=\"554\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tBrendan Fraser as Gen. Dwight D. Eisenhower in \u2018<a href=\"https:\/\/deadline.com\/tag\/pressure\/\" id=\"auto-tag_pressure\" data-tag=\"pressure\" rel=\"nofollow noopener\" target=\"_blank\">Pressure<\/a>\u2018<\/p>\n<p>\t\t\t\t\t\t\t\t\tFocus Features\/STUDIOCANAL<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFocus Features has the Anthony Maras-directed WWII movie <strong>Pressure <\/strong>starring Andrew Scott, Brendan Fraser, Kerry Condon, Chis Messina and Damian Lewis. The D-Day movie is looking at <strong>mid-single digits<\/strong> at 1,825 theaters. A comp here, though it opened much wider, is the 2022 Korean War epic Devotion, which opened to $5.9M. First choice in tracking is best with those over 25. The movie was a negative pick-up for Focus from StudioCanal.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>RELATED: <a href=\"https:\/\/deadline.com\/2026\/05\/pressure-review-brendan-fraser-andrew-scott-ww2-d-day-1236921215\/\" data-type=\"post\" data-id=\"1236921215\" rel=\"nofollow noopener\" target=\"_blank\">\u2018Pressure\u2019 Review:  Brendan Fraser &amp; Andrew Scott In Thrilling WWII Story Of How A Weather Forecast Changed History In The 72 Hours Before D-Day<\/a><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBased on David Haig\u2019s acclaimed play, Pressure is set during the tense 72 hours before D-Day, with the fate of the free world hanging in the balance. General Dwight D. Eisenhower (Fraser) and Group Capt. James Stagg (Scott) face an impossible choice \u2014 launch the largest and most dangerous seaborne invasion in history or risk losing the war altogether. So far, critics like it at 86% fresh. The PG-13 feature starts previews Thursday around 11 a.m.<\/p>\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/05\/Power-Ballad.jpg\" alt=\"'Power Ballad' trailer with Paul Rudd and Nick Jonas\" data-lazy- data-lazy- height=\"576\" width=\"1024\" decoding=\"async\"\/><\/p>\n<p>\t\t\t\t\tNick Jonas and Paul Rudd in \u2018<a href=\"https:\/\/deadline.com\/tag\/power-ballad\/\" id=\"auto-tag_power-ballad\" data-tag=\"power-ballad\" rel=\"nofollow noopener\" target=\"_blank\">Power Ballad<\/a>\u2018<\/p>\n<p>\t\t\t\t\t\t\t\t\tLionsgate\/Everett Collection<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tLionsgate has the limited release of the Paul Rudd and Nick Jonas music comedy drama<strong> Power Ballad. <\/strong>The John Carney-directed and co-written pic follows Rick (Rudd), a washed-up wedding singer, and Danny (Jonas), a fading boy band star, who bond over music and a late-night jam session. When Danny turns Rick\u2019s song into a hit, Rick sets out to reclaim the recognition he believes he deserves.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFollowing its <a data-id=\"1236746440\" data-type=\"post\" href=\"https:\/\/deadline.com\/2026\/03\/power-ballad-review-paul-rudd-nick-jonas-music-dramedy-sxsw-1236746440\/\" rel=\"nofollow noopener\" target=\"_blank\">SXSW world premiere<\/a>, Power Ballad stands at 88% fresh with critics. Pic is going in 10 locations in New York, Los Angeles, Chicago, Austin and Phoenix.<\/p>\n","protected":false},"excerpt":{"rendered":"It\u2019s the summer of surprises, and one in which studios are finally getting their arms around the lost&hellip;\n","protected":false},"author":3,"featured_media":826096,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[9],"tags":[310044,171,275493,13992,313814,118294,67,132,68],"class_list":["post-826095","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-backrooms","tag-entertainment","tag-power-ballad","tag-pressure","tag-star-wars-the-mandalorian-grogu","tag-the-breadwinner","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116648034552937455","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/826095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=826095"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/826095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/826096"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=826095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=826095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=826095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}