{"id":840272,"date":"2026-06-03T00:27:08","date_gmt":"2026-06-03T00:27:08","guid":{"rendered":"https:\/\/www.europesays.com\/us\/840272\/"},"modified":"2026-06-03T00:27:08","modified_gmt":"2026-06-03T00:27:08","slug":"moma-names-makeda-best-as-new-photography-chief","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/840272\/","title":{"rendered":"MoMA Names Makeda Best as New Photography Chief"},"content":{"rendered":"<p class=\"css-ac37hb evys1bk0\">The Museum of Modern Art has named Makeda Best, a deputy director of the Oakland Museum of California, as its new chief curator for photography, it announced Tuesday. Her appointment ends a vacancy of nearly four years at MoMA\u2019s photo department, in one of the most prestigious positions in the field.<\/p>\n<p class=\"css-ac37hb evys1bk0\">\u201cThis department has influenced, implicitly or explicitly, so much of how we understand the medium,\u201d said Best, who will begin in her new role in September. In an interview, Best pointed to the legacy of <a class=\"css-yywogo\" href=\"https:\/\/www.moma.org\/artists\/5623-edward-steichen\" title=\"\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Edward Steichen<\/a>, who led MoMA\u2019s photo department from 1947 to 1962, and <a class=\"css-yywogo\" href=\"https:\/\/archive.nytimes.com\/lens.blogs.nytimes.com\/2015\/10\/29\/a-family-of-man-reunion\/\" title=\"\" rel=\"nofollow noopener\" target=\"_blank\">whose acquisitions<\/a> included large caches of photographs from the Farm Security Administration during the Great Depression. \u201cSteichen talked about the collection he was building of F.S.A. photography as an argument about America,\u201d Best explained. \u201cAnd that became really influential to me as a curator. I\u2019m someone who\u2019s very much committed to big stories from the collection.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">Like Steichen, Best is also a photographer, who trained at CalArts under the artist Allan Sekula. She went on to complete a doctorate in art history at Harvard, and eventually returned to Cambridge to serve as curator of photography at the Harvard Art Museums. There she organized \u201c<a class=\"css-yywogo\" href=\"https:\/\/harvardartmuseums.org\/exhibitions\/5877\/devour-the-land-war-and-american-landscape-photography-since-1970\" title=\"\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Devour the Land<\/a>,\u201d an acclaimed exhibition of war photography, and \u201c<a class=\"css-yywogo\" href=\"https:\/\/aperture.org\/editorial\/james-baldwin-ben-sloat\/\" title=\"\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">Time Is Now: Photography and Social Change in James Baldwin\u2019s America<\/a>,\u201d which blended documentary imagery with literary history.<\/p>\n<p>The Museums Special Section<\/p>\n<p class=\"css-ac37hb evys1bk0\">She joined the Oakland Museum in 2023, where she has overseen its collection displays and special exhibitions. She has also continued to curate shows elsewhere; her exhibition \u201c<a class=\"css-yywogo\" href=\"https:\/\/4columns.org\/d-souza-aruna\/american-job\" title=\"\" rel=\"noopener noreferrer nofollow\" target=\"_blank\">American Job,<\/a>\u201d surveying a century of labor and American photography, was seen at the International Center of Photography in New York last year.<\/p>\n<p class=\"css-ac37hb evys1bk0\">MoMA\u2019s photo collection, numbering some 35,000 prints and objects, includes both artworks and documentary materials from the dawn of the medium in the 1840s to the present day. Since 2019, when MoMA reopened in an expanded headquarters, the museum has presented photography within a single flowing narrative of modern painting, sculpture, drawing and design, rather than in a separate wing. \u201cI do enjoy how the museum has integrated photography throughout the collection,\u201d said Best, adding, \u201cThe actual choices that curators make are brought into sharper relief, and that process to me is exciting.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">While much of Best\u2019s scholarship and curatorial experience has focused on documentary and social photography, she also wants to \u201cexpand the kinds of photography that we see\u201d at the museum, and to reckon with the effect of digital media on how we pay attention to images. \u201cPhotography is a medium that\u2019s always been in crisis, that\u2019s always questioning itself,\u201d she said. \u201cThat is its history. So in many ways, this is another moment in which \u2014 as a field, as a medium \u2014 we\u2019re trying to figure out who we are and what it means.<\/p>\n<p class=\"css-ac37hb evys1bk0\">\u201cAnd I think audiences are asking for different things as well. One way to read it is that they\u2019re distracted, but another way to think about it is that they\u2019re looking for something beyond content. They\u2019re looking for experiences, connection.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">That requires a new approach to installation and storytelling, Best argued: \u201cIt doesn\u2019t work anymore just to hang things on the wall.\u201d<\/p>\n<p class=\"css-ac37hb evys1bk0\">Best succeeds <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2022\/09\/16\/arts\/design\/moma-photo-curator-clement-cheroux.html\" title=\"\" rel=\"nofollow noopener\" target=\"_blank\">Cl\u00e9ment Ch\u00e9roux<\/a>, who led the photography department from 2020 to 2022. (Roxana Marcoci, a senior MoMA curator, has been leading the department on an interim basis since then.) Best is the second chief curator appointed by <a class=\"css-yywogo\" href=\"https:\/\/www.nytimes.com\/2025\/03\/28\/arts\/design\/christophe-cherix-moma-director.html\" title=\"\" rel=\"nofollow noopener\" target=\"_blank\">Christophe Cherix<\/a>, who became director of the museum in 2025. In October he appointed Jodi Hauptman to lead the department of drawings, which Cherix himself chaired before his promotion.<\/p>\n","protected":false},"excerpt":{"rendered":"The Museum of Modern Art has named Makeda Best, a deputy director of the Oakland Museum of California,&hellip;\n","protected":false},"author":3,"featured_media":840273,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[32],"tags":[311673,648,1032,344141,344143,344142,170507,1033,171,344139,74370,8160,344140,3092,67,132,68],"class_list":["post-840272","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-appointments-and-executive-changes","tag-arts","tag-arts-and-design","tag-cherix","tag-cheroux","tag-christophe","tag-clement","tag-design","tag-entertainment","tag-makeda-best","tag-museum-of-modern-art","tag-museums","tag-oakland-museum-of-california","tag-photography","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/116683344703318732","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/840272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=840272"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/840272\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/840273"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=840272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=840272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=840272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}