{"id":90441,"date":"2025-07-25T04:25:12","date_gmt":"2025-07-25T04:25:12","guid":{"rendered":"https:\/\/www.europesays.com\/us\/90441\/"},"modified":"2025-07-25T04:25:12","modified_gmt":"2025-07-25T04:25:12","slug":"ryan-davis-the-roadhouse-band-new-threats-from-the-soul-album-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/90441\/","title":{"rendered":"Ryan Davis &#038; the Roadhouse Band: New Threats From the Soul Album Review"},"content":{"rendered":"<p>Even with this pedigree, New Threats From the Soul is the most overwhelming, singular display of Davis\u2019 gifts to date: a record whose novelty is matched by its warmth and consistency. Some lyrics dazzle with their idiomatic insight, like this one: \u201cThere are times when a white flag is nothing but a blank canvas\/It waves for what happens next.\u201d There are others that feel remarkable for how many clever turns of phrase they blend so gracefully, like this one: \u201cIf we put our two heads together on this sad sack of feathers\/Could we remember what the memory foam forgot?\u201d There are others that remind me of the days when Twitter was a humble platform for silly, self-explanatory observations, like when he reads \u201cOJDIDIT\u201d on a license plate. And then there are lyrics that feel torn from the pages of some lost American spiritual epic, like when he considers the penny slot\u2019s nagging class consciousness as it peers into the high-stakes room.<\/p>\n<p>The lyrics are so good that I could spend this whole review quoting them, but I\u2019d like to avoid that, because, even since 2023\u2019s masterful <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/ryan-davis-and-the-roadhouse-band-dancing-on-the-edge\/\" target=\"_blank\" rel=\"noopener\">Dancing on the Edge<\/a>, the Roadhouse Band has developed a sound that feels just as worthy of celebration. There\u2019s a reason why the average song hovers around eight minutes, and it\u2019s not just Davis\u2019 knack for recurring motifs. The band knows how to stretch out, swapping the scenery to make each left turn feel pivotal. \u201cMutilation Springs,\u201d the longest song on the record, incorporates a chintzy keyboard intro, a spacey slow-burn for his spoken-word delivery, a blink-and-you-miss-it musical nod to \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=LemG0cvc4oU\" target=\"_blank\" rel=\"noopener\">Lola<\/a>,\u201d and a closing jam with flute accompaniment from <a data-offer-url=\"https:\/\/louturner.bandcamp.com\/\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/louturner.bandcamp.com\/&quot;}\" href=\"https:\/\/louturner.bandcamp.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Lou Turner<\/a> that sounds like a band of animatronic bears jamming to <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/14687-station-to-station-deluxe-edition\/\" target=\"_blank\" rel=\"noopener\">Station to Station<\/a>.<\/p>\n<p>Arriving at a particularly abundant time for lyric-driven indie rock drawing on folk and country, New Threats From the Soul stands proudly on its own. It is a record that indulges in potentially alienating ideas\u2014like doubling back to \u201cMutilation Springs\u201d for a similarly titled, similarly lengthy redux with the same melody and structure\u2014and makes them feel inviting, further embedding us in the landscape. As accompanists, the Roadhouse Band often build to climaxes that should be nonsensical\u2014like finishing the otherwise classic-sounding \u201cMonte Carlo\/No Limits\u201d with a blast of pedal steel, fiddle, and jungle beats. Uniformly, their performances feel inspired, as averse to clich\u00e9 and open to interpretation as Davis\u2019 writing.<\/p>\n<p>This freedom makes the record play like a spontaneous breakthrough, assuming shape as we listen, and it gives Davis the confidence to embrace his role as a bandleader. He knows just when to lay on the swagger\u2014selling the hook of \u201cBetter If You Make Me\u201d with actorly desperation, or closing his eyes to jump an octave and belt the climactic rhyme of \u201cmiracle\u201d and \u201curinal\u201d in the closing \u201cCrass Shadows (At Walden Pawn).\u201d He also knows just when to step back. Throughout \u201cThe Simple Joy,\u201d he occasionally cedes the mic to fellow Kentucky native <a href=\"https:\/\/pitchfork.com\/artists\/3144-will-oldham\/\" target=\"_blank\" rel=\"noopener\">Will Oldham<\/a>, who has never sounded quite so exuberant and soulful on record. Together they sing about life\u2019s \u201csimple joys\u201d and the \u201csimpler lonelinesses,\u201d as Davis\u2019 narrator charts his way from grief to deliverance to solitary confinement. \u201cAre we getting any closer to me knowing what the point of all of this is,\u201d Davis shouts to no specific response, which only gives him more reason to keep singing\u2014pointlessly, joyfully, no longer searching for meaning but making it for himself.<\/p>\n<p class=\"BaseWrap-sc-gzmcOU BaseText-eqOrNE TextBlockText-gyKCst deqABF fAmAZq cVznIp\">All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.<\/p>\n<p><a tabindex=\"-1\" aria-hidden=\"true\" data-offer-retailer=\"Rough Trade\" data-offer-url=\"https:\/\/www.roughtrade.com\/en-us\/product\/ryan-davis-and-the-roadhouse-band\/new-threats-from-the-soul\" class=\"external-link BaseWrap-sc-gzmcOU BaseText-eqOrNE BaseLink-eTpkqh ProductEmbedImageLink-ldHtA-D deqABF llZwNE fyUolD cNNhkX\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/cna.st\/p\/2uABbRt8VjLGBzVYaZi645E2RfL35BHZyWEGkSsRVK1wqG7V1HNdZyBe7Jd2c5RZRYAsEmPuQXzLHEURobxtG9pjJDnk19N8XgkKX8YywThnnb7q8ahSAUAAA1iLDNo6eMHEDbdxWKGqucfefHy4vLS4vSsrtbGPkUgewULNpqg3nM7TRZzKxVA2dZuy2PVohqBxNk6Pk5o6ri2fcM99fC8r3wgk2EK8Z6vuKJxJ6UWUVN7WTGLaGdsvUPgXsLeNDh2Qip1ei4LsAfq2JV7o6t8KYGdtAT7aBDoCNxEZXCJggFXK4XdChrS6GV2p39qG&quot;}\" href=\"https:\/\/cna.st\/p\/2uABbRt8VjLGBzVYaZi645E2RfL35BHZyWEGkSsRVK1wqG7V1HNdZyBe7Jd2c5RZRYAsEmPuQXzLHEURobxtG9pjJDnk19N8XgkKX8YywThnnb7q8ahSAUAAA1iLDNo6eMHEDbdxWKGqucfefHy4vLS4vSsrtbGPkUgewULNpqg3nM7TRZzKxVA2dZuy2PVohqBxNk6Pk5o6ri2fcM99fC8r3wgk2EK8Z6vuKJxJ6UWUVN7WTGLaGdsvUPgXsLeNDh2Qip1ei4LsAfq2JV7o6t8KYGdtAT7aBDoCNxEZXCJggFXK4XdChrS6GV2p39qG\" rel=\"sponsored noopener\" target=\"_blank\"><img decoding=\"async\" alt=\"New Threats From the Soul artwork\" loading=\"lazy\" class=\"ResponsiveImageContainer-eNxvmU cfBbTk responsive-image__image\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/07\/Ryan-Davis.jpeg\"  \/><\/a><\/p>\n<p>Ryan Davis &amp; the Roadhouse Band: New Threats From the Soul<\/p>\n","protected":false},"excerpt":{"rendered":"Even with this pedigree, New Threats From the Soul is the most overwhelming, singular display of Davis\u2019 gifts&hellip;\n","protected":false},"author":3,"featured_media":90442,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[1939,171,975,67,132,68,1940],"class_list":{"0":"post-90441","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-albums","9":"tag-entertainment","10":"tag-music","11":"tag-united-states","12":"tag-unitedstates","13":"tag-us","14":"tag-web"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114911977527664300","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/90441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=90441"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/90441\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/90442"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=90441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=90441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=90441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}