{"id":96978,"date":"2025-07-27T15:04:09","date_gmt":"2025-07-27T15:04:09","guid":{"rendered":"https:\/\/www.europesays.com\/us\/96978\/"},"modified":"2025-07-27T15:04:09","modified_gmt":"2025-07-27T15:04:09","slug":"clairvoyance-chasm-of-immurement-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/96978\/","title":{"rendered":"Clairvoyance – Chasm of Immurement Review"},"content":{"rendered":"

\"\"Yes, I picked this up entirely because of its cover. Girardi\u2019s gorgeous spiral of tombstones and skeletons conjures vintage highbrow death metal of the likes of Death<\/strong>. The title Chasm of Immurement grasps at brutal badassery in the vein of Suffocation<\/strong>\u2019s Effigy of the Forgotten<\/a>. Clairvoyance<\/strong>\u2019s logo remains indecipherable even if you know the band\u2019s name, suggesting kvltness galore. The promo materials describe lyrics that address the isolating effects of depression, foreshadowing a harrowing listen. In isolation, each of these judgments strikes at the truth but glances off. Chasm of Immurement is the debut album from Poland\u2019s Clairvoyance<\/strong>, an unknown band comprising unknown musicians. Lying at the intersection of brainless death-doom and brainiac digressions, Chasm of Immurement is a powerful foray into death metal.<\/p>\n

A first pass through Chasm of Immurement suggests primitive death metal with a dollop of doom. \u201cEternal Blaze\u201d opens the album with a bang that recalls Faceless Burial<\/strong>\u2019s Speciation<\/a>. After grabbing me by the anus, Clairvoyance<\/strong> maintains its hold by alternating between mid-range Obituary<\/strong> riffs and lurching Autopsy<\/strong>-style death-doom. These lowbrow highlights feel both as slimy and evolved as an amoeba. With both its riffs and its guitar tone, Chasm of Immurement leaves a palpable layer of grime that justifies multiple colonoscopies. \u201cBlood Divine\u201d emerges as a late gem through riffs that are gory enough to draw blood and enormous enough to evoke Immolation<\/strong>. This isn\u2019t isolated to a subset of the tracks; throughout its runtime, Chasm of Immurement alternates between a sixteen-wheeler and a used minivan without dulling its fun.<\/p>\n

Chasm of Immurement by Clairvoyance<\/strong><\/a><\/p>\n

On your fifth listen, Clairvoyance<\/strong>\u2019s experimental bent comes into view. The same doomy riffs you\u2019d heard before reveal spooky foreground melodies (\u201cReign of Silence\u201d). The same track that you\u2019d interpreted as a caveman ditty blossoms in baffling melodic directions in its second half (\u201cEternal Blaze\u201d). The same song that introduced itself as by-the-books death metal culminates in a monstrous doomy climax (\u201cFleshmachine\u201d). The same sections that you\u2019d dismissed as repetitive transform into home bases for grimy excursions, interfering with your sleep schedule and your family obligations. Adorning hefty riffs with sinister melodies, Clairvoyance<\/strong> recalls both Lovecraft\u2019s Azathoth and Morbid Angel<\/strong>\u2019s Trey Azagthoth. It took me a while to realize that I was doing Chasm of Immurement an injustice by pigeonholing it into old-school death metal. It is indeed that, but it\u2019s so much more.<\/p>\n

\"\"<\/strong><\/p>\n

Clairvoyance<\/strong>\u2019s varying ambitions both empower and dilute each other. Spanning 34 minutes across 6 tracks, Chasm of Immurement is a concise collection of lengthy tracks. Some of its pieces wander, especially at their simplest. For instance, despite being the second shortest track, \u201cBlood Divine\u201d feels lengthy because of its dearth of creative ideas. Similarly, the shortest song, \u201cEternal Blaze,\u201d suffers from riffwork that\u2019s decent but unimaginative, before eventually redeeming itself with more variety. Even so, these flubs are rare. The six-minute \u201cHymn of the Befouled\u201d is the starkest counterexample, balancing length with girth by combining a vicious off-kilter main riff with melodic escapades that hold me rapt. Parts of Chasm of Immurement could do a better job of remaining engaging, but it\u2019s hardly a fatal flaw.<\/p>\n

Balancing thoughtful death metal and anti-intellectual death-doom, Clairvoyance<\/strong>\u2019s debut is as weird as it is powerful. Neanderthals who need their fix should look here, as Chasm of Immurement\u2019s crushing death metal riffs rival the best of old-school death metal. Conversely, fans of Morbid Angel<\/strong>\u2019s wonkiness or Tomb Mold<\/strong>\u2019s shapeshifting shenanigans will find just as much to love here. Chasm of Immurement is unlikely to dethrone Faithxtractor<\/strong>\u2019s Loathing and the Noose<\/a> atop my 2025 death metal ranking, as its occasional meandering loses my interest. But it\u2019s a promising debut from a crew of talented Polish fiends.<\/p>\n

Rating:<\/strong> 3.5\/5.0
DR:<\/strong> 7 | Format Reviewed:<\/strong> 320 kb\/s mp3
Label:<\/strong> Carbonized Records<\/a>
Websites:<\/strong> carbonizedrecords.bandcamp.com<\/a> | facebook.com\/clairvoyancedeathmetal<\/a>
Releases Worldwide:<\/strong> July 18th, 2025<\/p>\n

\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"Yes, I picked this up entirely because of its cover. Girardi\u2019s gorgeous spiral of tombstones and skeletons conjures…\n","protected":false},"author":3,"featured_media":96979,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[1444,63696,6265,63697,24055,63698,63699,63700,4446,63701,23639,63702,171,63703,63704,63705,63706,975,9455,23664,63707,63708,23669,2290,11853,63709,63710,67,132,68],"class_list":{"0":"post-96978","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-1444","9":"tag-3-5","10":"tag-autopsy","11":"tag-brutal-death","12":"tag-brutal-death-metal","13":"tag-carbonized-records","14":"tag-chasm-of-immurement","15":"tag-clairvoyance","16":"tag-death","17":"tag-death-doom","18":"tag-death-metal","19":"tag-death-doom-metal","20":"tag-entertainment","21":"tag-faceless-burial","22":"tag-immolation","23":"tag-jul25","24":"tag-morbid-angel","25":"tag-music","26":"tag-obituary","27":"tag-polish-metal","28":"tag-prog-death","29":"tag-progressive-death","30":"tag-progressive-death-metal","31":"tag-review","32":"tag-reviews","33":"tag-suffocation","34":"tag-tomb-mold","35":"tag-united-states","36":"tag-unitedstates","37":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114925814923842870","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/96978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=96978"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/96978\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/96979"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=96978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=96978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=96978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}